User:Homeostasis07/sandbox

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Billy Corgan[edit]

http://www.musicweek.com/talent/read/i-needed-to-make-peace-with-my-past-billy-corgan-the-music-week-interview/070132

The Cardigans[edit]

Cat Power[edit]

The Cranberries[edit]

The Girl with All the Gifts[edit]

Hope Sandoval and the Warm Inventions[edit]

Sandoval: "We work together on the music, says Sandoval, ... I got Colm to sing a bit. He doesn't consider himself to be a singer but I think he's got a nice voice. ... At the moment he spends his time between Dublin and San Francisco. I came over to Dublin once with him and just hung out and met his friends. https://www.hotpress.com/music/songs-of-hope-and-glory-416794

  • Sandoval: "We didn't really think about it. [We went into the studio with the intention to] write some good songs and make ourselves feel good about what we're doing. [On] every song on the album, we tried to please ourselves."

Bavarian Fruit Bread[edit]

https://www.rte.ie/entertainment/music-reviews/2001/1115/448601-sandovalh/ https://www.hopesandoval.com/music/bfb.shtml http://exclaim.ca/music/article/hope_sandoval_warm_intentions-bavarian_fruit

The Innocence Mission[edit]

Karen: "I often wish we would have waited five more years or so before trying to get a record deal. I think that I, at least, was too young in some ways, my singing was too imitative, for one thing, when we made the first record. But it is easy to not be in a hurry in hindsight." ^ for The Innocence Mission https://web.archive.org/web/20021102111503/http://www.promontoryartists.org/crossing/peris-interview.htm

https://web.archive.org/web/20020601000000*/http://www.theinnocencemission.com https://web.archive.org/web/20020802205407/http://www.theinnocencemission.com/press.htm

Interviews: https://web.archive.org/web/20031221172523/http://www.theinnocencemission.com/New_Folder/a_love_of_collaboration.htm

Reviews: https://web.archive.org/web/20020803124952/http://audiogalaxy.com/pages/review.php?band_id=110297 https://web.archive.org/web/20020805202001/http://www.pastemusic.com/product/204 http://www.tollbooth.org/2001/reviews/innocentmission.html https://web.archive.org/web/20021202201042/http://www.theinnocencemission.com/New_Folder/innocence_found.htm https://web.archive.org/web/20031221171630/http://www.theinnocencemission.com/New_Folder/promontory.htm https://web.archive.org/web/20031018081056/http://www.theinnocencemission.com/tangzine%20review.htm

https://web.archive.org/web/20020826044815/http://www.theinnocencemission.com/images/acoustic_guitar.htm https://web.archive.org/web/20030308144711/http://theinnocencemission.com/hearsay.htm https://web.archive.org/web/20030103223532/http://www.theinnocencemission.com/images/new_york_daily_news.htm https://web.archive.org/web/20010905132124/http://www.theinnocencemission.com/intell.htm https://web.archive.org/web/20030103222104/http://www.theinnocencemission.com/images/innocence_missionfly_for_the_sil.htm https://web.archive.org/web/20040702053209/http://timission.netfirms.com/mjuice.shtml https://web.archive.org/web/20040223235545/http://www.theinnocencemission.com/truetunes%20review.htm https://web.archive.org/web/20040220024950/http://www.theinnocencemission.com/green_lake.htm ^ for Birds

https://web.archive.org/web/20021102112216/http://www.promontoryartists.org/lookingcloser/music/tentrombones.htm https://web.archive.org/web/20031219234608/http://www.theinnocencemission.com/intell%20dp.htm ^ for Ten Silver Slide Trombones

Don: "Both of us grew up having the joy and privilege of being able to participate musically in liturgies, of seeing a worth placed on what we have to offer, of knowing that there can be a place for music in the reverence of worship. Both of us have had the pleasure of knowing good Sisters, nuns who encouraged in us a love of music, by their example of being musicians themselves, and of creating opportunities for us and others to be involved. There is an older man (88 years old) at our church here in Lancaster, who was the music director for many years, who has given so much to our parish and who deepened our love of traditional hymns. We dedicated the Christ Is My Hope cd to him. So, yes, our experiences have been positive." ^ https://web.archive.org/web/20021102111503/http://www.promontoryartists.org/crossing/peris-interview.htm

https://web.archive.org/web/20031214224159/http://www.theinnocencemission.com/true%20tunes.htm ^ for Christ Is My Hope (also stuff about later A&M relationship, 1996 unreleased album, etc.)

https://web.archive.org/web/20040223232233/http://www.theinnocencemission.com/powerpop.htm https://web.archive.org/web/20040502100906/http://theinnocencemission.com/sacramento_october_2003.htm ^ for befriended

https://rabbitroom.com/2007/12/the-innocence-mission-the-brotherhood-of-man/ ^ by Andrew Peterson (musician) for We Walked in Song

http://www.whatsonthehifi.com/page18/page369/page369.html ^ for My Room In the Trees

https://www.cordella.org/beautiful-change ^ for Hello I Feel the Same / Violet

Don: "A genuine love for the result of the collaboration is important. Knowing that working together produces something finer, and more meaningful than working apart. Plus, being in love with the person you are creating with keeps things running smoothly and respectfully, keeps us behaving." Karen: "We disagree about whether or not to get a dishwasher, but rarely about music. We usually feel the same way about a song, though we each will be affected by it and add to it in our own ways. It is always so important to me that Don is affected by a song of mine. I always play it for him first. If he isn't touched by it then I'm not as interested in going ahead with it." ^ for main article. https://web.archive.org/web/20021102111503/http://www.promontoryartists.org/crossing/peris-interview.htm

The Innocence Mission (stylized as the innocence mission on all releases since 1995) is an American folk rock band centered on husband-and-wife singer-songwriters Karen and Don Peris.[1] The group, including Mike Bitts (bass guitar) and Steve Brown (drums), was formed in Lancaster, Pennsylvania in the early 1980s when the members met during a Catholic school production of Godspell.[2] Although all members of the band have contributed musically, Karen Peris is its main writer.

The album recorded during this period remains unreleased.[3]

Marie Fredriksson[edit]


  • A new single comes in the days and this fall she releases her first album with new Swedish songs since 1996. -I am so fucking grateful, says the singer. Between 20 and 25 percent. Almost half a half chance was Marie Fredriksson when she suffered from the brain tumor. The doctors at the Karolinska University Hospital in Stockholm do not work with joy calculations and the Swedish superstar's condition was so serious that she occasionally completely lost speech ability. It was 2002 she was diagnosed with cancer and the way back has been long. In 2009, she and Per Gessle made a Night of the Proms tour with Roxette and the following year they performed in connection with the Crown Princess's wedding. http://www.gp.se/kultur/marie-fredriksson-tillbaka-med-soloskiva-på-svenska-1.587519
  1. The Change: http://www.hakanpettersson.se/blogg.php?id=1639
  2. Min Basta Van: http://www.hakanpettersson.se/blogg.php?id=2358
  3. Den standiga resan #3 album of 1992 by Hakan Peterson: http://www.hakanpettersson.se/blogg.php?id=3369
  4. Rock Runt Riket tour info: http://www.hakanpettersson.se/blogg.php?id=3997
  5. Efter stormen tour info: http://www.hakanpettersson.se/blogg.php?id=4008

Touring band members[edit]

  1. Marie Fredriksson (vocals and grand piano).
  2. Margareta Andersson (backing vocals).
  3. Mikael Bolyos (keyboards)
  4. Anders Herrlin (bass)
  5. Magnus Helgesson (bass)
  6. Jonas Isaksson (electric guitars)
  7. Christer Jansson (percussion)
  1. Mikael Bolyos: keyboards, sång
  2. Pelle Alsing: trummor
  3. Christoffer Lundquist: gitarr, slide, sång
  4. Surjo Benigh: bas, sång
  5. Jokke Pettersson: gitarr, sång

Mazzy Star[edit]

  • "While Capitol has been cautious about overexposing Mazzy Star, even to the point of not releasing a second video from Tonight, the label has already begun to set up Among My Swan."

Among My Swan reviews:

http://books.google.com/books?id=wwkEAAAAMBAJ&pg=PA12&lpg=PA12&dq=mazzy+star+billboard+sales&source=bl&ots=cYyzY-oFen&sig=1KzEXmeQB9KO53Vh8OQXDXBfhjE&hl=en&sa=X&ei=qNSsU7S3LpKv7AaBsYHgDQ&ved=0CFEQ6AEwBQ#v=onepage&q=mazzy%20star%20billboard%20sales&f=false

Mazzy Star Year-End Lists: David Knowles of Acoustic Guitar: http://www.acousticguitar.com/News-Features/Best-Acoustic-Albums-of-2013/Best-Albums-of-2013-David-Knowles-Senior-Editor

The Fly: #9 http://mamacolive.com/thefly/feature/lists/1022543/albums-of-the-year-2013/

Les Inrockuptibles France: #44 http://spotirama.blogspot.ie/2013/12/les-inrocks-les-100-meilleurs-albums-et.html

http://cdn.radiocms.net/001/audio/000006/42883_media_player_audio_file.mp3

http://www.azm51tes2012.weonea.com/

http://thefutureheart.com/2014/04/24/record-store-day-charts/ http://www.brixton.com/blog/2014/04/23/brixton-wednesdays-on-wax-ex-cult-mazzy-star-rsd-releases/

Melora Creager / Rasputina[edit]

Untitled

Fa La La is an ongoing multi-album project by Rasputina frontwoman Melora Creager, the first part of which was released on May 12, 2015. Future volumes are expected to be released in the near future.

Background and recording[edit]

Creager formed a five-piece narrative musical project called Fa La La: the Bastardy of Shakespeare's Madrigals in 2012.[5] Inspired by the Madrigal works of Elizabethan author Thomas Weelkes, the project expands on the Oxfordian theory of Shakespeare authorship – the claim that Edward de Vere wrote the plays and poems traditionally attributed to William Shakespeare – by alleging that Weelkes was another pseudonym used by de Vere, and that the music of Weelkes could be seen as scores to Shakespeare's plays.[6] The project was initially billed as "Rasputina presents Fa La La: the Bastardy of Shakespeare's Madrigals" and included five members, Creager as well as then-current Rasputina members Daniel DeJesús and Julie Griner, Thanks for the Ether and How We Quit the Forest cellist Julia Kent and newcomer Lauren Molina.[7] However, the first volume of Fa La La was recorded by Creager alone, and she later stated that the project has become a solo venture.[8] It is unknown if other musicians will take part in the recording of future releases.

The first volume of the project was released for digital download on Creager's website on May 12, 2015 and contained original music and rearranged versions of Weelkes' Renaissance-era material.[9] A new mix of the track "Murder By Makeup", which contains original lyrics sung over Weelkes' composition "Those Spots Upon My Lady's Face", was released shortly after.[10] She has referred to this collection as one of "many more to come. It's an endlessly fascinating subject".[11] A CD version of the album followed on July 11 and was limited to ten copies.[12]

In July 2015, Creager stated that she is currently at work on the second volume of the project.[13]

Track listing[edit]

All songs written by Melora Creager, except where noted.

Fa La La – Volume I
No.TitleLength
1."Fa La La Opener"0:44
2."Now Every Tree Renews" (Thomas Weelkes)1:34
3."Double Relish"3:33
4."If Beauty Be a Treasure" (Weelkes)1:31
5."Helena Snakenborg"5:42
6."Shaxper Was a Blackmailer"2:42
7."Madcap Earl"2:53
8."On the Plains, Fairy Trains" (Weelkes)2:16
9."Cold Winter's Ice (Is Fled and Gone)" (Weelkes)1:20
10."Murder By Makeup" (Creager, Weelkes)1:56
11."Cease Now Delight" (Weelkes)3:32
12."In Black Mourn I" (Weelkes)2:41
13."Fa La La Closer"0:38

MKS[edit]

  • Outtakes and/or New songs
  1. "Boys Will Be Boys"
  2. "Diamonds"
  3. "Enough"
  4. "Light Up"
  5. "Only You"
  1. "Date"
  2. "Forever"
  3. "Girls Nite Out"
  4. "Little Lady Love" ("New Year" b-side)
  5. "Das Schlumpfenbuch" (German version of "Overload")
  • Solo
  1. "Animate" (Revolution in Me outtake)
  2. "Half" (RiM outtake)

"Boys" = rumored first single "Lay Down in Swimming Pools" = remix of Kendrick Lamar's "Swimming Pools (Drank)" Phoenix's single "Entertainment (Blood Orange Remix)" "Flatline" = first official single During "Flatline" video shoot, mentioned two more songs from the album during Billboard interview: "I'm Alright" and "Victory" (latter co-written with Sia) "Love Me Hard", "Today" and "No Regrets" first performed at Scala on 1 August 2013 Google+ Sessions sessions "Back in the Day", "Drum" and "Beat Is Gone" announced during Google+ Session

Nina Nastasia[edit]

Live reviews:

"What She Doesn't Know"[edit]

^ #8 best single of 2008 on Wears the Trousers

BMI[edit]

  • 14288383 - Wealthy One
  • """84 - N/A
  • 85 - Carolina
  • 86 - I Will Never Marry
  • 87 - 7th Yr / Seventh Year
  • 88 - Where Dogs Used To Bark
  • 89 - Window, Window / Oh Window, Window
  • 90 - Lullaby In Turkish
  • 91 - Desert Wind
  • 92 - Sandman
  • 93 - Birthday / It's Your Birthday
  • 94 - Stains
  • 95 - Moves Away
  • 96 - You're A Holy Man
  • 97 - This Familiar Way
  • 98 - What's Out There
  • 99 - A Kind Of Courage
  • 400 - Wakes
  • 401 - One Way Out
  • 402 - Outlaster
  • 403 - I'monamotherfuckingboat

Riderless Horse[edit]

^ Composition and style

^ Better source for Background; + info for Nina Nastasia

^ repeats lot of info from Stereogum; some nice tidbits/not much encyclopedic value...

Per Gessle[edit]

^ for PG article: wrote 3 US number ones on his own; as of 2022, only ten other songwriters have written more number one singles on the Billboard Hot 100 on their own; and Gessle is the only artist from outside the US or UK...

  • for Per Gessle: "The older the Halmstad son gets, the more frightening it is that he sounds younger every year. His vocal cords have a sort of Benjamin Button effect, they age backwards. The voice sounds more and more helium-like and he has a terrible time letting go of the juvenile. His first solo album from 1983 is ironically still the most mature and underrated he's done."[14]

^ En Vacker Kvall.

  • In 1996, Per Gessle and Nisse Hellberg from Wilmer X released an album under the name Lonely Boys, as an appendix to Mats Olsson's novel "De ensamma pojkarna". In 2004, Gyllene -Tider made a comeback and that year's summer tour attracted almost half a million people in the audience. In 2005 it was stated that Per Gessle's company Elevator Entertainment is Sweden's third most successful, in terms of profit margin.[15]

^ Search this!

for Mazarin: ""Mazarin" (which came in 2003) Gessle's best moments in his career and is a track too good not to follow up. I hope that is the real reason why Gessle is planning for a Swedish summer."[16]

for main article re Bad Hair Day: "hitparade.ch: You have the "Bad Hair Day" project where your fans could download demos on your birthday. How did this idea come about? Per: When I started the "Son Of A Plumber" website, I spoke to David (who runs it for me) to make the website unique. And that was one of the ideas, to start something where you could download exclusive songs for free. I think it was a great idea, especially because I would never release songs like the Mazarin demos, even though I think they are quite interesting. For me or for EMI, it was not a monetary matter. It was extremely welcomed and appreciated in Sweden, so it was a great idea." Released demos for entire Mazarin album plus three demos for Son of a Plumber.[17]

  • Anders Nunstedt from Expressen described Gessle as the biggest Swedish artist of the 2000s: "He gets them from making music, meeting the fans. The solo adventure "Mazarin" was followed by the biggest Swedish tour of all time (with Gyllene Tider) and a charming "Son of a Plumber" project and that is, of course, more than anyone else at his level has been close to during the same time period."[18]
  • "There is a crisis in the record industry. But not in Gessleland. Someone had calculated (probably himself...) that Per, with the solo record "Mazarin", Gyllene Tider and "Son of a plumber" had sold 850,000 records in the last 18 months. In Sweden." ... "In Djurgården. Since Åsa's brothers, Guy and Ulf, were both goalkeepers in Trelleborg, TFF and IFK, he first wanted to become a goalkeeper. Until he got a ball on him…"[19]

Info about Per's early life, moving around a lot. Grape Rock was the first band Gessle was in.[20]

  • "At the same age, when I was 14-15, I also started writing my own songs. We had a piano at home that I never played. I took some lessons but could never connect it with sheet music. I never understood how the notes became music. So when I wrote songs, it was just written down lyrics. I had the melodies in my head. I had hundreds of songs in my head." Finished songs that you came up with? "Yes." You heard them in your head with arrangements and all? "Yes. Not in a Mozart way (laughs), there were no symphonies where I could hear every single instrument. But I had pop songs completely clear in my head with chords, tempo, verse, beat, chorus."[20]
  • Sabbatical at Bingo-Livs? "Yes, it was an ICA deal. I was born in January 1959. When I took the school maturity test at the age of six, I had to choose whether I wanted to start school a year earlier instead. We chose that option and I started school already at the age of six. I was therefore always the youngest in the class growing up. Taking a sabbatical was a way to end up in a new class, with peers. Mom and everyone agreed that a sabbatical was a good idea. I worked at Bingo-Livs and picked up milk and things like that. There I had to drive a moped after all, flatbed moped, and pick up goods. When I was standing there packing milk one day, one of my teachers at the disgusting school came by and said: "Well, this is where you were going to end up". Damn, what a pig. But for me, everything was a chance to start over. During the sabbatical year, I also made sure to lose weight."[20]
  • How did you do? In those days there were neither gyms nor weight clubs. "I lived on chicken and crackers for a year. Everything had come to a limit. I was determined to start over. New house, new school, new friends. I was looking for a year zero. Parallel to this, punk happens. I bought Patti Smith's "Horses" and Ramone's first. I got a kind of abstract confidence from it. The punk said it was okay not to be very good. In the spirit of the times before, characterized by "Brain Salad Surgery" and "Dark Side Of The Moon", everyone was so damn good. When I came back to school, where I finally ended up in a new class, I made a friend. A very good friend called Peter, Peter Nilsson. It was 1977 and he played bass in a band called Audiovisuelll Angrepp (Attack). The band rehearsed in Harplinge, a mile and a half away. We went there as soon as we could and spent the whole days there. Among the other members of Audiovisual Angrepp was MP (Mats Persson, Gyllene Tider) who played drums. That's how I got to know him. The band also included Martin Sternhufvud, who later started Mamas Barn with Marie (Fredriksson). After a while MP and I started our own band on the side, but the first time I sat there on the floor in the rehearsal room, with my back against the wall, and listened to them play. The room where they scratched was small, much smaller than this room. It was so fucking loud. I sat there and thought, wow, this is exactly what I want to do with my life.

https://nt.se/bli-prenumerant/artikel/r3koom2j/nt-1m1kr_s_23 ^ for Bad Hair day releasing demos of the entire Mazarin album for free (dated 11 Jan 2006)

TO READ: https://www.dailyroxette.com/marie-in-special-tdr-interview-i-miss-my-fans-so-much/ https://www.dailyroxette.com/news/page/40/

https://www.youtube.com/watch?v=8fUqcdyqAMQ ^ Son of a Plumber Making Of

Roxette[edit]

  • "Perfect Day" = F3→C5

46. Roxette - “Joyride” Even more so than the group’s biggest hit, “It Must Have Been Love,” “Joyride” showed off Per Gessle’s ability to craft fantastic pop-rock songs. The song’s pop spirit and rock swagger mesh seamlessly. Its lyrical inspiration lied in the Beatles, as Gessle recalled an interview where Paul McCartney said writing songs with John Lennon was like “a long joyride.” https://www.cleveland.com/entertainment/2020/10/every-no-1-song-of-the-1990s-ranked-from-worst-to-best.html

^ Replacing Marie on his solo 2017 tour.

^ for "It Must Have Been Love"

Charm School EPK[edit]

Per: we decided early on to make a 'typical' Roxette album. And it shouldn't sound old and mouldy, but modern. It should sound like only Roxette can. Marie: There's a lot more improvisation, even though we're very clear on what we want to achieve. And our new band plays a big role, too. Per: Like all our albums, it's a mishmash of all kinds of styles: from bubblegum nonsense, to some pretty heavy songs.

The Sweet Hello, The Sad Goodbye[edit]

Good Karma[edit]

PG: You’re right. You’re so intelligent, it’s mind-blowing! ... http://www.dailyroxette.com/per-talks-good-karma-with-tdr/

  • He also said "We knew from day one that this record won't be performed live on stage which meant that I could write songs for the studio instead of making the songs more or less guitar-driven. I haven’t done that in a long time so it was very inspiring. Basically we just wanted the album to sound as fresh as possible without losing the classic Roxette ingredients that’s in our DNA. It took a long time to make, almost two years."[21]
  • "Good Karma" song: The title track was co-written with Abbeboy vs. Cliff, although they did not produce the song. Gessle explained: "They just sent me some music and some chords and it sounded really weird. I threw out bits and pieces of those chord progressions and wrote a melody to it so that it sounded more like a classic song. And then when we produced it in the studio, we said 'let's do a little Roxette-ification here. Let's do an intro like 'Fading Like a Flower' with a piano and let's use those big power chords that no-one dares to use anymore'. We said 'If someone should use them it should be Roxette', because we had those all the time in the '80s. So we were laughing all the way through that recording. But it's a great song and Marie did a fantastic vocal performance on this."[22]
  • "Some Other Summer": Clarence Ofwerman, one of the producers, he told me that nobody writes pop songs the way you do anymore. I come from the '60s, '70s tradition of classic pop song writing. But today, most people who write pop songs are working in a different way: they only use just a few chords and they repeat those chords endlessly. What they do is they change the melodies for the chorus but they keep the same chords. I never thought about that. So I went home and wrote a song with just four chords, and I was fooling around on my piano trying to find four chords that sort of weren't the sort of obvious ones but interesting chords. So I wrote 'Some Other Summer', [the song] is actually only four chords that go on all throughout the song. The only thing that changes is the melody in the chorus, and the production of course in the chorus, and then it goes back to the verse and then the chorus again, and there's a modulation in the key but it's still the same four chords and then you go back to the same four chords again. I was actually interested and sort of suprised that you could actually make an interesting pop song like that because it's so far away from what I come from. But I thought it was really cool. That's why I like the song.[23]
  • "Why Don't You Bring Me Flowers"[24]

https://scandipop.co.uk/roxette-speak-to-me-bassflow-edit/ https://scandipop.co.uk/roxette-keep-it-bassflowing/ https://scandipop.co.uk/roxette-speak-to-us/ ^ speak to me

https://scandipop.co.uk/roxette-no-one-makes-it-on-her-own/ ^ no-one makes it on her own

https://scandipop.co.uk/roxette-its-possible/ https://scandipop.co.uk/roxette-its-possible-the-video/ ^ It's Possible

https://scandipop.co.uk/roxette-touched-by-the-hand-of-god/ ^ Touched by the hand of god

http://renownedforsound.com/single-review-roxette-the-look-2015/ http://renownedforsound.com/news-roxette-release-remake-of-iconic-breakthrough-single-the-look/ ^ The Look 2015

http://www.hitparadeitalia.it/hp_yenda/lpe1991.htm http://www.riaj.or.jp/f/data/cert/gd_search.html

australian #1's http://www.noise11.com/news/aria-singles-report-avicii-is-longest-number-one-swedish-act-since-roxette-20130803

room service #3 in europe: Downloads/issue583.PDF http://pandora.nla.gov.au/tep/23790

http://roxetteblog.com/2011/04/14/charm-school-charts/

http://www.portalsucesso.com.br/ranking

http://www2.dailyroxette.com/node/12362.html

NORWAY CERTS: http://www.ifpi.no/trofesoknad (Note: Only as of 2007)

Japanese sales[edit]

    • Japanese Charts — Oricon Chart Book 2007/02/2
  • 1989/04/26 "Look Sharp!" # 85 , 3 weeks , 5,000
  • 1991/04/06 "Joyride" # 12 , 8 weeks , 67,360
  • 1992/09/28 "Tourism (Songs from Studios, Stages, Hotelrooms & Other Strange Places)" # 13 , 7 weeks , 58,020
  • 1994/04/08 "Crash! Boom! Bang!" # 8 , 11 weeks , 108,580
  • 1995/02/17 "Hits After Hit" # 17 , 5 weeks , 63,310
  • 1995/10/18 "Don't Bore Us - Get to the Chorus! Roxette's Greatest Hits" # 19 , 6 weeks , 101,680
  • 1999/02/17 "Have a Nice Day" # 19 , 3 weeks , 24,060
  • 2001/04/11 "Room Service" # 34 , 4 weeks , 20,040

Room Service[edit]

  1. Turn of the Tide (T&A Demo - Jan 5, 1999)
  2. Beautiful Girl (T&A Demo - Apr 19, 1999)
  3. Heaven Is Just a Motion Away (T&A Demo - May 16, 1999)
  4. I Do Believe a.k.a. When I Close My Eyes (No One Can See Me) (T&A Demo - Jul 20, 1999) (2nd version July 21)
  5. Bla Bla Bla Bla Bla (You Broke My Heart) (T&A Demo - July 29, 1999)
  6. Milk and Toast and Honey (T&A Demo - Aug 3, 1999)
  7. Jefferson (T&A Demo - Aug 11+16, 1999)
  8. Kyss från en främling (T&A Demo - Oct 18, 1999)
  9. Högt i det blå (T&A Demo - Oct 18, 1999)
  10. The Weight of the World (T&A Demo - Oct 18, 1999)
  11. Walk On, Lonely Eyes (T&A Demo - Dec 16, 1999)
  12. Fool (T&A Demo - Dec 27, 1999)
  13. My World, My Love, My Life (T&A Demo - Dec 28, 1999)
  14. Hold on My Heart (T&A Demo - Jan 30, 2000)
  15. Looking for Jane (T&A Demo - Feb 15, 2000)
  16. Bringing Me Down to My Knees (T&A Demo - Mar 6, 2000)
  17. Beautiful Boy (Studio Vinden Demo, March 2000)
  18. Every Day (Studio Vinden Demo, March 2000)
  19. Little Girl (Studio Vinden Demo, March 2000)
  20. Fish in a Bowl (T&A Demo - Apr 30, 2000)
  21. View from the Bridge (Stanken Demo - Spring 2000)
  22. Try (Just a Little Bit Harder) (T&A Demo - Jul 27, 2000)
  23. Real Sugar (T&A Demo - Aug 15, 2000)
  24. Make My Head Go Pop
  25. It Takes You No Time to Get Here
  26. Entering Your Heart

Bag of Trix[edit]

Roxette band members[edit]

Rock Runt Riket 17 July 1987 - 12 August ^ http://www.hakanpettersson.se/blogg.php?id=3997

  • Clarence Öfwerman -keyboard
  • Henrik Janson - electric guitar
  • Marianne Flynner - choir
  • Matts Alsberg - bass
  • Pelle Alsing - drums
  • Per Andersson - keyboard and percussion

Join the Joyride:

  • Pelle Alsing (drums, percussion)
  • Vicki Benckert (backing vocals, accordion, electric guitars, mandolin)
  • Anders Herrlin (bass)
  • Jonas Isacsson (electric guitars)
  • Clarence Öfwerman (keyboards)
  • Staffan Öfwerman (backing vocals, keyboards, percussion)

^ http://www.hakanpettersson.se/blogg.php?id=2214

Crash! Boom! Bang! Tour: setlist = http://www.hakanpettersson.se/blogg.php?id=3449

6 September 1994 - 2 May 1995

Son of a Plumber[edit]

  • Songs: "'I Like It Like That' is a good example of a song that could have been a power ballad for Roxette but is now picked down with mandolin, hand clapping and other cozy things"[26] ... "or the Burt Bacharach-like "Hey mr DJ ​​(won't you play another love song)" with strings and brass, or the five the songs under the title "The junior suite", where the longest is just over two minutes."[27] ... "Ronnie Lane" named after a member of Small Faces.[28]
  • Gessle on "Jo-Anna Says": "I felt really early on that is gonna be one of the major tracks on that album. It came to me very easily while driving the car, driving south with my family I think in the car. This melody just popped up in my head, this chorus popped up. And when songs come to you that easily, they're always gonna be good. There was a Roxette song called 'Vulnerable", which was [written in] sort of the same way. It just appeared. All I have to do is basically just to write it down or record it as quickly as possible." He noted Roxette's "7Twenty7" was also written in a similar fashion. "I still think it's a really cool song. It's got a classic pop touch to it which I like. I still consider Son of a Plumber to be probably my best album. I think it's got a great vibe to it; great writing and a great production and it's just a very organic record that I really enjoy."[29]
  • "Nonsense lyrics on top of Beatles melodies in "Jo-Anna Says".[30]
  • Gessle on "Jo-Anna Says": "The second a-side of the single is included because...well, if you throw up on "C"mon" you might like it instead Ha ha. It's kind of a McCartney song. We had long discussions about what to gonna like him actually.I'm more of a Lennon guy actually, but liked the early stuff he did as a solo artist."[31]
  • Gessle on "C'mon": "It was almost impossible to find a first single, because there is no song that directly represents the record. But we took this glam rock song as one of two A-sides, because it doesn't sound like it's me. That way, people can take a stand on it, regardless of their relationship to me. I sing in falsetto for the first time. It was like that when I first wrote it... and it was a lot of fun to sing like that."[31]
  • Son Gabriel Gessle, 8, is indirectly involved in the first single track "C'mon". Gessle: "I brought it up together with him. - Gabriel is learning guitar chords now, struggling with his little fingers on the neck of the guitar."[32]
  • hitparade.ch: "Have you ever thought about introducing your son Gabriel at a concert? On the last single there is a duet with him on the song "Substitute". You always like to surprise your fans in your shows." Per: I asked myself, "What should I put on the B-side?" because I didn't have any more songs for it. I didn't make any demos, just the few for the "Bad Hair Days" project, other than the little song fragments that I need when I write the songs. When I wrote the song, Gabriel came to my studio and imitated me singing and playing. I thought that sounded so sweet, so I recorded it."[17]
  • "Hey mr dj (won't you play another love song)" (double CD track) Gessle just released 22 new hits. This duet might be the best."[33]
  • "Her solo on Hey Mr DJ (won't you play another love song) leaves me wanting more, especially as one of the problems with Gessle is his troublesome voice."[34]
  • "The sugary duet "Hey Mr. DJ (Won't You Play Another Love Song)" where Helena Josefsson sings as well as possible."[30]
  • Gessle on "Hey Mr DJ": "Sounds like Chicago, doesn't it? It's very easy for songs like this to become pure parodies and we were in a bad mood for a while, but in the end we got it right, I think. It is very neat."[31]
  • Expressen: "The album consists of two discs, the first playful with neat Indian flutes (I have a party in my head (I hope it never ends)), a lovely duet (Hey mr dj (wont you play another lovesong)) and an adorable out-of-date potpourri (The Junior Suite).[35]
  • Gessle on "I Like It Like That": "The record's strongest chorus. And now that you say it, it is perhaps the song that is most classic Gessle."[31]

Irrelevant[edit]

  • halmstadbo says: "well! just wondering why you had to have so much of the money from the golden times tour? this considering you are already terribly rich! couldn't you share with the other band members?" Per Gessle says: Hello Halmstadbo. Have you thought about this for a long time? The others in GT were paid much much more than what was in the papers so I think I was very fair. They think so too."[36]
  • Ante-Linköping says: What do you think of Dancing Dj's version of your "Fading like a flower"? Per Gessle says: "Not my cup of tea, unfortunately. The good thing about a version like this though is that "a new generation" gets to hear my song and hopefully ends up with a Rox/PG/GT/MF/SOAP record in hand...."[36]
  • Gessle: "I think the "new" download system is excellent. Many smaller artists and bands have an easier time reaching out with their music. However, I think it goes without saying that you have to pay for the download. All bassists, guitarists, drummers, singers, producers, technicians, songwriters, lyricists and whoever cleans the studio must be paid!" and "Good question. Really good music comes from the heart, I've always believed that. The best thing is if you can "use" the music industry in the "right" way. As a sounding board for ideas (not everyone who works at a record company is a sucker...) and to help with their creative development (it has happened!)."[36]

References[edit]

  1. ^ Willman, Chris (November 18, 1991). "Catholic Joy From Innocence Mission". LA Times. Tribune Company. Retrieved September 1, 2013.
  2. ^ Boehm, Mike (April 13, 1996). "Innocence Regained : Cacophony Was Silenced When the Mission of Dreamy, Intelligent Introspection Was Heard". LA Times. Tribune Company. Retrieved September 1, 2013.
  3. ^ Brown, Todd. "The Innocence Mission True Tunes Interview". True Tunes. Archived from the original on February 19, 2012. Retrieved September 1, 2013.
  4. ^ http://www.svenskfilmdatabas.se/sv/item/?type=music&itemid=547646
  5. ^ "Fa La La: the Bastardy of Shakespeare's Madrigals - Melora Creager". Melora Creager. New York Foundation for the Arts. Retrieved October 28, 2015.
  6. ^ Steinberg, David (October 19, 2015). "Come dressed in your best Art Nouveau". Albuquerque Journal. William P. Lang. Retrieved November 17, 2015.
  7. ^ "Fa La La- The Bastardy of Shakespeare's Madrigals, an Intro". Rasputina. YouTube. September 5, 2012. Retrieved November 10, 2015.
  8. ^ "Fa La La". Melora Creager. meloracreager.space. May 16, 2015. Retrieved November 10, 2015.
  9. ^ "Raspuina - The Grey Eagle". The Grey Eagle. Retrieved November 17, 2015.
  10. ^ "Murder By Makeup (New Mix)". Melora Creager. meloracreager.space. Retrieved November 11, 2015.
  11. ^ "Interview with Melora Creager of Rasputina". Chaos Control Digizine. Retrieved November 2, 2015.
  12. ^ "Fa La La ltd.ed". Melora Creager. meloracreager.space. March 21, 2015. Archived from the original on November 4, 2015. Retrieved November 2, 2015.
  13. ^ JP (July 11, 2015). "Interview: Melora Creager (Rasputina)". Color Is Its Own Reward. Retrieved November 10, 2015.
  14. ^ Cite error: The named reference Barometern was invoked but never defined (see the help page).
  15. ^ Francke, Maria G (22 November 2005). "Varför, Gessle?" ["Why, Gessle?"]. Sydsvenskan (in Swedish). Archived from the original on 3 July 2009. Retrieved 23 September 2020.
  16. ^ https://www.expressen.se/noje/kronikorer/anders-nunstedt/anders-nunstedt-han-far-kickar-av-att-mota-fansen/
  17. ^ a b https://hitparade.ch/interview.asp?id=37
  18. ^ https://www.expressen.se/noje/kronikorer/anders-nunstedt/anders-nunstedt-han-far-kickar-av-att-mota-fansen/
  19. ^ https://web.archive.org/web/20070218091736/http://www.hallandsposten.se/artikel.asp?oid=110300
  20. ^ a b c Cite error: The named reference Gradvall-interview was invoked but never defined (see the help page).
  21. ^ http://renownedforsound.com/interview-roxette-3/
  22. ^ https://www.youtube.com/watch?v=VcJ8JSSGkig
  23. ^ https://www.youtube.com/watch?v=pBtcM7D6RjE
  24. ^ https://www.youtube.com/watch?v=V2SaR8mxwZI
  25. ^ "Canadian Certifications". CRIA.
  26. ^ Cite error: The named reference GP was invoked but never defined (see the help page).
  27. ^ Cite error: The named reference HP was invoked but never defined (see the help page).
  28. ^ Cite error: The named reference NK was invoked but never defined (see the help page).
  29. ^ Cite error: The named reference Jo-Anna was invoked but never defined (see the help page).
  30. ^ a b Cite error: The named reference dagen was invoked but never defined (see the help page).
  31. ^ a b c d Per Bjurman (10 November 2023). "Så tycker Gessle om låtarna på nya skivan" ["How Gessle thinks about the songs on the new album"]. Aftonbladet (in Swedish). Retrieved 13 October 2023.
  32. ^ Cite error: The named reference Gala was invoked but never defined (see the help page).
  33. ^ https://www.expressen.se/noje/musik/veckans-4-skiv-val/
  34. ^ Cite error: The named reference SVD was invoked but never defined (see the help page).
  35. ^ Cite error: The named reference Expressen" was invoked but never defined (see the help page).
  36. ^ a b c Cite error: The named reference chattet was invoked but never defined (see the help page).
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