Talk:David Bowie (1967 album)/GA1
GA Review[edit]
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Reviewer: Tkbrett (talk · contribs) 14:04, 22 February 2022 (UTC)
I promised I'd get to this one – sorry it took so long though! Tkbrett (✉) 14:04, 22 February 2022 (UTC)
Apologies on opening this and not doing it right away. Been a long week ... Anyway, no more excuses!
- Shiiiit completely forgot about this. Can no longer edit as much as I used to so things slips away. I promise I'll get to this tomorrow! – zmbro (talk) (cont) 05:00, 4 March 2022 (UTC)
Top and lead[edit]
- Perhaps a Distinguish template pointing to David Bowie (1969 album)?
- Done
Writing and recording[edit]
- ... decided that Bowie would cease live performances due to poor finances ...: what does this mean? If he had poor finances, wouldn't he have wanted to continue doing live performances to have a stream of income? Or does it mean his live shows weren't bringing in much money?
- This is beyond the scope of the GA criteria, so if you don't want to change it it won't affect whether it passes or not, but there's a MOS:SANDWICH issue between the quotebox and image of Vernon.
- Is there any explanation of why some tracks had different versions between the singles and album tracks? Seems a little strange to spend the money on the extra effort without a good reason.
- I honestly wish I had that answer for a lot of his remakes, particularly "Sue", "'Tis" and "Prettiest Star". For "Rubber Band" (from my understanding) it was so there would be a consistency in sound (MV didn't produce the original). For the others I couldn't tell ya. – zmbro (talk) (cont) 20:47, 5 March 2022 (UTC)
Style and themes[edit]
- According to biographer Chris O'Leary, David Bowie found Bowie composing third-person narratives compared to the first-person love stories of previous releases: Whose previous releases? Bowie's? Or just pop music in general?
- The American release, issued in August 1967, omitted "We Are Hungry Men" and "Maid of Bond Street", which Pegg speculates was possibly due to the US practice of trimming track listings in order to "reduce publishing royalties": Almost definitely. There's an article on the first page of the March 4, 1967 issue of Billboard (link) which states that the standard for American LPs was 12 tracks, though the alarming trend that article discusses it that more and more 10- and 11-track LPs were showing up; bad for the buyer, good for the record companies. Here's a helpful explainer from Michael Frontani: British albums typically contained fourteen tracks, and royalties were paid as a percentage on total albums sold. In the U.S., publishers were (and are) paid a mechanical licensing fee for each song that appeared on the album. As a result, more songs would mean more publishing fees that would have to be paid. (The Beatles : Image and the Media, University of Mississippi Press, 2007, p. 53).
All other sections[edit]
- Good.
Final comments and verdict[edit]
- Well referenced, as always.
- Copyvio score of 55.1% only due to quote boxes. No issues here.
- Images are PD or appropriately tagged.
- I made changes as I read through, so make sure you don't have any issues with those.
Good Article review progress box
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