Zhang Junqiu

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Zhang Junqiu
Chinese张君秋

Zhang Junqiu[a] (October 14, 1920 – May 27, 1997) was a singer of Peking Opera. He played a female, or dan role. His hometown was Dantu, Jiangsu, and he was born in Beijing. His vocal style is called "Zhang pai." It became popular in the 1970s and it is now the most widespread genre of Peking Opera.[1][2] He was once one of the "four small famous dans."[b] He is far better remembered than the other three.[3]

Zhang's family was poor. His mother was a star in the opera of Hubei Province. She encouraged him to study Peking Opera. When Zhang was 13, Li Lingfeng[c] adopted him as an apprentice. Recognizing Zhang's talent, Li later sent him to Wang Yaoqing, an opera star and Li's teacher. Zhang first appeared on the stage in 1935. In 1937, Zhang became an apprentice of Mei Lanfang, the best-known Chinese opera star of the time.[1]

In 1942, Zhang created his own troupe. In 1943, he met Wu Lizhen.[d] Although Zhang was already married to Zhao Yurong,[e] the two fell in love at first sight. Even though Zhang was successful in his career, Wu's relatives looked down him as an actor. Wu herself acted resolutely, packed her bags, and moved from Shanghai to live with Zhang in Beijing.[4]

Rise to celebrity[edit]

With the Chinese Civil War raging, Zhang fled to Hong Kong in 1948. When the war was over, Mao Zedong's Communists ruled from Beijing and the KMT was exiled to Taiwan. Zhang returned to the mainland in 1950 to join the Wuhan Peking Opera Troupe.[2][1]

His 1962 show with martial artist Gao Shenglin[f] was a sensation that played to packed audiences. The two performers were equally renowned and were both at the height of their powers. There was stormy applause after every performance and the curtain had to be called each time. In a state that discouraged celebrity, Zhang was a top celebrity.[2]

Cultural Revolution[edit]

From left to right, Peng Zhen, Zhang Junqiu, and Zhou Enlai in 1956.

During the Cultural Revolution of 1966-1976, traditional forms of entertainment were banned. Jiang Qing, Mao's wife, denounced cross dressing. Premier Zhou Enlai told Zhang to stop performing female roles.[5] Zhang promised Zhou to stop training boys to be female impersonators.[6]

Men dressing as women for Peking Opera and women dressing as men for Yue Opera was a major feature of Chinese culture at this time. Mao is not known to have made any pronouncements on cross dressing. Jiang was concerned primarily with women dressing as men. So the ban on female impersonation is likely to have been Zhou's initiative. Zhou himself, known for his good looks, had played numerous female roles with the drama club of Nankai Middle School, his all-boys high school. Young female impersonators were often involved in abusive relationships, and Zhou may have been compensating for his own past, according to Bao Huai, a gender studies researcher.[7]

On June 4, 1966, Zhang and Ma Lianlang[g] performed the modern opera More Every Year[h] at a school in Beijing. The opera was broadcast on Central People's Radio. Zhang played a peasant woman. Just before the performance, Ma heard the news that Zhou Xinfang[i] had been denounced as a counterrevolutionary. Ma was concerned because he had starred in Hai Rui Dismissed from Office, a play denounced by the Maoists. During the performance, his anxiety was evident to the audience. Zhang did not perform again until February 8, 1979.[8]

Later life[edit]

Wu left Zhang in 1969. Zhao died soon afterward. In 1974, Zhang married Xie Hongwen,[j] a student of opera star Mei Lanfang. She was ten years younger than Zhang.[4]

In the mid-1980s, Zhang was teaching at the National Academy of Theatre Arts.[9] He participated in a project of the Tianjin Chinese Cultural Promotion Council[k] to have young actors dress as the old masters and lip synch to their recordings. Videos of 355 plays were created this way. Zhang also served an art adviser.[4]

Zhang's children are Zhang Xuejin,[l] Zhang Xuehai,[m] Zhang Xuehao,[n] and Zhang Xuemin.[o] Most of them are successful Peking Opera performers.[4]

Notes[edit]

  1. ^ Zhāng Jūnqiū, 张君秋
  2. ^ Sì xiǎo míng dàn, 四小名旦
  3. ^ Lǐ Língfēng, 李凌枫
  4. ^ Wú Lìzhēn, 吴励箴
  5. ^ Zhào Yùróng, 赵玉蓉
  6. ^ Gāo Shènglín, 高盛麟
  7. ^ Mǎ Liánliáng, 马连良
  8. ^ Nián nián yǒuyú,《年年有余》.
  9. ^ Zhōu Xìnfāng, 周信芳
  10. ^ Xiè Hóngwén, 谢虹雯.
  11. ^ Tiānjiàn Zhōnghuá Wénhuà Cùjìnhuì, 天健中华文化促进会.
  12. ^ Zhāng Xuéjīn, 张学津.
  13. ^ Zhāng Xuéhǎi, 张学海..
  14. ^ Zhāng Xuéhào, 张学浩.
  15. ^ Zhāng Xuémǐn, 张学敏.

References[edit]

  1. ^ a b c "Zhang Junqiu," Perkins, Dorothy (2013), Encyclopedia of China: The Essential Reference to China, Roundtable Press, Chicago, ISBN 978-1-57958-110-7
  2. ^ a b c "Character Zhang Junqiu (人物：张君秋), A Hundred Years of Notes (梨园百年琐记).
  3. ^ Lsjxs, "且说四小名旦之张君秋," (Zhang Junqiu hangs his voice with hard work), 360doc.com, 26 Jan 2019.
  4. ^ a b c d Qing Han Mo Ke, "Zhang Junqiu: He broke with his master before he was a teacher, and later founded the "Zhang Pai", where the two wives get along well" (张君秋：未出师就与师傅决裂，后创立“张派”，两位妻子相处融洽)," Baidu, April 2016.
  5. ^ Bao, Huai (2018), Cross-Gender China Across Yin-Yang, Across Cultures, and Beyond Jingju, Routledge, p. 50, ISBN 9780367735937
    "This was confirmed to me by Zhang [Junqiu] himself when I met him through the Ministry of Culture in 1997, a few months before he died."
  6. ^ Bao, p. 37.
  7. ^ Bao, p. 30-31.
  8. ^ "Event: Ma Lianliang's last performance" 事件：马连良最后一次演出, A Hundred Years of Notes 梨园百年琐记.
  9. ^ Bao, p. 35

Further reading[edit]

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