Work
|
Description
|
Date
|
Medium
|
Size
|
Location
|
|
Portrait of Jakob Meyer zum Hasen[2]
|
1516
|
Silverpoint, red chalk, and traces of black pencil on white-coated paper
|
28.1 × 19 cm
|
Kunstmuseum Basel
|
|
Portrait of Dorothea Meyer, née Kannengiesser[3]
|
1516
|
Silverpoint, red chalk, traces of black crayon on paper
|
28.6 (left), 29.3 (right) × 20.1 cm
|
Kunstmuseum Basel Royal Collection, Windsor Castle
|
|
Portrait of Jakob Meyer zum Hasen[4]
|
c. 1525–26
|
Black and coloured chalks, lead point, background coloured light green
|
38.3 × 27.5 cm
|
Kunstmuseum Basel
|
|
Portrait of Dorothea Meyer, née Kannengiesser[5]
|
c. 1525–26
|
Black and coloured chalks on white-primed paper, and lead point
|
39.5 × 28.1 cm
|
Kunstmuseum Basel
|
100px
|
Portrait of [6]
|
c. 15 –
|
on paper
|
× cm
|
Kunstmuseum Basel Royal Collection, Windsor Castle
|
|
Portrait of Anna Meyer[7]
|
c. 1526
|
Black and coloured chalks, lead point, background coloured light green
|
39.1 × 27.5 cm
|
Kunstmuseum Basel
|
|
Portrait of Sir Thomas More[8]
|
c. 1527
|
Black and coloured chalks on paper
|
40.2 × 30.1 cm
|
Royal Collection, Windsor Castle
|
|
Portrait of Sir Thomas More[9]
|
c. 1527
|
Black and coloured chalks on paper
|
38 × 25.8 cm
|
Royal Collection, Windsor Castle
|
|
Portrait of Sir John More, father of Sir Thomas More[8]
|
c. 1527
|
Black and coloured chalks on paper
|
35.4 × 27.6 cm
|
Royal Collection, Windsor Castle
|
|
Portrait of Margaret Giggs[10]
|
c. 1527
|
Black and coloured chalks on paper
|
38.5 × 27.3 cm
|
Royal Collection, Windsor Castle
|
|
Portrait of John More, son of Sir Thomas More[11]
|
c. 1527
|
Black and coloured chalks on paper
|
38.1 × 28.1 cm
|
Royal Collection, Windsor Castle
|
|
Portrait of Elizabeth Dauncey[12]
|
c. 1527
|
Black and coloured chalks on paper
|
37.1 × 28.2 cm
|
Royal Collection, Windsor Castle
|
|
Portrait of Cicely Heron[12]
|
c. 1527
|
Black and coloured chalks on paper
|
38.4 × 28.3 cm
|
Royal Collection, Windsor Castle
|
|
Portrait of Anne Cresacre[11]
|
c. 1527
|
Black and coloured chalks on paper
|
37.5 × 26.8 cm
|
Royal Collection, Windsor Castle
|
|
Study for the Family Portrait of Sir Thomas More[13]
|
c. 1527
|
Pen and brush in black on top of chalk sketch
|
38.9 × 52.4 cm
|
Kunstmuseum Basel
|
|
Portrait of Sir Thomas Elyot[14]
|
c. 1532–34
|
Black and coloured chalks, bodycolour, ink with pen and brush on pink-primed paper
|
28.6 × 20.6 cm
|
Royal Collection, Windsor Castle
|
|
Portrait of Margaret à Barow, Lady Eliot[15]
|
c. 1532–34
|
Black and coloured chalks, bodycolour, ink with pen and brush on pink-primed paper
|
28 × 20.9 cm
|
Royal Collection, Windsor Castle
|
|
Portrait of George Neville, Lord Abergavenny[16]
|
c. 1533
|
Black and coloured chalk on pink prepared paper, reinforced with pen and black ink
|
27.3 × 24.1 cm
|
Wilton House, Salisbury
|
|
Portrait of Bishop John Fisher[17]
|
c. 1532–35
|
Coloured chalks, watercolour, brush, pen and ink on pink primed paper
|
35.3 × 23.4 cm
|
Royal Library, Windsor
|
|
Portrait of a Woman, inscribed "Anna Bollein Queen"[18]
|
c. 1532–36
|
Black and coloured chalks on pink primed paper
|
28.1 × 19.2 cm
|
Royal Collection, Windsor
|
|
Henry VIII and Henry VII, cartoon for a wall painting at Whitehall[19]
|
1537
|
Pen in black, with grey, brown, black, and red wash on paper mounted on canvas
|
257.8 × 137.1 cm
|
National Portrait Gallery, London
|