Portal:Feminism

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The Feminism Portal

International Women's Day, Bangladesh (2005)

Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that modern societies are patriarchal—they prioritize the male point of view—and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.

Originating in late 18th-century Europe, feminist movements have campaigned and continue to campaign for women's rights, including the right to vote, run for public office, work, earn equal pay, own property, receive education, enter into contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contraception, legal abortions, and social integration; and to protect women and girls from sexual assault, sexual harassment, and domestic violence. Changes in female dress standards and acceptable physical activities for women have also been part of feminist movements.

Many scholars consider feminist campaigns to be a main force behind major historical societal changes for women's rights, particularly in the West, where they are near-universally credited with achieving women's suffrage, gender-neutral language, reproductive rights for women (including access to contraceptives and abortion), and the right to enter into contracts and own property. Although feminist advocacy is, and has been, mainly focused on women's rights, some argue for the inclusion of men's liberation within its aims, because they believe that men are also harmed by traditional gender roles. Feminist theory, which emerged from feminist movements, aims to understand the nature of gender inequality by examining women's social roles and lived experiences. Feminist theorists have developed theories in a variety of disciplines in order to respond to issues concerning gender.

Numerous feminist movements and ideologies have developed over the years, representing different viewpoints and political aims. Traditionally, since the 19th century, first-wave liberal feminism, which sought political and legal equality through reforms within a liberal democratic framework, was contrasted with labour-based proletarian women's movements that over time developed into socialist and Marxist feminism based on class struggle theory. Since the 1960s, both of these traditions are also contrasted with the radical feminism that arose from the radical wing of second-wave feminism and that calls for a radical reordering of society to eliminate patriarchy. Liberal, socialist, and radical feminism are sometimes referred to as the "Big Three" schools of feminist thought.

Since the late 20th century, many newer forms of feminism have emerged. Some forms, such as white feminism and gender-critical feminism, have been criticized as taking into account only white, middle class, college-educated, heterosexual, or cisgender perspectives. These criticisms have led to the creation of ethnically specific or multicultural forms of feminism, such as black feminism and intersectional feminism. Some have argued that feminism often promotes misandry and the elevation of women's interests above men's, and criticize radical feminist positions as harmful to both men and women. (Full article...)

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I Know Why the Caged Bird Sings is the 1969 autobiography about the early years of writer and activist Maya Angelou. The first in a six-volume series, it is a coming-of-age story that illustrates how strength of character and a love of literature can help overcome racism and trauma. In the course of Caged Bird, Maya transforms from a victim of racism with an inferiority complex into a self-possessed, dignified young woman capable of responding to racism. Because Angelou uses thematic development and other techniques common to fiction, reviewers often categorize Caged Bird as autobiographical fiction, but the prevailing critical view characterizes it as an autobiography, a genre she attempts to critique, change, and expand. The book covers topics common to autobiographies written by black American women in the years following the civil rights movement: a celebration of black motherhood; a critique of racism; the importance of family; and the quest for independence, personal dignity, and self-definition. Angelou uses her autobiography to explore subjects such as identity, rape, racism, and literacy. She also writes in new ways about women's lives in a male-dominated society. Caged Bird has been used in educational settings from high schools to universities, and the book has been celebrated for creating new literary avenues for the American memoir. However, the book's graphic depiction of childhood rape, racism, and sexuality have caused it to be challenged or banned in some schools and libraries.

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Sophie Blanchard
Sophie Blanchard
Credit: Luigi Rados

Sophie Blanchard (1778-1818) was the first woman to work as a professional balloonist. Napoleon Bonaparte named her "Aeronaut of the Official Festivals" ("Aéronaute des Fêtes Officielles") with responsibility for organising ballooning displays at major events, and may have also made her his Chief Air Minister of Ballooning, in which role she is reported to have drawn up plans for an aerial invasion of England. On the restoration of the monarchy in 1814 she performed for Louis XVIII, who named her "Official Aeronaut of the Restoration". She died in a ballooning accident four years later.

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Hoda Shaarawi (at right)

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Courtney Love
Feminism is a dirty word ... because your feminists are so ugly. Every picture I saw of those women at the nuclear plants, they were not pretty. So I didn't want to be associated with feminism because I thought it would make me ugly.

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Princess Louise in 1901
Princess Louise, Duchess of Argyll was a member of the British Royal Family, the fourth daughter and sixth child of Queen Victoria and Prince Albert. Louise spent her early life under the roof of her parents, and when her father died in 1861, she took on the role as a companion to her mother. In 1871, Louise married John Campbell, Marquess of Lorne, and became the first daughter of a sovereign to marry a British subject since 1515. Although the marriage was initially happy, the couple drifted apart as a result of their childlessness and the Queen's constraints on their activities. In 1878, Louise's husband was appointed Governor General of Canada, and Louise spent five years as his consort. When Louise returned to Britain, she remained close to the Queen and undertook a number of public duties on her behalf. Following the Queen's death in 1901, she remained close to younger generations of the British royal family, and died in 1939 at the age of 91. Louise was a talented sculptor and an artist, and several of her sculptures remain today.

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