User:Frankiefillis/sandbox
Style[edit]
Like many other French New Wave directors, Varda was likely influenced by auteur theory, creating her own signature style by using the camera "as a pen." Varda describes her method of filmmaking as cinécriture (cinematic writing or "writing on film"). The term was created by merging "cinema" and "writing" in French.[1] Rather than separating the fundamental roles that contribute to a film (cinematographer, screenwriter, director, etc.), Varda believes that all roles should be working together simultaneously to create a more cohesive film. She claims to make most of her discoveries while editing, seeking the opportunity to find images or dialogue that create a motif.[2]
Because of her photographic background, still images are often of significance in her films. Still images may serve symbolic or narrative purposes, and each element of them is important. There is sometimes conflict between still and moving images in her films.[3]
Many of her influences are artistic or literary. Some of her influences include: Surrealism, Franz Kafka, and Nathalie Sarraute.[4]
- ^ Smith, Alison (Jul 15, 1998). Agnes Varda. Manchester University Press. p. 12.
{{cite book}}:|access-date=requires|url=(help) - ^ Gorbman, Claudia. "Places and Play in Agnès Varda's Cinécriture". www.pbs.org. Retrieved 24 October 2014.
- ^ Smith, Alison (Jul 15, 1998). Agnes Varda. Manchester University Press. p. 13.
{{cite book}}:|access-date=requires|url=(help) - ^ Smith, Alison (Jul 15, 1998). Agnes Varda. Manchester University Press. p. 12.
{{cite book}}:|access-date=requires|url=(help)