Portal:Poetry
Welcome to the Poetry Portal
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or incantatory effects. Most poems are formatted in verse: a series or stack of lines on a page, which follow a rhythmic or other deliberate pattern. For this reason, verse has also become a synonym (a metonym) for poetry.
Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.
Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)
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It describes how Sir Gawain, a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who challenges any knight to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head and reminds Gawain of the appointed time. In his struggles to keep his bargain Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving Lady Bertilak, the lady of the Green Knight's castle.
The poem survives in a single manuscript, the Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Purity and Patience. All are thought to have been written by the same unknown author, dubbed the "Pearl Poet" or "Gawain Poet", since all four are written in a North West Midland dialect of Middle English. (Full article...)
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Poetry WikiProject
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Cædmon (/ˈkædmən/ or /ˈkædmɒn/) is the earliest English (Northumbrian) poet whose name is known. An Anglo-Saxon who cared for the animals at the double monastery of Streonæshalch (Whitby Abbey) during the abbacy (657–680) of St. Hilda (614–680), he was originally ignorant of "the art of song" but learned to compose one night in the course of a dream, according to the 8th-century historian Bede. He later became a zealous monk and an accomplished and inspirational Christian poet.
Cædmon is one of twelve Anglo-Saxon poets identified in medieval sources, and one of only three of these for whom both roughly contemporary biographical information and examples of literary output have survived. His story is related in the Historia ecclesiastica gentis Anglorum ("Ecclesiastical History of the English People") by Bede who wrote, "[t]here was in the Monastery of this Abbess a certain brother particularly remarkable for the Grace of God, who was wont to make religious verses, so that whatever was interpreted to him out of scripture, he soon after put the same into poetical expressions of much sweetness and humility in Old English, which was his native language. By his verse the minds of many were often excited to despise the world, and to aspire to heaven."
Cædmon's only known surviving work is Cædmon's Hymn, the nine-line alliterative vernacular praise poem in honour of God which he supposedly learned to sing in his initial dream. The poem is one of the earliest attested examples of Old English language and is, with the runic Ruthwell Cross and Franks Casket inscriptions, one of three candidates for the earliest attested example of Old English poetry. It is also one of the earliest recorded examples of sustained poetry in a Germanic language. (Full article...)
Did you know (auto-generated) -
- ... that Polish Renaissance poet Jan Kochanowski – considered "the founding father of Polish literature" – wrote threnodies, the first Polish-language tragedy, and epigrams?
- ... that Ida Ospelt-Amann led the revival of dialect poetry in Liechtenstein and was awarded the Golden Cross of Merit?
- ... that Nirmalendu Goon shared his doubts about Sheikh Mujibur Rahman's political decisions during the 1969 East Pakistan mass uprising in his poem Huliya?
- ... that Laura Ashe believes the Gawain Poet used the beheading game to criticize the emptiness of chivalry?
- ... that Sylvia Plath criticized her own award-winning poem for its "old crystal-brittle and sugar-faceted voice"?
- ... that one music critic said that despite being "noisy, banal, fundamentally insincere", Dmitri Shostakovich's symphonic poem October was nonetheless "enjoyable trash"?
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Mandala 1, Hymn 1, Rigveda by anonymous |
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1. I Laud Agni, the chosen Priest, God, minister of sacrifice, The hotar, lavishest of wealth. 2. Worthy is Agni to be praised by living as by ancient seers. He shall bring. hitherward the Gods. 3. Through Agni man obtaineth wealth, yea, plenty waxing day by day, Most rich in heroes, glorious. 4. Agni, the perfect sacrifice which thou encompassest about Verily goeth to the Gods. 5. May Agni, sapient-minded Priest, truthful, most gloriously great, The God, come hither with the Gods. 6. Whatever blessing, Agni, thou wilt grant unto thy worshipper, That, Angiras, is indeed thy truth. 7. To thee, dispeller of the night, O Agni, day by day with prayer Bringing thee reverence, we come 8. Ruler of sacrifices, guard of Law eternal, radiant One, Increasing in thine own abode. 9. Be to us easy of approach, even as a father to his son: Agni, be with us for our weal. |
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