User:Dr.khatmando/sandbox
Dr.Jason Dixon delegate submission[edit]
Dear colleagues I believe I can contribute to and represent our work st the Wikimedia Summit in April. I'm semi-retired, and can allocate freely my time and efforts to focus on what our team would like to achieve to further our work, represent our achievements. Furthermore I'm confident in my capacity to prepare in collaboration with our board members and other key stakeholders, what we need to offer as compelling argument to key Wikiversity, Wikimedia and Wikifoundation officeholders to bring attention to the value of our work and achievements, and rally support and favour, within the broader Wiki communities and outside key stakeholders, of what we need to continue to succeed with the good work accomplished so far.
I have a lifelong career in clinical practice, researcher appointments, and education in 4 countries, and in several languages. My Japanese is near native and you can see my work on Wikipedia here Dr.khatmando. I have published in scholarly journals, contributed textbook chapters for undergraduate and postgraduate clinical course, and presented at conferences internationally. I have also served on the editorial board of another scholarly Journal (as a mental health epidemiology, and psychometric expert) that was open source, but unfortunately is now published by SAGE. It is still an excellent and well respected journal. This means the journal has come under the tyranny of the the "Impact Factor" and "Publish or Perish" model, which I fiercely oppose as anti-scholarly. I'm convinced and can show evidence that this old system is a barrier to furthering scholarly rigour. Some of my efforts in this area can be found at my ResearchGate profile. In particular my collaboration with Dr. Scott Miller and an international consortium of scientists on psychotherapy research.
Along with my scholarly work I also have several years experience and success as a film and documentary film producer, which I believe can assist in promoting our current and future work. You can see references to this here: Jason Dixon, Producer, Writer IMDBpro . I wish to acknowledge Lionel's capacity as a delegate as well, and it would be ideal if we could both team up, prepare and attend. As I'm based in Australia and do have some partial mobility disablement, I can only attend with the financial assistance offered by Wikifoundation/Wikiedia Summit. I would attend and bare my own costs if the summit was closer. That being said perhaps there is a way to share some of the expenses proportionately. If there is need for more information or clarification please let me know via email through our board mailing list, or use my email address directly to contact me.
Finally whether you choose to send me or not, I have no hesitation to invest my time and capacity to the delegate who is chosen to go. We're all members of the academy (I.e. an old-school reference to those who upon receiving Doctor of Philosophy (PhD) credentials are to be welcomed as members into the universal academy of scholars), and all our efforts are for a common cause; to better understand the human condition, relieve suffering, and raise the quality of life for all people and future generations. Dr.khatmando (Discuss ∙contribs)(Wikipedia) and Dr.khatmando (talk) 15:43, 12 November 2019 (UTC)
Imperial Crown Style[edit]
Selection of Imperial Crown Style architectural drawings[edit]
Photomontage[edit]
Development(Draft Proposal New Section)[edit]
In Japan, during the 1920s and 1930s the last buildings with architectural designs drawing from artistic historicism were constructed. This was due to a decline in the strict adherence to the design rules that defined classic historicism in architecture, and allowed for an eclectic architectural style which included aspects of Frank Lloyd Wright, Modernism and Expressionist architecture. This was a compromise made to combine multiple styles into the Classic architectural or simplified classical architectural design within a single building project.[1]
In 1911 architect "George" Kikutarō Shimoda[note 1][2] who had designed the Tor Hotel in Kobe, received a formal request from Aisaku Hayashi (林愛作) General Manager of the Imperial Hotel, Tokyo, for a complete preliminary study to be conducted for the rebuilding of the Imperial Hotel.[2] Prior to his engagement in this project, Shimoda had been employed as a draughtsman by Frank Lloyd Wright in Chicago,[3] but was not held in high regard.[4][2] In Wright's autobiography, he described Shimoda as a yellow-faced and evil-eyed, and then assualted and terminated his employment.[4]
Shimoda returned to Japan, and submitted two preliminary design drawings. Shimoda avoided strictly imitating Western architectural styles seen in large scale hotel projects of the period, by amalgamating the roof style and floor plan of Phoenix Hall Byōdō-in, into an earthquake resistant building.[2] In March 1916, Following Shimoda's submission, the project architect was changed to Frank Lloyd Wright, who signed memorandum with the Imperial Household.[5] When Wright's design plans became know to Shimoda, he made claims that his work had been plagiarised.[6] The Imperial Hotels executives conceded to the considerable demands for compensation that Shimoda had made, during a six year copyright dispute over the architectural designs for the hotel.
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Having left the Imperial Hotel project, Shimoda submitted preliminary studies for the Imperial Diet building which also was not successful, however by this time Imperial Crown Amalgamate Style had become known among beyond his professional peers.[1][2]It was not until the late 1920s that Military Hall, which was the first example of Imperial Crown Amalgamate style to be built, and Kanegawa Prefectural Office, the first departure from Shimoda's original style called, Emperor's Crown Style was built, the later became known as Imperial Crown Style.
Definitive features[edit]
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The shikoro yane is a common feature of Imperial Crown Style architecture. -
Mune ridged roof. -
Hōgyō tsukuri tented roof a feature of Japanese pagodas. 6 and 8 sided polygon roofs are also used -
Three types of roofing gables used in Imperial Crown Style architecture. Fig.A Chidori Gable, Fig.B Karahafu Gable Fig. C Irimoya Gable. Modern building techniques and materials are sometimes used to incorporate these designs. -
Metallic fittings called Rokoyō Kanagu which are used extensively in Japanese architecture are sometimes fashioned in sandstone for ICS architecture. Fig.A is an ornamental fitting used to conceal the nails used to affix the transom (Negeshi). Fig.B Is an ornamental fixture usually affixed to the gable.
Notable examples with definitive features[edit]
There is freedom to interpret what is considered Imperial Crown Style architecture. The examples in the table below are considered definitive examples[7] </gallery>
| Definitive feature | Building | Project start | Specifications | Building Inspectors | Architect | Year Completed | Notes |
|---|---|---|---|---|---|---|---|
| Building has five sections corresponding to the 5 levels of a Gojyūtō pagoda with roof and Buddhist Finial | Kanagawa Prefectural Office | 1926 | Easily identified by shipping outside of harbor | Toshikata Sano, Kōichi Satō, Okada Shinichirō, Yoshikuni Ōkuma, Yoshikazu Uchida, Yasushi Kataoka, Makie Koyanagi | Yoshirō Obi | 1928 | |
| Judicial Yuan Building | 1929 | Ide Kaoru | 1934 | ||||
| Chidori gables (千鳥破風, Chidori hafu) on a tented roof with Shachihoko to complement nearby Nagoya Castle. | Nagoya City Hall | 1930 | None specified | Toshikata Sano, Kōichi Satō, Teiji Suzuki, Gōichi Takeda, Shinichi Tsuchiya, Kanichi Misawa | Kingo Hirabayashi | 1933 | |
| Japanese steel temple motifs (exterior) fashioned in stone to harmonized with Western classical interior using extensive polished Italian marble columns. | Nihon Seimei Kan (Takashimaya Nihonbashi) | 1930 | Relaxing aesthetics、expressed sense of self evident elegance, original eclecticism of East-Orientesque themes in a modern architectural design is essential. | Chūta Itō, Kōichi Satō, Gōichi Takeda, Yasushi Kataoka, Yasushi Tsukamoto, Kanemichi Itano, Naojirō Īda, Otōtoine Tanaka, Kantarō Hirose | Teitarō Takahashi | 1933 | Tangible Cultural Property (Japan) |
| Chidori (千鳥破風, Chidori hafu) and karahafu gables | Kyoto Municipal Museum of Art and Annex[note 2] | 1930 | Emphasis on Japonesque styles and draw from Theory of Japanese Landscapes (日本風景論, Nihon Fūkei ron) and related literature[note 3] | Chūta Itō, Kōichi Satō, Shinichirō Okada, Yasushi Kataoka, Goichi Takeda, Kenichi Ishī, Kijirō Ōta, Kikui Kikuchi, Rokubē Kiyoumizu, Kanji Yasukawa | Kenjirō Maeda | 1933 | |
| Chidori (千鳥破風, Chidori hafu) and karahafu gables with Shachihoko | Kudan Kaikan Military Hall | 1930 | Elegant aesthetics and an expression of nationalist grandeur with magnificent characteristics. | Chūta Itō, Kōichi Sato, Yoshikuni Ōkuma, Yoshikazu Uchida, Yasushi Tsukamoto, Tarō Naitō, Tatsutarō Nakamura, Hisatsune Īda, Saburō Inagaki, Nakajirō Oka, Kasumi Tsuchimura | Takeo Ono | 1934 | Comsidered to be a exemplary representation of ICS (大川三雄) |
| Irimoya and Chidori gables (千鳥破風, Chidori hafu) | Tokyo National Museum | 1931 | Architectural style consistent with the Building interior, Japonesque themes in an East Asian style. | Chūta Itō, Kōichi Satō, Yoshikazu Uchida, Goichi Takeda, Yasushi Tsukamoto, Kōzō Kitamura, Hideto Kishida, Yoshinobu Ōshima, Isao Kawada, Katsumi Kuroita, Yuichi Ryū, Nakasaburo Ogino, Moritatsu Hosokawa | Jin Watanabe | 1937 | Considered an explanatory representation of ICS, however some argue otherwise as the exterior walls are not in a Western architectural style. |
| Irimoya gables | 1931 | Aesthetics that complement to local neighbourhood architecture | Shintarō Ōe, Jin Watanabe, Akita Fujimura, Gibara(?) Ōjima, Haruki Yamawaki | Tokihira Sano | 1934 | ||
| Extensive use of Chidori gables to compliment nearby Nagoya Castle | Aichi Prefectural Government Office | 1931 | (N/A) | Toshikata Sano、Junichi Tsuchiya | Jin Watanabe, Yoshitoki Nishimura | 1938 | |
| Tented Gojyūtō pagoda roof | Shizuoka Prefectural Office | 1935 | None specified | Toshikata Sano, Yoshikuni Ōkuma, Yoshikazu Uchida, Toshirō Kasahara, Yoshihei Nakamura, Tsutomu Adachi, Kenchiro Kimura | Takeshi Yasui | 1938 |
Refs[edit]
- ^ a b Cite error: The named reference
Inoue1995was invoked but never defined (see the help page). - ^ a b c d e Ikeda, Norikazu (1996). "建築家下田掬太郎に関する若干の考察その生涯と業績について" [A Summary Study of Architect Kikutarō Shimoda: his life and professional achievements] (PDF). Akita Prefectural Museum Research Report (in Japanese). 21: 57–72. Retrieved 2017-07-21.
- ^ Fallan, Kjetl; Lees-Maffei, Frace (2016). Designing Worlds National Design Histories in an Age of Globalisation. New York Berghahn Books. ISBN 978-1-78533-155-8. Retrieved 2017-07-18.
- ^ a b Wright, Frank Lloyd (2005). Frank Lloyd Wright an Autobiography. San Francisco: Pomegranate. p. 124. ISBN 0764932438. Retrieved 2017-07-21.
- ^ Denby, Elaine (1998). Grand hotels : reality and illusion : an architectural and social history. Reaktion Books. ISBN 978-1-86189-121-1.
- ^ Isozaki, Arata; Stewart, David (2006). Japan-ness in architecture (PDF). MIT Press. ISBN 978-0-262-09038-4.
- ^ Cite error: The named reference
Satō2006was invoked but never defined (see the help page).
[edit]
| # | Title | Content | Media | Languages | Importance |
|---|---|---|---|---|---|
| 1 | Japan Medical Association | 2017-04-22 | C | ja,en | Mid |
| 2 | Draft:Japan Pharmaceutical Association | 2017-04-24 | Draft | ja,en | ??? |
| 3 | Japan Medical Association Journal | 2017-04-26 | Start | ja,en | ??? |
| 4 | Japan Dental Association | 2017-04-26 | Stub | ja | ??? |
Translation stuff[edit]
 | This page contains a translation of article name from ja.wikipedia. |
Cite error: There are <ref group=note> tags on this page, but the references will not show without a {{reflist|group=note}} template (see the help page).