The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was a decade that began on January 1, 1980, and ended on December 31, 1989.
The decade saw a dominance of conservatism and free market economics, and a socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism compared to the 1970s. As economic deconstruction increased in the developed world, multiple multinational corporations associated with the manufacturing industry relocated into Thailand, Mexico, South Korea, Taiwan, and China. Japan and West Germany saw large economic growth during this decade. The AIDS epidemic became recognized in the 1980s and has since killed an estimated 40.4 million people (). Global warming theory began to spread within the scientific and political community in the 1980s.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the Bulletin Board System. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
The conflict was a major episode in the protracted dispute over the territories' sovereignty. Argentina asserted (and maintains) that the islands are Argentine territory, and the Argentine government thus described its military action as the reclamation of its own territory. The British government regarded the action as an invasion of a territory that had been a Crown colony since 1841. Falkland Islanders, who have inhabited the islands since the early 19th century, are predominantly descendants of British settlers, and strongly favour British sovereignty. Neither state officially declared war, although both governments declared the islands a war zone. (Full article...)
... that according to one reviewer, the problems that may have prompted the publication of Schooling and the Struggle for Public Life in the 1980s had "only gotten worse" by 2005?
... that it took almost as long to renovate New York City's Borough Hall station in the 1980s as it did to construct the original subway line?
... that Zdzisław Najmrodzki, a thief in 1970s–1980s Poland, escaped from law-enforcement authorities and prisons on 29 occasions?
... that the educational computer games Designasaurus and UMS 1 together gained their publisher more than $5 million during 18 months in the 1980s?
Image 6The fall of the Berlin Wall in 1989 marked the beginning of German reunification (from Portal:1980s/General images)
Image 7Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Image 8The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 16The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
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The Care Bears Movie is a 1985 animatedmusicalfantasy film directed by Arna Selznick from a screenplay by Peter Sauder. It was the second feature film from the Canadian animation studio Nelvana after the 1983 film Rock & Rule, in addition to being one of the first films based directly on a toy line and the first based on Care Bears. It introduced the Care Bears characters and their companions, the Care Bear Cousins. The voice cast includes Mickey Rooney, Georgia Engel, Jackie Burroughs and Cree Summer. In the film, an orphanage owner (Mickey Rooney) tells a story about the Care Bears, who live in a cloud-filled land called Care-a-Lot. While traveling across Earth, the Bears help two lonely children named Kim and Jason, who lost their parents in a car accident, and also save Nicholas, a young magician's apprentice, from an evil spirit's influence. Deep within a place called the Forest of Feelings, Kim, Jason and their friends soon meet another group of creatures known as the Care Bear Cousins.
American Greetings, the owners of the Care Bears characters, began development of a feature film adaptation in 1981. Later on, the card company chose Nelvana to produce it and granted them rights to the characters, in addition to financing the film along with cereal manufacturer General Mills and television syndicator LBS Communications. Nelvana's founders were producers, with fellow employee Arna Selznick directing the film. Production lasted eight months, with a production budget of at least $2 million, and took place in Canada, Taiwan, and South Korea. Carole King and John Sebastian contributed several songs for the film. Though major American film studios passed on the project, newly established independent distributor The Samuel Goldwyn Company acquired the distribution rights to the film and soon spent a record $24 million promoting it. (Full article...)
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The Daicon III and IV Opening Animations are two 8 mm film anime short films that were produced for the 1981 Daicon III and 1983 Daicon IV Nihon SF Taikai conventions. They were produced by a group of amateur animators known as Daicon Film, who would later go on to form the animation studio Gainax. The films are known for their unusually high production values for amateur works and for including numerous references to otaku culture, as well as its unauthorized appropriations of the Playboy Bunny costume. Usage of the songs "Runaway" by Bill Conti (from the soundtrack to the 1981 James Bond film For Your Eyes Only) as well as "Twilight" and "Hold On Tight" by English rock band Electric Light Orchestra were also unauthorized.
Daicon III was made by Hideaki Anno, Hiroyuki Yamaga and Takami Akai and Daicon IV credits twelve people, including Yamaga as the director and Anno and Akai as animation supervisors. Despite the questionable legal status of the works, the production of Daicon III resulted in debts that were repaid by selling video tapes and 8 mm reels of the production, the profits of which went to the production of Daicon IV. In 2001, the anime magazine Animage ranked the Daicon animations as the 35th of the "Top 100" anime of all time. (Full article...)
In 1973, Coppola began development of a film based on the life of Tucker, originally with Marlon Brando in the lead role. Starting in 1976, Coppola planned Tucker to be both a musical and an experimental film with music and lyrics written by Leonard Bernstein, Betty Comden and Adolph Green. The project eventually collapsed when Coppola's American Zoetrope experienced financial problems. Tucker was revived in 1986 when Coppola's friend, George Lucas, joined as an executive producer. (Full article...)
The starting point for the script was the ensemble cast of friends and previous collaborators Jarmusch had conceived characters for, while the tripartite formal structure of the film was inspired by his study of literary forms. Cinematographer Robby Müller and musician John Lurie were among the many contributors who had been involved in earlier Jarmusch projects and returned to work on the film. Mystery Train's US$2.8 million budget (financed by Japanese conglomerate JVC) was considerable compared to what the director had enjoyed before, and allowed him the freedom to rehearse many unscripted background scenes. It was the first of Jarmusch's feature films since Permanent Vacation to depart from his trademark black-and-white photography, though the use of color was tightly controlled to conform with the director's intuitive sense of the film's aesthetic.[according to whom?] (Full article...)
Meena Panchu Arunachalam produced Guru Sishyan under the production company P. A. Art Productions. The screenplay was written by her husband Panchu Arunachalam. The cinematography was handled by T. S. Vinayagam, the editing was by R. Vittal and C. Lancy, and the art direction was by B. Chalam. The film is Gautami's debut role in Tamil cinema, and the first film in which Rajinikanth and Prabhu co-starred. Filming took place primarily in Mysore and Chennai, and was completed in 25 days. (Full article...)
It premiered on the CBC in 1984 and was later broadcast on American Playhouse in 1985. The film received mixed reception from critics. Overdrawn at the Memory Bank was featured in the eighth-season finale episode of the comedy television series Mystery Science Theater 3000 in 1997. (Full article...)
The film was conceived by Neumeier while working on the set of Blade Runner (1982), and he developed the idea with Miner. Their script was purchased in early 1985 by producer Jon Davison on behalf of Orion Pictures. Finding a director proved difficult; Verhoeven dismissed the script twice because he did not understand its satirical content, until he was convinced of its value by his wife. Filming took place between August and October 1986, mainly in Dallas, Texas. Rob Bottin led the special-effects team in creating practical effects, violent gore and the RoboCop costume. (Full article...)
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Wings of Desire (German: Der Himmel über Berlin, pronounced[deːɐ̯ˈhɪml̩ˈʔyːbɐbɛɐ̯ˈliːn]ⓘ; lit.'The Heaven/Sky over Berlin') is a 1987 romantic fantasy film written by Wim Wenders, Peter Handke and Richard Reitinger, and directed by Wenders. The film is about invisible, immortal angels who populate Berlin and listen to the thoughts of its human inhabitants, comforting the distressed. Even though the city is densely populated, many of the people are isolated or estranged from their loved ones. One of the angels, played by Bruno Ganz, falls in love with a beautiful, lonely trapeze artist, played by Solveig Dommartin. The angel chooses to become mortal so that he can experience human sensory pleasures, ranging from enjoying food to touching a loved one, and so that he can discover human love with the trapeze artist.
Inspired by art depicting angels visible around West Berlin, at the time encircled by the Berlin Wall, Wenders and author Peter Handke conceived of the story and continued to develop the screenplay throughout the French and German co-production. The film was shot by Henri Alekan in both colour and a sepia-toned black-and-white, the latter being used to represent the world as seen by the angels. The cast includes Otto Sander, Curt Bois and Peter Falk. (Full article...)
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Royal Space Force: The Wings of Honnêamise (Japanese: 王立宇宙軍~オネアミスの翼, Hepburn: Ōritsu Uchūgun: Oneamisu no Tsubasa) is a 1987 Japanese animatedscience fiction film written and directed by Hiroyuki Yamaga, co-produced by Hiroaki Inoue and Hiroyuki Sueyoshi, and planned by Toshio Okada and Shigeru Watanabe. Ryuichi Sakamoto, later to share the Academy Award for the soundtrack to The Last Emperor, served as music director. The film's story takes place on an alternate world where a disengaged young man, Shirotsugh, inspired by an idealistic woman named Riquinni, volunteers to become the first astronaut, a decision that draws them into both public and personal conflict. The film was the debut work of anime studio Gainax, whose later television and movie series Neon Genesis Evangelion would achieve international recognition, and was the first anime produced by toy and game manufacturer Bandai, eventually to become one of Japan's top anime video companies.
Yamaga and Okada had become known through making amateur fan-oriented short films, particularly the Daicon III and IV Opening Animations, but their pitch for Royal Space Force argued that growing the anime industry required a shift away from works that pleased fans on a surface level but reinforced their isolation, advocating instead for a different type of anime that attempted to engage with fans as human beings who shared in the alienation issues of a larger society. The making of Royal Space Force involved a collaborative year-long design process using many creators, including some from outside the anime industry, to construct an elaborately detailed alternate world described as neither utopian nor dystopian, but "an attempt to approve existence". Science fiction writer Ted Chiang, author of "Story of Your Life", the basis for the film Arrival, would later describe Royal Space Force as the single most impressive example of worldbuilding in books or film. (Full article...)
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Nostos: The Return (Italian: Nostos: Il ritorno) is a 1989 Italian adventuredrama film directed by Franco Piavoli, starring Luigi Mezzanotte [it] and Branca De Camargo. Drawing from Homer's Odyssey, the film depicts Odysseus' homeward journey across the Mediterranean Sea following the Trojan War, and his struggles against natural obstacles and inner torments. The film relies on visual storytelling and the portrayal of nature; dialogue is minimal, without subtitles, and spoken in an imaginary Mediterranean language. Nostos: The Return explores themes of homecoming, the memory of war, time, and man's relationship with nature.
Piavoli began to make films in the 1950s, but Nostos: The Return was his first feature-length fiction film. Envisioning it as "symphonic" as opposed to "theatrical" cinema, Piavoli was in control of most of the creative process and a cast with little film experience. The processes of preparing, filming, and editing the project each took one year to complete. (Full article...)
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L.A. Takedown, also called L.A. Crimewave and Made in L.A., is a 1989 American crimeaction film written and directed by Michael Mann. Originally filmed as a pilot for an NBC television series, the project was reworked and aired as a stand-alone TV film after the series was not picked up. The film was later released on VHS and, in Region 2, on DVD.
Goldman began writing the script in 1971, deriving inspiration from his encounters with dysfunctional couples. He spent several years trying to secure a major film studio to produce it before taking it to 20th Century Fox. Parker learned of the script as he was developing Fame (1980), and he later worked with Goldman to rewrite it. After an unsuccessful pre-production development at Fox, Parker moved the project to Metro-Goldwyn-Mayer, which provided a budget of $12 million. Principal photography lasted 62 days, in the period from January to April 1981, on location in Marin County. (Full article...)
An expensive film to produce, Granpa is hand-illustrated with coloured pencil, imitating Burningham's style in the book. It was directed by Dianne Jackson, who had previously adapted The Snowman by Raymond Briggs (1978), a wordless picture book, as an exceptionally successful family-oriented animated film (1982). Howard Blake, who wrote the music for The Snowman, wrote the music and the script for Granpa, which is referred to as an "animated children's opera". The voices of Granpa and Emily are by Peter Ustinov and Emily Osborne. (Full article...)
Following the commercial success of The Evil Dead (1981), Raimi and Campbell decided to collaborate on another project. Joel Coen of the Coen brothers served as one of the editors on The Evil Dead and worked with Raimi on the screenplay. Production was difficult for several members of the crew, and the production studio, Embassy Pictures, refused to allow Raimi to edit the film. Several arguments broke out during the shoot of the film due to continued interference by the studio. (Full article...)
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