East European Film Bulletin
| Language | English |
|---|---|
| Edited by | Konstanty Kuzma Moritz Pfeifer |
| Publication details | |
| History | 2011 |
| Frequency | 10/year |
| yes | |
| Standard abbreviations | |
| ISO 4 | East Eur. Film Bull. |
| Indexing | |
| ISSN | 1775-3635 |
East European Film Bulletin is a not-for-profit[1][2] online journal[3][4][5][6][7] dedicated to the criticism[8][9] of films related to Central, Eastern[10][11] and South-Eastern Europe,[12] published 10 times a year.[13]
History[edit]
On 1 January 2011, in Paris, France,[14][15] East European Film Bulletin was launched online.[16][14] Co-founders and co-editors-in-chief are Konstanty Kuzma and Moritz Pfeifer.[17][18][19][14][20][21]
See also[edit]
References[edit]
- ^ "Etablissement EAST EUROPEAN FILM BULLETIN (EEFB) à PARIS 20 (75020) sur SOCIETE.COM (53748427100011)". SOCIETE.com. SOCIETE SAS. Retrieved 27 September 2022.
- ^ "PRIVACY POLICY". East European Film Bulletin. Retrieved 27 September 2022.
- ^ "FIPRESCI Jury 2018". ZAGREBDOX International documentary film festival. Archived from the original on 27 November 2020. Retrieved 27 September 2022.
- ^ Pavlova, Yoana (3 March 2021). Hough, Quinn V. (ed.). "Dad Made Dirty Movies Interview: Filmmaker Jordan Todorov Discusses the Doc". Vague Visages. Retrieved 27 September 2022.
- ^ "Dr. László Strausz". Department of Film Studies. Eötvös Loránd University. Retrieved 27 September 2022.
- ^ Ignashev, Diane Nemec (3 December 2020). "On Cinematic Ekphrasis: Aleksandr Sokurov's Otets i syn Redux". Film Criticism. 44 (1). doi:10.3998/fc.13761232.0044.112. S2CID 230620395. Retrieved 27 September 2022.
- ^ Volintiru, Clara (2012-11-01). "The Institutionalisation of the Romanian Party System". Sfera Politicii. Bucharest: 134–145. Archived from the original on 27 September 2022. Retrieved 27 September 2022 – via ProQuest.
- ^ Vuković, Vesi (2022). "Women in the Wave: Representation of Female Characters in Yugoslav New Film and Black Wave". Faculty of Social Sciences Department of Communication Studies Visual and Digital Cultures Research Center. Antwerp: University of Antwerp. Retrieved 27 September 2022.
Thesis submitted for the degree of doctor of Film Studies and Visual Culture at the University of Antwerp to be defended by
- ^ "A Letter to Dad". Department of Art & Art History. Stanford University. Retrieved 27 September 2022.
- ^ Mazierska, Ewa (27 October 2016). Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure. Edinburgh University Press. ISBN 978-1-4744-0515-7. Retrieved 27 September 2022.
- ^ Praisler, Michaela; Gheorghiu, Oana-Celia (14 May 2021). The Odyssey of Communism: Visual Narratives, Memory and Culture. Cambridge Scholars Publishing. p. 107. ISBN 978-1-5275-6959-1. Retrieved 27 September 2022.
- ^ "ABOUT". East European Film Bulletin. Retrieved 27 September 2022.
- ^ "CONTACT US". East European Film Bulletin. Retrieved 27 September 2022.
- ^ a b c Howard, Cerise (29 July 2021). "A celebration of the first decade of the East European Film Bulletin". Studies in Eastern European Cinema: 1–3. doi:10.1080/2040350X.2021.1953240. S2CID 238795137. Retrieved 27 September 2022.
- ^ a b "East European Film bulletin". Ghent University Library. Ghent University. Retrieved 27 September 2022.
- ^ "Vol. 1 (January 2011)". East European Film Bulletin. Retrieved 27 September 2022.
- ^ "Moritz Pfeifer". Senses of Cinema. Retrieved 27 September 2022.
- ^ Hudson, David (May 31, 2011). "Wrapping Cannes 2011. Un Certain Regard". Notebook. Mubi (streaming service). Retrieved 27 September 2022.
- ^ "Cinema in Eastern Europe". International Federation of Film Critics. Retrieved 27 September 2022.
- ^ "TEAM". East European Film Bulletin. Retrieved 27 September 2022.
- ^ "Moritz Pfeifer". parisberlinmag.com (in French). Retrieved 27 September 2022.
External links[edit]
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