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This is a list of pages in the scope of Wikipedia:WikiProject Color along with pageviews.
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Period: 2024-04-01 to 2024-04-30
Total views: 4,974,927
Updated: 07:14, 15 May 2024 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
List of colors: A–F
|
95,682
|
3,189
|
List
|
High
|
2
|
Eye color
|
86,967
|
2,898
|
C
|
Mid
|
3
|
Black
|
86,885
|
2,896
|
C
|
Top
|
4
|
Johann Wolfgang von Goethe
|
77,125
|
2,570
|
B
|
Mid
|
5
|
White
|
72,441
|
2,414
|
C
|
Top
|
6
|
Blue
|
70,111
|
2,337
|
B
|
Top
|
7
|
Purple
|
65,780
|
2,192
|
C
|
High
|
8
|
Shades of purple
|
65,239
|
2,174
|
List
|
Mid
|
9
|
Red
|
62,451
|
2,081
|
B
|
Top
|
10
|
Shades of red
|
57,156
|
1,905
|
List
|
Mid
|
11
|
Color blindness
|
49,924
|
1,664
|
B
|
Top
|
12
|
Shades of gray
|
49,379
|
1,645
|
List
|
Mid
|
13
|
Shades of pink
|
49,320
|
1,644
|
List
|
Mid
|
14
|
Red hair
|
49,243
|
1,641
|
C
|
Low
|
15
|
Shades of green
|
48,566
|
1,618
|
List
|
Mid
|
16
|
Shades of blue
|
48,097
|
1,603
|
List
|
Mid
|
17
|
Green
|
47,562
|
1,585
|
B
|
Top
|
18
|
Indigo
|
47,392
|
1,579
|
Start
|
Mid
|
19
|
Shades of brown
|
46,987
|
1,566
|
List
|
Mid
|
20
|
Web colors
|
45,667
|
1,522
|
C
|
Mid
|
21
|
Primary color
|
44,459
|
1,481
|
B
|
Top
|
22
|
Violet (color)
|
42,897
|
1,429
|
B
|
High
|
23
|
PAL
|
42,125
|
1,404
|
C
|
Low
|
24
|
Color
|
39,457
|
1,315
|
C
|
Top
|
25
|
Magenta
|
37,374
|
1,245
|
Start
|
High
|
26
|
Human skin color
|
36,566
|
1,218
|
B
|
High
|
27
|
RGB color model
|
35,094
|
1,169
|
B
|
High
|
28
|
Blond
|
33,795
|
1,126
|
C
|
Low
|
29
|
Visible spectrum
|
33,009
|
1,100
|
B
|
Top
|
30
|
Vantablack
|
32,585
|
1,086
|
C
|
Low
|
31
|
Cyan
|
32,219
|
1,073
|
C
|
High
|
32
|
CMYK color model
|
31,399
|
1,046
|
Start
|
High
|
33
|
List of Crayola crayon colors
|
31,318
|
1,043
|
List
|
Mid
|
34
|
Yellow
|
29,560
|
985
|
C
|
Top
|
35
|
Prussian blue
|
29,471
|
982
|
B
|
Mid
|
36
|
HSL and HSV
|
29,092
|
969
|
B
|
High
|
37
|
Fitzpatrick scale
|
27,270
|
909
|
Start
|
Low
|
38
|
Pink
|
27,094
|
903
|
C
|
High
|
39
|
Sky blue
|
26,745
|
891
|
Start
|
High
|
40
|
Technicolor
|
26,480
|
882
|
C
|
Low
|
41
|
Color wheel
|
26,303
|
876
|
C
|
High
|
42
|
ROYGBIV
|
25,504
|
850
|
Start
|
Mid
|
43
|
Vermilion
|
25,335
|
844
|
C
|
Mid
|
44
|
Tyrian purple
|
25,255
|
841
|
B
|
Mid
|
45
|
Shades of yellow
|
24,942
|
831
|
List
|
Mid
|
46
|
Burgundy (color)
|
24,892
|
829
|
Start
|
Low
|
47
|
Teal
|
24,645
|
821
|
C
|
High
|
48
|
Navy blue
|
24,374
|
812
|
C
|
Mid
|
49
|
Fuchsia (color)
|
24,012
|
800
|
Start
|
Mid
|
50
|
Beige
|
23,346
|
778
|
C
|
Mid
|
51
|
Complementary colors
|
23,208
|
773
|
Start
|
High
|
52
|
Brown
|
23,043
|
768
|
Start
|
High
|
53
|
Lists of colors
|
22,812
|
760
|
List
|
Mid
|
54
|
Pantone
|
22,502
|
750
|
Start
|
High
|
55
|
Shades of cyan
|
22,474
|
749
|
List
|
Mid
|
56
|
Color theory
|
22,433
|
747
|
C
|
Top
|
57
|
Human hair color
|
22,223
|
740
|
Start
|
Mid
|
58
|
Terracotta
|
22,215
|
740
|
Start
|
Low
|
59
|
Lavender (color)
|
21,960
|
732
|
C
|
Mid
|
60
|
Khaki
|
21,707
|
723
|
Start
|
Mid
|
61
|
CIE 1931 color space
|
21,698
|
723
|
B
|
High
|
62
|
Ochre
|
21,395
|
713
|
C
|
Mid
|
63
|
Grey
|
20,773
|
692
|
C
|
Top
|
64
|
Color television
|
20,244
|
674
|
B
|
Mid
|
65
|
Orange (colour)
|
20,190
|
673
|
C
|
High
|
66
|
Shades of white
|
20,088
|
669
|
List
|
Mid
|
67
|
Dark skin
|
19,778
|
659
|
B
|
High
|
68
|
Ultra-high-definition television
|
19,624
|
654
|
C
|
Low
|
69
|
Shades of orange
|
19,567
|
652
|
List
|
Mid
|
70
|
Olive (color)
|
19,443
|
648
|
Start
|
High
|
71
|
Black body
|
19,332
|
644
|
B
|
Mid
|
72
|
Light skin
|
19,048
|
634
|
B
|
High
|
73
|
CIELAB color space
|
18,977
|
632
|
C
|
High
|
74
|
NTSC
|
18,824
|
627
|
C
|
Low
|
75
|
Turquoise (color)
|
18,734
|
624
|
C
|
Mid
|
76
|
Pastel (color)
|
18,102
|
603
|
Stub
|
Mid
|
77
|
Periwinkle (color)
|
17,997
|
599
|
Stub
|
Mid
|
78
|
Shades of magenta
|
17,330
|
577
|
List
|
Mid
|
79
|
Chartreuse (color)
|
17,094
|
569
|
Start
|
Mid
|
80
|
Royal blue
|
16,574
|
552
|
Start
|
Mid
|
81
|
Black-and-white
|
16,437
|
547
|
Start
|
Mid
|
82
|
Paint
|
16,233
|
541
|
C
|
High
|
83
|
List of colors (alphabetical)
|
16,000
|
533
|
List
|
Low
|
84
|
Freckle
|
15,634
|
521
|
Start
|
Low
|
85
|
Ultramarine
|
15,573
|
519
|
C
|
Mid
|
86
|
Pigment
|
15,356
|
511
|
B
|
Top
|
87
|
Tetrachromacy
|
15,238
|
507
|
C
|
High
|
88
|
Brilliant blue FCF
|
15,174
|
505
|
Start
|
Mid
|
89
|
Color temperature
|
15,136
|
504
|
B
|
High
|
90
|
Impossible color
|
15,029
|
500
|
Start
|
Mid
|
91
|
Crimson
|
15,027
|
500
|
Start
|
Mid
|
92
|
Maroon
|
14,791
|
493
|
C
|
Mid
|
93
|
Cerulean
|
14,576
|
485
|
Start
|
Low
|
94
|
Shades of violet
|
14,518
|
483
|
List
|
Mid
|
95
|
Color depth
|
14,454
|
481
|
C
|
Mid
|
96
|
Chromatic aberration
|
14,433
|
481
|
B
|
Mid
|
97
|
Brown hair
|
14,419
|
480
|
C
|
Low
|
98
|
SRGB
|
14,416
|
480
|
C
|
High
|
99
|
Skin whitening
|
14,349
|
478
|
B
|
Low
|
100
|
Secondary color
|
14,318
|
477
|
C
|
High
|
101
|
List of colors by shade
|
14,135
|
471
|
List
|
Low
|
102
|
Iridescence
|
14,084
|
469
|
Start
|
Mid
|
103
|
List of colors: N–Z
|
14,013
|
467
|
List
|
High
|
104
|
Hue
|
13,231
|
441
|
Start
|
High
|
105
|
International Klein Blue
|
13,220
|
440
|
C
|
Low
|
106
|
Ishihara test
|
13,217
|
440
|
C
|
Mid
|
107
|
Lilac (color)
|
13,128
|
437
|
Stub
|
Low
|
108
|
Azure (color)
|
13,034
|
434
|
Start
|
Mid
|
109
|
Mauve
|
13,019
|
433
|
Start
|
Unknown
|
110
|
Spectrophotometry
|
12,883
|
429
|
C
|
High
|
111
|
Stroop effect
|
12,756
|
425
|
B
|
Mid
|
112
|
Monochrome
|
12,694
|
423
|
C
|
High
|
113
|
Grayscale
|
12,656
|
421
|
Start
|
High
|
114
|
Scarlet (color)
|
12,618
|
420
|
C
|
Mid
|
115
|
Gold (color)
|
12,498
|
416
|
Start
|
Mid
|
116
|
Flame test
|
12,278
|
409
|
Start
|
Low
|
117
|
Phthalocyanine Green G
|
11,984
|
399
|
Start
|
Low
|
118
|
Visual perception
|
11,950
|
398
|
C
|
Mid
|
119
|
Color space
|
11,832
|
394
|
C
|
High
|
120
|
Color vision
|
11,664
|
388
|
C
|
Top
|
121
|
Amber (color)
|
11,657
|
388
|
Start
|
Mid
|
122
|
Black hair
|
11,542
|
384
|
Start
|
Low
|
123
|
Cobalt blue
|
11,510
|
383
|
Stub
|
Mid
|
124
|
Auburn hair
|
11,492
|
383
|
Start
|
Low
|
125
|
Dye
|
11,484
|
382
|
C
|
High
|
126
|
Political colour
|
11,374
|
379
|
B
|
Low
|
127
|
Electronic color code
|
11,345
|
378
|
Start
|
Low
|
128
|
X11 color names
|
11,278
|
375
|
Start
|
Mid
|
129
|
List of colors: G–M
|
11,247
|
374
|
List
|
High
|
130
|
Color symbolism
|
11,030
|
367
|
Start
|
Mid
|
131
|
Color photography
|
10,913
|
363
|
C
|
Low
|
132
|
Eigengrau
|
10,786
|
359
|
Start
|
Low
|
133
|
Sepia (color)
|
10,732
|
357
|
Stub
|
Mid
|
134
|
Shades of black
|
10,646
|
354
|
List
|
Mid
|
135
|
Food coloring
|
10,430
|
347
|
C
|
Mid
|
136
|
Y′UV
|
10,370
|
345
|
C
|
Low
|
137
|
YCbCr
|
10,257
|
341
|
Start
|
High
|
138
|
Color difference
|
10,190
|
339
|
B
|
High
|
139
|
Cone cell
|
10,187
|
339
|
C
|
Mid
|
140
|
Color psychology
|
10,093
|
336
|
C
|
High
|
141
|
Chromophore
|
9,965
|
332
|
Start
|
Mid
|
142
|
Hair coloring
|
9,902
|
330
|
Start
|
Low
|
143
|
Pan-Arab colors
|
9,743
|
324
|
Start
|
Low
|
144
|
Haint blue
|
9,714
|
323
|
Start
|
Low
|
145
|
DCI-P3
|
9,652
|
321
|
C
|
Low
|
146
|
Blue–green distinction in language
|
9,492
|
316
|
Start
|
Mid
|
147
|
Blue-green
|
9,409
|
313
|
Start
|
Mid
|
148
|
Chromesthesia
|
9,344
|
311
|
Start
|
Low
|
149
|
Chroma subsampling
|
9,300
|
310
|
C
|
Low
|
150
|
Tint, shade and tone
|
9,024
|
300
|
Start
|
High
|
151
|
Rec. 709
|
8,898
|
296
|
C
|
Low
|
152
|
Saffron (color)
|
8,827
|
294
|
Start
|
High
|
153
|
Verdigris
|
8,751
|
291
|
Start
|
Low
|
154
|
Knowledge argument
|
8,713
|
290
|
C
|
Low
|
155
|
British racing green
|
8,540
|
284
|
Start
|
Low
|
156
|
Taupe
|
8,500
|
283
|
Start
|
Low
|
157
|
Color of water
|
8,481
|
282
|
C
|
Low
|
158
|
Color in Chinese culture
|
8,438
|
281
|
Start
|
Mid
|
159
|
Color mixing
|
8,368
|
278
|
C
|
High
|
160
|
Munsell color system
|
8,347
|
278
|
B
|
High
|
161
|
Bayer filter
|
8,303
|
276
|
C
|
Mid
|
162
|
Photoreceptor cell
|
8,225
|
274
|
C
|
Mid
|
163
|
Thomas Young (scientist)
|
8,190
|
273
|
C
|
Mid
|
164
|
Hermann von Helmholtz
|
8,139
|
271
|
C
|
Mid
|
165
|
Baker–Miller pink
|
8,099
|
269
|
Start
|
Low
|
166
|
Anaglyph 3D
|
8,029
|
267
|
C
|
Low
|
167
|
Tincture (heraldry)
|
7,980
|
266
|
B
|
Mid
|
168
|
Pantone 448 C
|
7,904
|
263
|
Stub
|
Low
|
169
|
RGBA color model
|
7,765
|
258
|
Start
|
Mid
|
170
|
Mysore Paints and Varnish
|
7,735
|
257
|
Start
|
Low
|
171
|
Standard illuminant
|
7,730
|
257
|
B
|
High
|
172
|
Prism (optics)
|
7,717
|
257
|
Start
|
Mid
|
173
|
Ivory (color)
|
7,701
|
256
|
Stub
|
Low
|
174
|
Carmine (color)
|
7,549
|
251
|
Stub
|
Low
|
175
|
RAL colour standard
|
7,501
|
250
|
Start
|
Mid
|
176
|
Afterimage
|
7,499
|
249
|
C
|
High
|
177
|
High-dynamic-range television
|
7,452
|
248
|
C
|
Mid
|
178
|
Halftone
|
7,421
|
247
|
C
|
Mid
|
179
|
Color rendering index
|
7,374
|
245
|
C
|
Mid
|
180
|
Pan-African colours
|
7,210
|
240
|
Start
|
Low
|
181
|
Rec. 2020
|
7,094
|
236
|
C
|
Low
|
182
|
Ecru
|
7,063
|
235
|
Stub
|
Mid
|
183
|
Whitewash
|
7,012
|
233
|
Start
|
High
|
184
|
Tan (color)
|
7,009
|
233
|
Start
|
Mid
|
185
|
List of redheads
|
6,913
|
230
|
List
|
Low
|
186
|
SECAM
|
6,904
|
230
|
C
|
Mid
|
187
|
Color term
|
6,824
|
227
|
Start
|
High
|
188
|
Color motion picture film
|
6,815
|
227
|
B
|
Low
|
189
|
Coral (color)
|
6,796
|
226
|
Stub
|
Low
|
190
|
List of video game console palettes
|
6,771
|
225
|
List
|
Low
|
191
|
Sienna
|
6,748
|
224
|
Start
|
Mid
|
192
|
Gamut
|
6,738
|
224
|
C
|
High
|
193
|
List of flags containing the colour purple
|
6,636
|
221
|
List
|
Low
|
194
|
Spring green
|
6,542
|
218
|
C
|
Low
|
195
|
Puce
|
6,394
|
213
|
Stub
|
Mid
|
196
|
Chromostereopsis
|
6,389
|
212
|
C
|
Mid
|
197
|
Color grading
|
6,383
|
212
|
Start
|
Mid
|
198
|
Peach (color)
|
6,343
|
211
|
Stub
|
Low
|
199
|
Mustard (color)
|
6,339
|
211
|
Stub
|
Low
|
200
|
Color scheme
|
6,312
|
210
|
Start
|
Mid
|
201
|
False color
|
6,290
|
209
|
Start
|
Mid
|
202
|
Robin egg blue
|
6,260
|
208
|
Stub
|
Low
|
203
|
CIELUV
|
6,196
|
206
|
Start
|
Mid
|
204
|
Contrast (vision)
|
6,193
|
206
|
Start
|
High
|
205
|
List of monochrome and RGB color formats
|
6,144
|
204
|
List
|
Mid
|
206
|
Cosmic latte
|
6,139
|
204
|
Start
|
Low
|
207
|
Wine color
|
6,139
|
204
|
Start
|
Low
|
208
|
Autochrome Lumière
|
6,071
|
202
|
C
|
Low
|
209
|
Mummy brown
|
5,975
|
199
|
Start
|
Mid
|
210
|
Natural dye
|
5,934
|
197
|
GA
|
Mid
|
211
|
List of international auto racing colours
|
5,744
|
191
|
Start
|
Low
|
212
|
RYB color model
|
5,714
|
190
|
C
|
Mid
|
213
|
Marker pen
|
5,680
|
189
|
Start
|
Low
|
214
|
Viridian
|
5,645
|
188
|
Start
|
Low
|
215
|
Grapheme–color synesthesia
|
5,621
|
187
|
C
|
Low
|
216
|
Equine coat color
|
5,583
|
186
|
Start
|
Low
|
217
|
Go Away Green
|
5,583
|
186
|
Start
|
Low
|
218
|
Spectral color
|
5,471
|
182
|
Start
|
High
|
219
|
Colorfulness
|
5,448
|
181
|
Start
|
High
|
220
|
Rose (color)
|
5,447
|
181
|
C
|
Low
|
221
|
Theory of Colours
|
5,395
|
179
|
B
|
High
|
222
|
Eton blue
|
5,360
|
178
|
Stub
|
Low
|
223
|
Ermine (heraldry)
|
5,351
|
178
|
Stub
|
Low
|
224
|
Buff (colour)
|
5,335
|
177
|
Start
|
Low
|
225
|
Champagne (color)
|
5,310
|
177
|
Stub
|
Low
|
226
|
Subtractive color
|
5,301
|
176
|
Start
|
High
|
227
|
Tiffany Blue
|
5,263
|
175
|
Start
|
Low
|
228
|
ICC profile
|
5,204
|
173
|
C
|
Low
|
229
|
Color of chemicals
|
5,199
|
173
|
C
|
High
|
230
|
Egyptian blue
|
5,181
|
172
|
C
|
Mid
|
231
|
Traditional colors of Japan
|
5,123
|
170
|
Start
|
Mid
|
232
|
Electric blue (color)
|
5,055
|
168
|
Start
|
Low
|
233
|
Aqua (color)
|
5,035
|
167
|
Stub
|
Mid
|
234
|
YPbPr
|
5,021
|
167
|
Start
|
Mid
|
235
|
8-bit color
|
5,020
|
167
|
Start
|
Low
|
236
|
Midnight blue
|
5,015
|
167
|
Start
|
Low
|
237
|
Lime (color)
|
5,005
|
166
|
Start
|
Mid
|
238
|
School colors
|
4,971
|
165
|
Start
|
Mid
|
239
|
Copper (color)
|
4,920
|
164
|
Stub
|
Low
|
240
|
Silver (color)
|
4,909
|
163
|
Start
|
Mid
|
241
|
Brightness
|
4,904
|
163
|
Start
|
Mid
|
242
|
Umber
|
4,904
|
163
|
Start
|
Low
|
243
|
Kumkuma
|
4,846
|
161
|
Start
|
Mid
|
244
|
List of colors
|
4,820
|
160
|
NA
|
High
|
245
|
Light-on-dark color scheme
|
4,787
|
159
|
Start
|
Low
|
246
|
Cornflower blue
|
4,671
|
155
|
Stub
|
Low
|
247
|
YInMn Blue
|
4,656
|
155
|
B
|
Low
|
248
|
Salmon (color)
|
4,479
|
149
|
Start
|
Low
|
249
|
Lake pigment
|
4,321
|
144
|
Start
|
Low
|
250
|
Color analysis
|
4,312
|
143
|
Start
|
Mid
|
251
|
Polychrome
|
4,221
|
140
|
C
|
Mid
|
252
|
Pan-Slavic colors
|
4,197
|
139
|
Start
|
Low
|
253
|
25-pair color code
|
4,182
|
139
|
Start
|
Low
|
254
|
Wine (color)
|
4,147
|
138
|
Stub
|
Low
|
255
|
International orange
|
4,142
|
138
|
Stub
|
Low
|
256
|
Structural coloration
|
4,130
|
137
|
GA
|
Mid
|
257
|
Bronze (color)
|
4,110
|
137
|
Start
|
Mid
|
258
|
Feldgrau
|
4,076
|
135
|
Start
|
Low
|
259
|
Baby blue
|
4,060
|
135
|
Stub
|
Low
|
260
|
Color model
|
4,049
|
134
|
B
|
High
|
261
|
Shades of rose
|
3,966
|
132
|
List
|
Mid
|
262
|
Additive color
|
3,885
|
129
|
Start
|
High
|
263
|
Rust (color)
|
3,872
|
129
|
Stub
|
Low
|
264
|
Film colorization
|
3,863
|
128
|
C
|
Low
|
265
|
List of color palettes
|
3,843
|
128
|
List
|
Mid
|
266
|
Gules
|
3,823
|
127
|
Start
|
Low
|
267
|
Color balance
|
3,816
|
127
|
Start
|
High
|
268
|
Metamerism (color)
|
3,800
|
126
|
Start
|
High
|
269
|
Sunset (color)
|
3,782
|
126
|
Start
|
Low
|
270
|
Anti-flash white
|
3,745
|
124
|
Start
|
Mid
|
271
|
RGB color spaces
|
3,715
|
123
|
Start
|
Mid
|
272
|
Dichromacy
|
3,695
|
123
|
Start
|
Mid
|
273
|
Chromotherapy
|
3,693
|
123
|
C
|
Low
|
274
|
List of color spaces and their uses
|
3,682
|
122
|
Start
|
High
|
275
|
Light blue
|
3,674
|
122
|
Stub
|
Low
|
276
|
Cerise (color)
|
3,668
|
122
|
Stub
|
Low
|
277
|
Lemon (color)
|
3,662
|
122
|
Stub
|
Low
|
278
|
Trichromacy
|
3,621
|
120
|
C
|
High
|
279
|
Aquamarine (color)
|
3,621
|
120
|
Stub
|
Low
|
280
|
Chromaticity
|
3,609
|
120
|
Start
|
High
|
281
|
Earth tone
|
3,584
|
119
|
Stub
|
Low
|
282
|
Opponent process
|
3,552
|
118
|
Start
|
High
|
283
|
Monochromacy
|
3,547
|
118
|
C
|
Mid
|
284
|
Thermochromism
|
3,539
|
117
|
Start
|
Low
|
285
|
Demosaicing
|
3,530
|
117
|
Start
|
Low
|
286
|
National colours
|
3,529
|
117
|
Start
|
Mid
|
287
|
Shades of chartreuse
|
3,484
|
116
|
List
|
Mid
|
288
|
Lincoln green
|
3,457
|
115
|
C
|
Unknown
|
289
|
Green in Islam
|
3,455
|
115
|
Stub
|
Low
|
290
|
Amaranth (color)
|
3,454
|
115
|
Start
|
Low
|
291
|
Color chart
|
3,404
|
113
|
Start
|
Mid
|
292
|
Congenital red–green color blindness
|
3,332
|
111
|
C
|
Mid
|
293
|
Red-violet
|
3,309
|
110
|
Stub
|
Low
|
294
|
Von Luschan's chromatic scale
|
3,303
|
110
|
Start
|
Low
|
295
|
Plum (color)
|
3,262
|
108
|
Start
|
Mid
|
296
|
History of Crayola crayons
|
3,241
|
108
|
C
|
Low
|
297
|
Sapphire (color)
|
3,236
|
107
|
Stub
|
Low
|
298
|
Argent
|
3,202
|
106
|
Start
|
Low
|
299
|
Colorimetry
|
3,193
|
106
|
Start
|
High
|
300
|
Colored pencil
|
3,171
|
105
|
C
|
High
|
301
|
Natural Color System
|
3,156
|
105
|
Start
|
High
|
302
|
Gendered associations of pink and blue
|
3,146
|
104
|
C
|
Mid
|
303
|
Linguistic relativity and the color naming debate
|
3,141
|
104
|
Start
|
Mid
|
304
|
Sage (color)
|
3,133
|
104
|
Stub
|
Low
|
305
|
Analogous colors
|
3,027
|
100
|
Stub
|
Mid
|
306
|
Blue-gray
|
3,010
|
100
|
C
|
Low
|
307
|
Colour trade mark
|
3,005
|
100
|
Start
|
High
|
308
|
Autumn leaf color
|
2,995
|
99
|
C
|
Mid
|
309
|
Color gradient
|
2,973
|
99
|
Start
|
Low
|
310
|
Diffuse sky radiation
|
2,954
|
98
|
C
|
Mid
|
311
|
Hypercolor
|
2,928
|
97
|
C
|
Low
|
312
|
Soil color
|
2,834
|
94
|
Start
|
Low
|
313
|
Wilhelm Ostwald
|
2,830
|
94
|
C
|
Mid
|
314
|
Persian blue
|
2,828
|
94
|
Stub
|
Low
|
315
|
Lightness
|
2,825
|
94
|
Start
|
High
|
316
|
Newton disc
|
2,821
|
94
|
C
|
Mid
|
317
|
Fawn (colour)
|
2,809
|
93
|
Stub
|
Low
|
318
|
Ruby (color)
|
2,799
|
93
|
Start
|
Mid
|
319
|
Carolina blue
|
2,785
|
92
|
Start
|
Mid
|
320
|
Colour banding
|
2,776
|
92
|
Stub
|
Low
|
321
|
ColorChecker
|
2,750
|
91
|
Start
|
Mid
|
322
|
Cambridge Blue (colour)
|
2,719
|
90
|
Start
|
Low
|
323
|
Sable (heraldry)
|
2,688
|
89
|
Stub
|
Low
|
324
|
Rose madder
|
2,684
|
89
|
Start
|
Low
|
325
|
Rosso corsa
|
2,672
|
89
|
Start
|
Low
|
326
|
Photographic print toning
|
2,670
|
89
|
Start
|
Mid
|
327
|
List of inorganic pigments
|
2,643
|
88
|
List
|
Low
|
328
|
Colors of the day in Thailand
|
2,639
|
87
|
Stub
|
Low
|
329
|
Animal coloration
|
2,631
|
87
|
GA
|
Mid
|
330
|
Alice blue
|
2,628
|
87
|
Stub
|
Low
|
331
|
Air Force blue
|
2,616
|
87
|
Start
|
Low
|
332
|
Han purple and Han blue
|
2,612
|
87
|
B
|
Mid
|
333
|
Slate gray
|
2,611
|
87
|
Stub
|
Low
|
334
|
Tawny (color)
|
2,611
|
87
|
Start
|
Low
|
335
|
Glare (vision)
|
2,606
|
86
|
Start
|
Low
|
336
|
Color constancy
|
2,584
|
86
|
Start
|
Mid
|
337
|
Adobe RGB color space
|
2,563
|
85
|
Start
|
Mid
|
338
|
Johannes Itten
|
2,558
|
85
|
Start
|
Mid
|
339
|
Alvy Ray Smith
|
2,520
|
84
|
Start
|
Low
|
340
|
Mahogany (color)
|
2,494
|
83
|
Stub
|
Low
|
341
|
Rec. 2100
|
2,487
|
82
|
Start
|
Low
|
342
|
Mars surface color
|
2,480
|
82
|
B
|
Low
|
343
|
New riddle of induction
|
2,476
|
82
|
Start
|
Low
|
344
|
Color correction
|
2,474
|
82
|
Start
|
Mid
|
345
|
Bleu de France (colour)
|
2,454
|
81
|
Start
|
Low
|
346
|
Glaucous
|
2,450
|
81
|
Stub
|
Low
|
347
|
HCL color space
|
2,439
|
81
|
Start
|
Mid
|
348
|
Optical brightener
|
2,428
|
80
|
Start
|
Mid
|
349
|
Columbia blue
|
2,423
|
80
|
Stub
|
Low
|
350
|
Harmony (color)
|
2,409
|
80
|
C
|
High
|
351
|
Color management
|
2,399
|
79
|
Start
|
Mid
|
352
|
Jonquil (color)
|
2,388
|
79
|
Stub
|
Low
|
353
|
School bus yellow
|
2,387
|
79
|
Start
|
Low
|
354
|
Color printing
|
2,369
|
78
|
C
|
High
|
355
|
Russet (color)
|
2,362
|
78
|
Stub
|
Low
|
356
|
Blood red
|
2,357
|
78
|
Stub
|
Low
|
357
|
Shades of azure
|
2,356
|
78
|
NA
|
NA
|
358
|
Chromophobia
|
2,351
|
78
|
Start
|
Mid
|
359
|
Color-blocking
|
2,337
|
77
|
Start
|
Low
|
360
|
LED strip light
|
2,308
|
76
|
C
|
Low
|
361
|
Chestnut (color)
|
2,305
|
76
|
Stub
|
Low
|
362
|
Super black
|
2,275
|
75
|
Start
|
Mid
|
363
|
Cream (colour)
|
2,264
|
75
|
Stub
|
Low
|
364
|
Solarized
|
2,262
|
75
|
Start
|
Low
|
365
|
Maya blue
|
2,238
|
74
|
C
|
Low
|
366
|
Black-and-white dualism
|
2,238
|
74
|
Start
|
Low
|
367
|
Color science
|
2,226
|
74
|
Stub
|
Top
|
368
|
Desert sand (color)
|
2,222
|
74
|
Start
|
Low
|
369
|
List of animals that can change color
|
2,219
|
73
|
List
|
Low
|
370
|
Color code
|
2,217
|
73
|
Start
|
Mid
|
371
|
Relative luminance
|
2,212
|
73
|
Start
|
Mid
|
372
|
Safety orange
|
2,204
|
73
|
Start
|
Low
|
373
|
Eggplant (color)
|
2,203
|
73
|
Stub
|
Low
|
374
|
Falu red
|
2,202
|
73
|
Start
|
Low
|
375
|
Complexion
|
2,200
|
73
|
Start
|
Low
|
376
|
Apricot (color)
|
2,180
|
72
|
Stub
|
Low
|
377
|
Lightfastness
|
2,166
|
72
|
Start
|
Mid
|
378
|
Image gradient
|
2,142
|
71
|
Stub
|
Mid
|
379
|
Coquelicot
|
2,133
|
71
|
Start
|
Low
|
380
|
EnChroma
|
2,120
|
70
|
Start
|
Mid
|
381
|
Dodger blue
|
2,110
|
70
|
Start
|
Low
|
382
|
Mountbatten pink
|
2,109
|
70
|
GA
|
Low
|
383
|
Spectral power distribution
|
2,098
|
69
|
Start
|
High
|
384
|
Azure (heraldry)
|
2,090
|
69
|
Start
|
Low
|
385
|
Hand-colouring of photographs
|
2,059
|
68
|
C
|
Mid
|
386
|
High color
|
2,044
|
68
|
Start
|
Low
|
387
|
Chrominance
|
2,040
|
68
|
Start
|
Mid
|
388
|
Alcian blue stain
|
2,016
|
67
|
C
|
Low
|
389
|
National colours of Australia
|
2,008
|
66
|
Start
|
Low
|
390
|
Color filter array
|
2,002
|
66
|
C
|
Low
|
391
|
Oxblood
|
2,001
|
66
|
Start
|
Low
|
392
|
Gray card
|
1,987
|
66
|
Start
|
Low
|
393
|
Gamboge
|
1,980
|
66
|
Start
|
Low
|
394
|
Basic Color Terms
|
1,980
|
66
|
Start
|
Mid
|
395
|
Color vision test
|
1,975
|
65
|
B
|
High
|
396
|
LMS color space
|
1,964
|
65
|
Start
|
Mid
|
397
|
Or (heraldry)
|
1,955
|
65
|
Stub
|
Low
|
398
|
Planckian locus
|
1,941
|
64
|
C
|
Mid
|
399
|
List of dyes
|
1,938
|
64
|
List
|
Mid
|
400
|
Metallic color
|
1,935
|
64
|
Start
|
Mid
|
401
|
Contrast effect
|
1,918
|
63
|
C
|
Mid
|
402
|
Colour fastness
|
1,887
|
62
|
Start
|
Low
|
403
|
Tertiary color
|
1,882
|
62
|
NA
|
High
|
404
|
Alizarin crimson (color)
|
1,882
|
62
|
Stub
|
Mid
|
405
|
YIQ
|
1,878
|
62
|
Start
|
Low
|
406
|
Chocolate (color)
|
1,872
|
62
|
Start
|
Low
|
407
|
Heliotrope (color)
|
1,856
|
61
|
Stub
|
Low
|
408
|
Orchid (color)
|
1,847
|
61
|
Stub
|
Low
|
409
|
Palette (computing)
|
1,845
|
61
|
C
|
Mid
|
410
|
Hyaline
|
1,834
|
61
|
Stub
|
Low
|
411
|
Dracula (color scheme)
|
1,834
|
61
|
C
|
Low
|
412
|
List of 16-bit computer color palettes
|
1,833
|
61
|
List
|
Low
|
413
|
Inverted spectrum
|
1,825
|
60
|
B
|
Low
|
414
|
Color appearance model
|
1,823
|
60
|
Start
|
Mid
|
415
|
Color quantization
|
1,816
|
60
|
C
|
High
|
416
|
St. Patrick's blue
|
1,803
|
60
|
Start
|
Low
|
417
|
Majorelle Blue
|
1,803
|
60
|
Stub
|
Low
|
418
|
Chrome yellow
|
1,800
|
60
|
Start
|
Mid
|
419
|
List of historical sources for pink and blue as gender signifiers
|
1,796
|
59
|
List
|
Low
|
420
|
International Commission on Illumination
|
1,794
|
59
|
Start
|
High
|
421
|
Color picker
|
1,782
|
59
|
Start
|
Low
|
422
|
Byzantium (color)
|
1,772
|
59
|
Start
|
Low
|
423
|
Photochromism
|
1,770
|
59
|
C
|
Low
|
424
|
APHA color
|
1,756
|
58
|
Start
|
Low
|
425
|
Color of the day (police)
|
1,746
|
58
|
Start
|
Low
|
426
|
Old gold
|
1,736
|
57
|
Start
|
Low
|
427
|
Xanthochromia
|
1,731
|
57
|
Stub
|
Low
|
428
|
Cardinal (color)
|
1,714
|
57
|
Stub
|
Low
|
429
|
Spectral sensitivity
|
1,707
|
56
|
Start
|
Mid
|
430
|
Blue in culture
|
1,706
|
56
|
B
|
High
|
431
|
Platinum (color)
|
1,694
|
56
|
Stub
|
Low
|
432
|
Indexed color
|
1,693
|
56
|
C
|
High
|
433
|
Payne's grey
|
1,691
|
56
|
Stub
|
Mid
|
434
|
Color blind glasses
|
1,664
|
55
|
B
|
Mid
|
435
|
Channel (digital image)
|
1,663
|
55
|
C
|
Mid
|
436
|
Dinosaur coloration
|
1,663
|
55
|
C
|
Mid
|
437
|
Powder blue
|
1,638
|
54
|
Stub
|
Low
|
438
|
Cadet grey
|
1,628
|
54
|
Start
|
Low
|
439
|
White point
|
1,618
|
53
|
Start
|
High
|
440
|
Iris (color)
|
1,608
|
53
|
Stub
|
Low
|
441
|
Iron oxide red
|
1,587
|
52
|
Stub
|
Low
|
442
|
ISCC–NBS system
|
1,585
|
52
|
Start
|
High
|
443
|
Forest green
|
1,550
|
51
|
Stub
|
Low
|
444
|
Rufous
|
1,530
|
51
|
Start
|
Low
|
445
|
Colorist
|
1,528
|
50
|
C
|
Low
|
446
|
ProPhoto RGB color space
|
1,525
|
50
|
Start
|
Low
|
447
|
Camel (color)
|
1,525
|
50
|
Start
|
Low
|
448
|
Illuminant D65
|
1,519
|
50
|
NA
|
Mid
|
449
|
List of chicken colours
|
1,515
|
50
|
List
|
Unknown
|
450
|
Liver (color)
|
1,513
|
50
|
Stub
|
Low
|
451
|
Domain coloring
|
1,506
|
50
|
C
|
Low
|
452
|
List of people with color blindness
|
1,504
|
50
|
List
|
Low
|
453
|
Coyote brown
|
1,500
|
50
|
Stub
|
Mid
|
454
|
Steel blue
|
1,489
|
49
|
Stub
|
Low
|
455
|
Color preferences
|
1,479
|
49
|
Stub
|
Mid
|
456
|
CIECAM02
|
1,473
|
49
|
B
|
High
|
457
|
CMY color model
|
1,467
|
48
|
NA
|
High
|
458
|
Coffee (color)
|
1,460
|
48
|
Start
|
Low
|
459
|
History of spectroscopy
|
1,451
|
48
|
C
|
Mid
|
460
|
Savoy blue
|
1,431
|
47
|
C
|
Low
|
461
|
Tooth discoloration
|
1,430
|
47
|
C
|
Low
|
462
|
Young–Helmholtz theory
|
1,422
|
47
|
Stub
|
High
|
463
|
X-Rite
|
1,422
|
47
|
Start
|
Low
|
464
|
Sepia tone
|
1,421
|
47
|
NA
|
Mid
|
465
|
Non-photo blue
|
1,418
|
47
|
Start
|
Low
|
466
|
Colour Index International
|
1,400
|
46
|
Start
|
Mid
|
467
|
Tricolour
|
1,399
|
46
|
NA
|
NA
|
468
|
Calcein
|
1,394
|
46
|
Start
|
Low
|
469
|
Gray
|
1,391
|
46
|
NA
|
NA
|
470
|
Lüscher color test
|
1,379
|
45
|
Start
|
Low
|
471
|
Marian blue
|
1,355
|
45
|
Start
|
Low
|
472
|
Wide-gamut RGB color space
|
1,353
|
45
|
Start
|
Mid
|
473
|
Xanthochromism
|
1,346
|
44
|
Stub
|
Low
|
474
|
Spot color
|
1,345
|
44
|
Start
|
High
|
475
|
Raspberry (color)
|
1,342
|
44
|
Start
|
Low
|
476
|
Correlated color temperature
|
1,341
|
44
|
C
|
Low
|
477
|
Cordovan (color)
|
1,329
|
44
|
Stub
|
Low
|
478
|
Mexican pink
|
1,306
|
43
|
Start
|
Low
|
479
|
Drab (color)
|
1,291
|
43
|
Stub
|
Low
|
480
|
Caput mortuum (pigment)
|
1,291
|
43
|
Start
|
Low
|
481
|
Yale Blue
|
1,289
|
42
|
Start
|
Low
|
482
|
Vair
|
1,285
|
42
|
Stub
|
Low
|
483
|
Day-Glo Color Corp.
|
1,282
|
42
|
Start
|
Mid
|
484
|
Color histogram
|
1,281
|
42
|
Start
|
Mid
|
485
|
High Capacity Color Barcode
|
1,275
|
42
|
C
|
Low
|
486
|
Bistre
|
1,271
|
42
|
Start
|
Mid
|
487
|
Van Dyke brown
|
1,265
|
42
|
Stub
|
Low
|
488
|
Printing registration
|
1,263
|
42
|
C
|
Low
|
489
|
Federal Standard 595
|
1,257
|
41
|
Stub
|
Low
|
490
|
Venetian red
|
1,255
|
41
|
Stub
|
Low
|
491
|
Eggshell (color)
|
1,240
|
41
|
Stub
|
Low
|
492
|
Fire engine red
|
1,239
|
41
|
Stub
|
Low
|
493
|
Electrochromism
|
1,230
|
41
|
C
|
Low
|
494
|
Farnsworth–Munsell 100 hue test
|
1,223
|
40
|
C
|
Low
|
495
|
Bleu celeste
|
1,219
|
40
|
Start
|
Low
|
496
|
Chromatic adaptation
|
1,214
|
40
|
Start
|
Mid
|
497
|
Citrine (colour)
|
1,205
|
40
|
Stub
|
Low
|
498
|
Duotone
|
1,202
|
40
|
Start
|
Low
|
499
|
MacAdam ellipse
|
1,190
|
39
|
C
|
High
|
500
|
Solvatochromism
|
1,183
|
39
|
Start
|
Low
|
501
|
Aureolin
|
1,183
|
39
|
Stub
|
Low
|
502
|
Pearl (color)
|
1,164
|
38
|
Stub
|
Low
|
503
|
Orcein
|
1,159
|
38
|
Start
|
Mid
|
504
|
Palatinate (colour)
|
1,157
|
38
|
Start
|
Low
|
505
|
List of color film systems
|
1,153
|
38
|
List
|
Low
|
506
|
Candy apple red
|
1,150
|
38
|
Start
|
Low
|
507
|
Budgerigar colour genetics
|
1,148
|
38
|
Start
|
Low
|
508
|
Rifle green
|
1,144
|
38
|
NA
|
Low
|
509
|
Fulvous
|
1,141
|
38
|
Start
|
Low
|
510
|
Mulberry (color)
|
1,137
|
37
|
Stub
|
Low
|
511
|
Selective yellow
|
1,136
|
37
|
C
|
Low
|
512
|
Visual processing
|
1,135
|
37
|
C
|
Low
|
513
|
Marigold (color)
|
1,112
|
37
|
Stub
|
Low
|
514
|
Vanilla (color)
|
1,105
|
36
|
Start
|
Mid
|
515
|
Straw (colour)
|
1,099
|
36
|
Stub
|
Low
|
516
|
Tangerine (color)
|
1,096
|
36
|
Stub
|
Low
|
517
|
Color gel
|
1,082
|
36
|
Start
|
Low
|
518
|
Colourant
|
1,067
|
35
|
Stub
|
High
|
519
|
Flax (color)
|
1,067
|
35
|
Stub
|
Low
|
520
|
Goldenrod (color)
|
1,066
|
35
|
Start
|
Low
|
521
|
Cerebral achromatopsia
|
1,045
|
34
|
C
|
Low
|
522
|
Standard-dynamic-range video
|
1,042
|
34
|
C
|
Mid
|
523
|
Lion (color)
|
1,018
|
33
|
Stub
|
Low
|
524
|
PAL-M
|
1,017
|
33
|
Start
|
Low
|
525
|
Blush (color)
|
1,012
|
33
|
Stub
|
Low
|
526
|
Purpure
|
1,008
|
33
|
Start
|
Low
|
527
|
Dominant wavelength
|
1,008
|
33
|
Start
|
High
|
528
|
Evolution of color vision in primates
|
987
|
32
|
C
|
Mid
|
529
|
Color triangle
|
982
|
32
|
Start
|
High
|
530
|
Magnolia (color)
|
975
|
32
|
Stub
|
Low
|
531
|
RG color models
|
974
|
32
|
C
|
Mid
|
532
|
Color solid
|
949
|
31
|
Start
|
High
|
533
|
Color calibration
|
945
|
31
|
Start
|
Mid
|
534
|
HSV color space
|
938
|
31
|
NA
|
High
|
535
|
Vision science
|
937
|
31
|
Start
|
Mid
|
536
|
Albert Henry Munsell
|
935
|
31
|
Start
|
Mid
|
537
|
Duke blue
|
923
|
30
|
Stub
|
Low
|
538
|
Gene therapy for color blindness
|
910
|
30
|
C
|
Low
|
539
|
Colorburst
|
904
|
30
|
Start
|
Low
|
540
|
ScRGB
|
891
|
29
|
Start
|
Mid
|
541
|
Citron (color)
|
887
|
29
|
Stub
|
Low
|
542
|
Sinopia
|
883
|
29
|
Start
|
Low
|
543
|
Vert (heraldry)
|
882
|
29
|
Start
|
Low
|
544
|
Kruithof curve
|
877
|
29
|
C
|
Mid
|
545
|
Philosophy of color
|
859
|
28
|
Start
|
High
|
546
|
Unique hues
|
848
|
28
|
C
|
Mid
|
547
|
ICtCp
|
846
|
28
|
C
|
Mid
|
548
|
Double cone (biology)
|
839
|
27
|
Start
|
Low
|
549
|
Olive drab
|
829
|
27
|
NA
|
NA
|
550
|
Maize (color)
|
827
|
27
|
Stub
|
Low
|
551
|
Oren–Nayar reflectance model
|
826
|
27
|
C
|
Low
|
552
|
Capri (color)
|
825
|
27
|
Stub
|
Low
|
553
|
Sakura Color Products Corporation
|
823
|
27
|
Stub
|
Low
|
554
|
Line of purples
|
822
|
27
|
Start
|
Mid
|
555
|
Evolution of color vision
|
819
|
27
|
Start
|
Mid
|
556
|
Utility location
|
795
|
26
|
Start
|
Mid
|
557
|
Jungle green
|
782
|
26
|
C
|
Low
|
558
|
Grassmann's laws (color science)
|
781
|
26
|
Start
|
Mid
|
559
|
Arylide yellow
|
780
|
26
|
Stub
|
Low
|
560
|
Acid green
|
775
|
25
|
Stub
|
Low
|
561
|
Dichroic filter
|
770
|
25
|
NA
|
NA
|
562
|
PALplus
|
754
|
25
|
C
|
Low
|
563
|
Marengo (color)
|
751
|
25
|
Start
|
Low
|
564
|
Synthetic colorant
|
742
|
24
|
C
|
Low
|
565
|
Cinereous
|
736
|
24
|
Stub
|
Low
|
566
|
Ostwald color system
|
733
|
24
|
C
|
High
|
567
|
Tenné
|
728
|
24
|
B
|
Low
|
568
|
Zaffre
|
728
|
24
|
Stub
|
Mid
|
569
|
Floral color change
|
717
|
23
|
C
|
Low
|
570
|
Red in culture
|
713
|
23
|
C
|
High
|
571
|
Color war
|
703
|
23
|
Stub
|
Low
|
572
|
Map coloring
|
700
|
23
|
Start
|
Low
|
573
|
Tristimulus colorimeter
|
692
|
23
|
Stub
|
Low
|
574
|
Lava (color)
|
686
|
22
|
Stub
|
Low
|
575
|
Erin (color)
|
682
|
22
|
Stub
|
Low
|
576
|
Jasmine (color)
|
681
|
22
|
Stub
|
Low
|
577
|
Dark purple
|
681
|
22
|
Stub
|
Low
|
578
|
Persian red
|
680
|
22
|
Stub
|
Low
|
579
|
Image color transfer
|
680
|
22
|
Start
|
Low
|
580
|
XvYCC
|
674
|
22
|
Start
|
Low
|
581
|
Zinc white
|
671
|
22
|
C
|
Mid
|
582
|
Murrey
|
666
|
22
|
Stub
|
Low
|
583
|
Standard Reference Method
|
665
|
22
|
C
|
Low
|
584
|
On Vision and Colours
|
651
|
21
|
Start
|
Low
|
585
|
Wheat (color)
|
650
|
21
|
Stub
|
Low
|
586
|
Abney effect
|
637
|
21
|
B
|
Mid
|
587
|
Mars Black (pigment)
|
617
|
20
|
Stub
|
Low
|
588
|
Composite artifact colors
|
612
|
20
|
C
|
Low
|
589
|
Beta movement
|
601
|
20
|
C
|
Low
|
590
|
Android green
|
589
|
19
|
Stub
|
Low
|
591
|
Chromism
|
587
|
19
|
C
|
Low
|
592
|
Hexachrome
|
586
|
19
|
Start
|
Low
|
593
|
Carnelian (color)
|
585
|
19
|
Stub
|
Low
|
594
|
Index of color-related articles
|
576
|
19
|
Start
|
Mid
|
595
|
CcMmYK color model
|
571
|
19
|
Stub
|
Low
|
596
|
Mired
|
564
|
18
|
Start
|
Mid
|
597
|
Color print film
|
563
|
18
|
Start
|
Low
|
598
|
On Colors
|
563
|
18
|
Start
|
Low
|
599
|
Rose pink
|
562
|
18
|
Stub
|
Low
|
600
|
Eyeborg
|
561
|
18
|
Start
|
Low
|
601
|
Navajo white
|
553
|
18
|
Stub
|
Low
|
602
|
Blue Wool Scale
|
549
|
18
|
Stub
|
Low
|
603
|
Fechner color
|
541
|
18
|
Start
|
Low
|
604
|
Gardner color scale
|
540
|
18
|
Stub
|
Mid
|
605
|
Bastard color
|
538
|
17
|
Stub
|
Low
|
606
|
International Colour Day
|
534
|
17
|
Start
|
Mid
|
607
|
Tuscan red
|
532
|
17
|
Start
|
Low
|
608
|
MERDC camouflage
|
532
|
17
|
Stub
|
Low
|
609
|
Colour cast
|
521
|
17
|
Start
|
Mid
|
610
|
Bice
|
517
|
17
|
Stub
|
Low
|
611
|
Color coding in data visualization
|
514
|
17
|
B
|
High
|
612
|
Cyanometer
|
513
|
17
|
Stub
|
Low
|
613
|
Ewald Hering
|
508
|
16
|
Start
|
Mid
|
614
|
Field-sequential color system
|
494
|
16
|
C
|
Low
|
615
|
Colored smoke
|
488
|
16
|
Stub
|
Mid
|
616
|
American Association of Textile Chemists and Colorists
|
487
|
16
|
Stub
|
Mid
|
617
|
Local color (visual art)
|
483
|
16
|
Stub
|
Low
|
618
|
Bezold–Brücke shift
|
482
|
16
|
Stub
|
Low
|
619
|
Color of clothing
|
471
|
15
|
Start
|
Mid
|
620
|
Rg chromaticity
|
465
|
15
|
Stub
|
Low
|
621
|
Reseda green
|
464
|
15
|
Stub
|
Low
|
622
|
Coventry blue
|
461
|
15
|
Stub
|
Unknown
|
623
|
ColorADD
|
460
|
15
|
Start
|
Low
|
624
|
HWB color model
|
455
|
15
|
Stub
|
Low
|
625
|
Azurite (pigment)
|
451
|
15
|
Stub
|
Low
|
626
|
International Color Consortium
|
449
|
14
|
Start
|
Mid
|
627
|
CIE 1960 color space
|
449
|
14
|
Start
|
Low
|
628
|
Colour recovery
|
445
|
14
|
C
|
Low
|
629
|
Abnormal urine color
|
429
|
14
|
Start
|
Low
|
630
|
Colorpuncture
|
419
|
13
|
C
|
Low
|
631
|
The Secret Lives of Colour
|
415
|
13
|
C
|
Low
|
632
|
Marrs green
|
413
|
13
|
Stub
|
Low
|
633
|
CIE 1964 color space
|
412
|
13
|
Stub
|
Low
|
634
|
Cream (color)
|
402
|
13
|
NA
|
Low
|
635
|
Color phi phenomenon
|
399
|
13
|
Start
|
Low
|
636
|
Seashell (color)
|
393
|
13
|
Stub
|
Low
|
637
|
Color cycling
|
391
|
13
|
Start
|
Low
|
638
|
HKS (colour system)
|
390
|
13
|
Stub
|
Low
|
639
|
Cynthia Brewer
|
382
|
12
|
Start
|
Low
|
640
|
Carnation (heraldry)
|
381
|
12
|
Stub
|
Low
|
641
|
Color reproduction
|
375
|
12
|
Stub
|
High
|
642
|
Coloured Book protocols
|
374
|
12
|
C
|
Low
|
643
|
Seal brown
|
372
|
12
|
Stub
|
Low
|
644
|
Continuous tone
|
367
|
12
|
Stub
|
Unknown
|
645
|
Bole (color)
|
363
|
12
|
Start
|
Low
|
646
|
Harvest gold
|
361
|
12
|
Stub
|
Low
|
647
|
ColorZilla
|
360
|
12
|
Stub
|
Low
|
648
|
Jacob Christoph Le Blon
|
354
|
11
|
Start
|
Low
|
649
|
Spring bud
|
353
|
11
|
C
|
Low
|
650
|
Margaret Hayden Rorke
|
339
|
11
|
C
|
Low
|
651
|
Werner's Nomenclature of Colours
|
338
|
11
|
Stub
|
Low
|
652
|
Halochromism
|
337
|
11
|
Start
|
Low
|
653
|
Sanguine (heraldry)
|
336
|
11
|
Stub
|
Low
|
654
|
Myrtle (color)
|
327
|
10
|
NA
|
Low
|
655
|
Brunswick green
|
324
|
10
|
NA
|
Low
|
656
|
Fallow (color)
|
322
|
10
|
Stub
|
Low
|
657
|
Color rendering
|
317
|
10
|
Start
|
Mid
|
658
|
Hunter Lab
|
313
|
10
|
Start
|
Low
|
659
|
Cerulean blue
|
310
|
10
|
NA
|
NA
|
660
|
TSL color space
|
309
|
10
|
Stub
|
Low
|
661
|
Colors (Ken Nordine album)
|
308
|
10
|
Start
|
Low
|
662
|
Memory color effect
|
305
|
10
|
C
|
Mid
|
663
|
Titanium yellow
|
302
|
10
|
Stub
|
Low
|
664
|
French gray
|
301
|
10
|
Stub
|
Low
|
665
|
Spring green (color)
|
292
|
9
|
NA
|
NA
|
666
|
Pterobilin
|
292
|
9
|
Start
|
Low
|
667
|
Cyclamen (color)
|
291
|
9
|
NA
|
Low
|
668
|
Color suite
|
289
|
9
|
Start
|
Low
|
669
|
National colours of Portugal
|
288
|
9
|
Start
|
Low
|
670
|
ASC CDL
|
287
|
9
|
Start
|
Low
|
671
|
IT8
|
285
|
9
|
Start
|
Low
|
672
|
Burnt sienna
|
279
|
9
|
NA
|
Mid
|
673
|
Specifications for Web Offset Publications
|
277
|
9
|
Start
|
Low
|
674
|
Color Association of the United States
|
271
|
9
|
Start
|
Mid
|
675
|
Color normalization
|
267
|
8
|
Start
|
Mid
|
676
|
YDbDr
|
264
|
8
|
Start
|
Low
|
677
|
Bipack color
|
260
|
8
|
C
|
Low
|
678
|
Icterine
|
257
|
8
|
Stub
|
Low
|
679
|
Pompeian red
|
255
|
8
|
B
|
Unknown
|
680
|
Dark blue (color)
|
254
|
8
|
NA
|
Low
|
681
|
Orange (heraldry)
|
253
|
8
|
Stub
|
Low
|
682
|
Color task
|
248
|
8
|
B
|
Mid
|
683
|
Polka-dot paint
|
241
|
8
|
Start
|
Low
|
684
|
Color Naming System
|
235
|
7
|
Start
|
Low
|
685
|
Hunt effect (color)
|
229
|
7
|
Stub
|
Low
|
686
|
Grey component replacement
|
226
|
7
|
Stub
|
Low
|
687
|
Oil droplet
|
226
|
7
|
Start
|
Low
|
688
|
Ao (color)
|
223
|
7
|
NA
|
Low
|
689
|
Ruddy
|
220
|
7
|
NA
|
NA
|
690
|
OSA-UCS
|
216
|
7
|
Stub
|
Low
|
691
|
Moses Harris
|
215
|
7
|
Start
|
Mid
|
692
|
Coloroid
|
215
|
7
|
Stub
|
Low
|
693
|
Carnation pink
|
213
|
7
|
NA
|
Low
|
694
|
Principle of univariance
|
212
|
7
|
Stub
|
Low
|
695
|
Burnt umber
|
210
|
7
|
NA
|
Mid
|
696
|
Color reaction
|
209
|
6
|
Stub
|
Mid
|
697
|
Cendrée
|
208
|
6
|
Stub
|
Low
|
698
|
Amethyst (color)
|
206
|
6
|
NA
|
NA
|
699
|
Teal (color)
|
206
|
6
|
NA
|
NA
|
700
|
Harlequin (color)
|
201
|
6
|
NA
|
NA
|
701
|
ColorCode 3-D
|
201
|
6
|
Start
|
Low
|
702
|
Mikado yellow
|
199
|
6
|
Stub
|
Low
|
703
|
Alumina effect pigment
|
194
|
6
|
Start
|
Low
|
704
|
PAL-S
|
193
|
6
|
Start
|
Low
|
705
|
Bernice Kentner
|
193
|
6
|
Start
|
Low
|
706
|
Standard Color Reference of America
|
185
|
6
|
Start
|
Low
|
707
|
Forensic colorimetry
|
184
|
6
|
Start
|
Low
|
708
|
Rose (heraldic tincture)
|
181
|
6
|
Start
|
Low
|
709
|
Jade (color)
|
179
|
5
|
NA
|
Low
|
710
|
Bondi blue
|
176
|
5
|
NA
|
NA
|
711
|
Whiteness (colorimetry)
|
173
|
5
|
Start
|
Low
|
712
|
Windows Color System
|
167
|
5
|
Start
|
Mid
|
713
|
Practical Color Coordinate System
|
163
|
5
|
Stub
|
Low
|
714
|
Zinzolin
|
157
|
5
|
Unknown
|
Unknown
|
715
|
Absolute color space
|
156
|
5
|
NA
|
Mid
|
716
|
Postage stamp color
|
154
|
5
|
C
|
Low
|
717
|
British Colour Council
|
152
|
5
|
Start
|
Mid
|
718
|
Rail Blue
|
149
|
4
|
NA
|
NA
|
719
|
Multi-primary color display
|
149
|
4
|
Stub
|
Low
|
720
|
Splash of color
|
148
|
4
|
Stub
|
Low
|
721
|
Burned (image)
|
146
|
4
|
Start
|
Mid
|
722
|
Lemon chiffon
|
146
|
4
|
NA
|
Low
|
723
|
Raisin black
|
146
|
4
|
Stub
|
Low
|
724
|
Attic ochre
|
144
|
4
|
C
|
Low
|
725
|
Color Marketing Group
|
140
|
4
|
Stub
|
Low
|
726
|
Moss green
|
138
|
4
|
NA
|
Low
|
727
|
Liquid color
|
138
|
4
|
C
|
Low
|
728
|
Peach black
|
137
|
4
|
Stub
|
Low
|
729
|
Coloured hat
|
137
|
4
|
Start
|
Low
|
730
|
Emerald (color)
|
135
|
4
|
NA
|
Low
|
731
|
Society of Dyers and Colourists
|
134
|
4
|
Stub
|
Mid
|
732
|
True Blue (color)
|
134
|
4
|
NA
|
Low
|
733
|
Colorway
|
126
|
4
|
NA
|
Low
|
734
|
Leaf Color Chart
|
126
|
4
|
Stub
|
Low
|
735
|
International Colour Association
|
124
|
4
|
C
|
Mid
|
736
|
Army green
|
123
|
4
|
NA
|
NA
|
737
|
Ada Aline Urban
|
123
|
4
|
C
|
Low
|
738
|
Historic paint analysis
|
122
|
4
|
C
|
Low
|
739
|
Sinople
|
121
|
4
|
NA
|
NA
|
740
|
Von Kries coefficient law
|
121
|
4
|
C
|
Low
|
741
|
Battleship grey
|
118
|
3
|
NA
|
NA
|
742
|
International Colour Authority
|
117
|
3
|
Stub
|
Low
|
743
|
David MacAdam
|
114
|
3
|
Start
|
Mid
|
744
|
ICAM (color appearance model)
|
110
|
3
|
Start
|
Low
|
745
|
Munsell Color Company
|
108
|
3
|
Stub
|
Mid
|
746
|
Hooker's green
|
108
|
3
|
NA
|
NA
|
747
|
Bright green
|
106
|
3
|
NA
|
NA
|
748
|
Hansa yellow
|
103
|
3
|
NA
|
Low
|
749
|
Adams chromatic valence color space
|
102
|
3
|
Start
|
Mid
|
750
|
Cycolor
|
99
|
3
|
Stub
|
Low
|
751
|
Colorimeter
|
96
|
3
|
NA
|
High
|
752
|
EciRGB
|
94
|
3
|
Stub
|
Low
|
753
|
Colour look-up table
|
92
|
3
|
NA
|
Low
|
754
|
Deane B. Judd
|
90
|
3
|
Start
|
Low
|
755
|
Color quality scale
|
89
|
2
|
Stub
|
Mid
|
756
|
Tristimulus value
|
87
|
2
|
NA
|
Mid
|
757
|
Neugebauer equations
|
86
|
2
|
Stub
|
Mid
|
758
|
Differential phase
|
85
|
2
|
Start
|
Low
|
759
|
Charcoal (color)
|
84
|
2
|
NA
|
NA
|
760
|
Sea green
|
83
|
2
|
NA
|
Low
|
761
|
Dark-on-light color scheme
|
83
|
2
|
NA
|
Low
|
762
|
European Color Initiative
|
80
|
2
|
Start
|
Low
|
763
|
Monochromatic colors
|
78
|
2
|
NA
|
Mid
|
764
|
Lusty gallant
|
78
|
2
|
Stub
|
Low
|
765
|
Inter-Society Color Council
|
75
|
2
|
Start
|
Low
|
766
|
Pinchin Johnson & Associates
|
73
|
2
|
Start
|
Low
|
767
|
Vantage theory
|
72
|
2
|
Unknown
|
Low
|
768
|
Brandeis blue
|
68
|
2
|
NA
|
NA
|
769
|
Color wheel (optics)
|
68
|
2
|
Stub
|
Low
|
770
|
UCLA Blue
|
66
|
2
|
NA
|
Low
|
771
|
Robert Birmelin
|
66
|
2
|
C
|
Low
|
772
|
Color Light Output
|
63
|
2
|
Start
|
Low
|
773
|
The Color Association of the United States
|
62
|
2
|
NA
|
Mid
|
774
|
Nardo gray
|
61
|
2
|
NA
|
Low
|
775
|
Upsdell red
|
60
|
2
|
Stub
|
Low
|
776
|
Pumpkin (color)
|
59
|
1
|
NA
|
NA
|
777
|
Green-yellow
|
53
|
1
|
NA
|
Mid
|
778
|
Salmon pink
|
52
|
1
|
NA
|
Low
|
779
|
Tufts Blue
|
51
|
1
|
NA
|
Low
|
780
|
Klaer Lightende Spiegel der Verfkonst
|
50
|
1
|
Stub
|
Low
|
781
|
Dandelion (crayon color)
|
48
|
1
|
Start
|
Unknown
|
782
|
Corn (color)
|
47
|
1
|
NA
|
Low
|
783
|
Ghost white
|
46
|
1
|
NA
|
NA
|
784
|
Augusto Garau
|
46
|
1
|
Start
|
Low
|
785
|
Registration black
|
45
|
1
|
NA
|
Mid
|
786
|
Flame (color)
|
45
|
1
|
NA
|
NA
|
787
|
Charles Albert Keeley
|
42
|
1
|
Start
|
Low
|
788
|
Two-color system
|
40
|
1
|
Stub
|
Low
|
789
|
Pine green
|
39
|
1
|
NA
|
Low
|
790
|
Rendering intent
|
37
|
1
|
NA
|
Mid
|
791
|
Descriptive Color Names Dictionary
|
37
|
1
|
Stub
|
Low
|
792
|
Autotype (printing)
|
37
|
1
|
NA
|
NA
|
793
|
Peach-yellow
|
36
|
1
|
NA
|
Low
|
794
|
Under color addition
|
35
|
1
|
Stub
|
Low
|
795
|
Variations of gray
|
35
|
1
|
NA
|
NA
|
796
|
Hermann Alfred Tanner
|
34
|
1
|
GA
|
Low
|
797
|
Jorrit Tornquist
|
33
|
1
|
Stub
|
Low
|
798
|
Redwood (color)
|
32
|
1
|
NA
|
NA
|
799
|
Fern green
|
31
|
1
|
NA
|
Low
|
800
|
Pear (color)
|
31
|
1
|
NA
|
Low
|
801
|
Sap green
|
31
|
1
|
NA
|
Low
|
802
|
Tekhelet in Judaism
|
30
|
1
|
NA
|
Low
|
803
|
Truecolor
|
29
|
0
|
NA
|
Mid
|
804
|
Davy's grey
|
29
|
0
|
NA
|
Low
|
805
|
Lavender blush
|
28
|
0
|
NA
|
NA
|
806
|
Wenge (colour)
|
28
|
0
|
NA
|
Low
|
807
|
George Palmer (colour theorist)
|
27
|
0
|
C
|
Low
|
808
|
Henry Hemmendinger
|
26
|
0
|
Start
|
Mid
|
809
|
Tea green
|
25
|
0
|
NA
|
Low
|
810
|
Papaya whip
|
24
|
0
|
NA
|
Low
|
811
|
Pastel green
|
24
|
0
|
NA
|
Low
|
812
|
Amber shift
|
23
|
0
|
Stub
|
Low
|
813
|
Mint cream
|
23
|
0
|
NA
|
NA
|
814
|
Process blue
|
23
|
0
|
NA
|
NA
|
815
|
Color engraving
|
22
|
0
|
Stub
|
Low
|
816
|
Old lace (color)
|
20
|
0
|
NA
|
Low
|
817
|
Alexis Spectral Data
|
20
|
0
|
Stub
|
Low
|
818
|
Saffron in Hinduism
|
20
|
0
|
NA
|
Low
|
819
|
Magic Pink
|
18
|
0
|
NA
|
Low
|
820
|
Gray-asparagus
|
18
|
0
|
NA
|
Low
|
821
|
Deep sky blue
|
18
|
0
|
NA
|
Low
|
822
|
Fluorescence intensity decay shape microscopy
|
17
|
0
|
Start
|
Low
|
823
|
Sandy brown
|
16
|
0
|
NA
|
NA
|
824
|
Hal Glicksman
|
16
|
0
|
Start
|
Low
|
825
|
Ash grey
|
15
|
0
|
NA
|
Low
|
826
|
(255, 0, 0)
|
14
|
0
|
NA
|
NA
|
827
|
Asparagus (color)
|
13
|
0
|
NA
|
NA
|
828
|
Value (colorimetry)
|
11
|
0
|
NA
|
Mid
|
829
|
Color volume
|
10
|
0
|
NA
|
NA
|
830
|
Spray booth
|
9
|
0
|
NA
|
NA
|
831
|
Raw umber (color)
|
8
|
0
|
NA
|
Low
|
832
|
Cool grey
|
7
|
0
|
NA
|
NA
|
833
|
Persian orange
|
7
|
0
|
NA
|
NA
|
834
|
Visible frequency
|
7
|
0
|
NA
|
NA
|
835
|
Boysenberry (color)
|
7
|
0
|
NA
|
NA
|
836
|
Ford Blue
|
6
|
0
|
NA
|
NA
|
837
|
Geru
|
5
|
0
|
NA
|
Low
|
838
|
Wisteria (colour)
|
4
|
0
|
NA
|
NA
|
839
|
Pale brown
|
2
|
0
|
NA
|
Low
|
840
|
Camouflage green
|
2
|
0
|
NA
|
NA
|
841
|
Blaze Orange
|
0
|
0
|
NA
|
Mid
|
842
|
Peach-orange
|
0
|
0
|
NA
|
Low
|
843
|
Color Matching Method
|
0
|
0
|
NA
|
Low
|
844
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|
845
|
CG Red
|
0
|
0
|
NA
|
NA
|
846
|
LED ribbon
|
0
|
0
|
NA
|
Low
|
847
|
Non-spectral color
|
0
|
0
|
NA
|
NA
|
848
|
Golden ochre
|
0
|
0
|
C
|
Low
|