Portal:Theatre

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The Theatre Portal

Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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Jacques Offenbach
Orpheus in the Underworld (Orphée aux enfers, 1858) is a comic opera with music by Jacques Offenbach (pictured) and words by Hector Crémieux and Ludovic Halévy. It was extensively revised and expanded in 1874 for a run that broke box-office records at the Théâtre de la Gaîté, Paris. In the opera, a lampoon of the legend of Orpheus and Eurydice, Orpheus is a rustic violin teacher who is glad to be rid of his wife when she is abducted by the god of the underworld. The reprehensible conduct of the gods of Olympus was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' disrespect for classic mythology and the composer's parody of Gluck's opera Orfeo ed Euridice; others praised the piece highly. It was Offenbach's first full-length opera and remains the one that is most often performed. Can-can cabaret acts still use its "Galop infernal", adopted later in the 19th century by the Moulin Rouge and Folies Bergère.

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Olivia Shakespear from Literary Yearbook 1897
Olivia Shakespear (1863–1938) was a British novelist, playwright, and patron of the arts. She wrote six books that are described as "marriage problem" novels. Her works sold poorly, sometimes only a few hundred copies. Her last novel, Uncle Hilary, is considered her best. She wrote two plays in collaboration with Florence Farr. In 1894 her literary interests led to a friendship with William Butler Yeats that became physically intimate in 1896. Following their consummation he declared that they "had many days of happiness" to come, but the affair ended in 1897. They nevertheless remained lifelong friends and corresponded frequently. Yeats went on to marry Georgie Hyde-Lees, Olivia's step-niece and her daughter Dorothy's best friend. Olivia began hosting a weekly salon frequented by Ezra Pound and other modernist writers and artists in 1909, and became influential in London literary society. Dorothy Shakespear married Pound in 1914, despite the less-than-enthusiastic blessing of her parents. After their marriage, Pound would use funds received from Olivia to support T. S. Eliot and James Joyce. When Dorothy gave birth to a son, Omar Pound, in France in 1926, Olivia assumed guardianship of the boy. He lived with Olivia until her death on 3 October 1938.

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Edward Albee
A play is fiction — and fiction is fact distilled into truth.
Edward Albee, New York Times interview, 1966

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