Portal:Martial arts

From Wikipedia, the free encyclopedia
Portal topics
Activities
Culture
Geography
Health
History
Mathematics
Nature
People
Philosophy
Religion
Society
Technology
Random portal

The Martial Arts Portal

Shortcut
United States Marine practicing martial arts, 2008

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. (Full article...)

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China. (Full article...)

Selected articles

  • Image 1 A sumo match (tori-kumi) between yokozuna Asashōryū (left) and komusubi Kotoshōgiku in January 2008 Sumo (Japanese: 相撲, Hepburn: sumō, Japanese pronunciation: [ˈsɯmoː], lit. 'striking one another') is a form of competitive full-contact wrestling where a rikishi (wrestler) attempts to force his opponent out of a circular ring (dohyō) or into touching the ground with any body part other than the soles of his feet (usually by throwing, shoving or pushing him down). Sumo originated in Japan, the only country where it is practiced professionally and where it is considered the national sport. It is considered a gendai budō, which refers to modern Japanese martial arts, but the sport has a history spanning many centuries. Many ancient traditions have been preserved in sumo, and even today the sport includes many ritual elements, such as the use of salt purification, from Shinto. (Full article...)

    A sumo match (tori-kumi) between yokozuna Asashōryū (left) and komusubi Kotoshōgiku in January 2008
    Sumo (Japanese: 相撲, Hepburn: sumō, Japanese pronunciation: [ˈsɯmoː], lit. 'striking one another') is a form of competitive full-contact wrestling where a rikishi (wrestler) attempts to force his opponent out of a circular ring (dohyō) or into touching the ground with any body part other than the soles of his feet (usually by throwing, shoving or pushing him down).

    Sumo originated in Japan, the only country where it is practiced professionally and where it is considered the national sport. It is considered a gendai budō, which refers to modern Japanese martial arts, but the sport has a history spanning many centuries. Many ancient traditions have been preserved in sumo, and even today the sport includes many ritual elements, such as the use of salt purification, from Shinto. (Full article...)
  • Image 2 Rhee Taekwon-Do (Korean: 리태권도; Hanja: 李跆拳道), also known as Rhee Tae Kwon-Do, Rhee Tae Kwon Do, or Rhee Taekwondo,[a] is a martial art school in Australia[b] teaching the Korean martial art of taekwondo. Its full name is "Rhee International Taekwon-Do (Australia)". Chong Chul Rhee, one of the original masters of taekwondo, founded the school in the mid-1960s. Two of Rhee's brothers, Chong Hyup Rhee and Chong Yoon Rhee, later came to assist him in the 1970s. C. C. Rhee claims the title 'Father of Australian Taekwondo' and Rhee Taekwon-Do is widely publicised as being Australia's first and biggest taekwondo school. It has at least 294 publicly listed dojang (training halls) in Australia, with perhaps around 1,400 dojang in total at its peak. Several Australian martial art school founders received their foundational taekwondo training in Rhee's school. (Full article...)
    Rhee Taekwon-Do (Korean: 리태권도; Hanja: 李跆拳道), also known as Rhee Tae Kwon-Do, Rhee Tae Kwon Do, or Rhee Taekwondo,[a] is a martial art school in Australia[b] teaching the Korean martial art of taekwondo. Its full name is "Rhee International Taekwon-Do (Australia)". Chong Chul Rhee, one of the original masters of taekwondo, founded the school in the mid-1960s. Two of Rhee's brothers, Chong Hyup Rhee and Chong Yoon Rhee, later came to assist him in the 1970s.

    C. C. Rhee claims the title 'Father of Australian Taekwondo' and Rhee Taekwon-Do is widely publicised as being Australia's first and biggest taekwondo school. It has at least 294 publicly listed dojang (training halls) in Australia, with perhaps around 1,400 dojang in total at its peak. Several Australian martial art school founders received their foundational taekwondo training in Rhee's school. (Full article...)
  • Image 3 Statue of Jigoro Kano at the Kodokan institute. The rivalry between the Kodokan school of judo and the Totsuka school of Yoshin-ryu jujutsu happened in the 1880s during the Meiji Era in Japan. Consisting of several challenges and tournaments, its result saw the decline of the traditional jujutsu schools and the rise of judo as an institutionalized martial art. Although surrounded in controversy and legend because of inconsistent sources, it has been considered a vital part of the history of judo. (Full article...)
    Statue of Jigoro Kano at the Kodokan institute.

    The rivalry between the Kodokan school of judo and the Totsuka school of Yoshin-ryu jujutsu happened in the 1880s during the Meiji Era in Japan. Consisting of several challenges and tournaments, its result saw the decline of the traditional jujutsu schools and the rise of judo as an institutionalized martial art. Although surrounded in controversy and legend because of inconsistent sources, it has been considered a vital part of the history of judo. (Full article...)
  • Image 4 Japanese swords. Two tachi with full mountings (middle and bottom right), a sword with a Shirasaya-style tsuka (top right), a wakizashi (top left), and various tsuba (bottom left). A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1,000 BC–300 AD), though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō. (Full article...)
    Japanese swords. Two tachi with full mountings (middle and bottom right), a sword with a Shirasaya-style tsuka (top right), a wakizashi (top left), and various tsuba (bottom left).

    A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1,000 BC–300 AD), though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō. (Full article...)
  • Image 5 As of 2023, there have been twenty recorded deaths resulting from sanctioned mixed martial arts contests and nine from unregulated bouts, none however in the largest MMA promotion Ultimate Fighting Championship. A 2006 study suggests that the risk of injury in general in MMA is comparable to that in professional boxing. For professional boxing matches, the Manuel Velazquez Boxing Fatality Collection lists 923 deaths during the 118-year period of 1890–2008. (Full article...)
    As of 2023, there have been twenty recorded deaths resulting from sanctioned mixed martial arts contests and nine from unregulated bouts, none however in the largest MMA promotion Ultimate Fighting Championship. A 2006 study suggests that the risk of injury in general in MMA is comparable to that in professional boxing. For professional boxing matches, the Manuel Velazquez Boxing Fatality Collection lists 923 deaths during the 118-year period of 1890–2008. (Full article...)
  • Image 6 Togakure-ryū (戸隠流) is a historical tradition of ninjutsu known as the "School of the Hidden Door", allegedly founded during the Oho period (1161–1162) by Daisuke Nishina (仁科大助) (a.k.a. Daisuke Togakure (戸隠大助)), who learned his original fighting techniques from a Chinese monk named Kain Dōshi. However, the history and early lineage of Togakure-ryū may be impossible to verify due to the antiquity of the time period and its claimed historicity has been disputed by Watatani Kiyoshi, writer for the Bugei Ryūha Daijiten. After Togakure, the title of Sōke (head of school) was recorded by Toda Shinryuken Masamitsu to have been passed down through other practitioners that kept the style secret from the outside world. Toshitsugu Takamatsu is the recorded 33rd Sōke of this school. According to Bujinkan sources he became well known throughout China and Japan for his martial arts prowess and his knowledge from studying ninjutsu that he then imparted on various Chinese nobles. Takamatsu passed the title of Sōke to Masaaki Hatsumi, the recorded 34th Sōke; it was Hatsumi who largely brought the style to public attention, and subsequently resulted in wide-scale media and public attention given to ninja and ninjutsu in the Western world. Hatsumi recently passed on the school to Takumi Tsutsui. (Full article...)
    Togakure-ryū (戸隠流) is a historical tradition of ninjutsu known as the "School of the Hidden Door", allegedly founded during the Oho period (1161–1162) by Daisuke Nishina (仁科大助) (a.k.a. Daisuke Togakure (戸隠大助)), who learned his original fighting techniques from a Chinese monk named Kain Dōshi. However, the history and early lineage of Togakure-ryū may be impossible to verify due to the antiquity of the time period and its claimed historicity has been disputed by Watatani Kiyoshi, writer for the Bugei Ryūha Daijiten. After Togakure, the title of Sōke (head of school) was recorded by Toda Shinryuken Masamitsu to have been passed down through other practitioners that kept the style secret from the outside world.

    Toshitsugu Takamatsu is the recorded 33rd Sōke of this school. According to Bujinkan sources he became well known throughout China and Japan for his martial arts prowess and his knowledge from studying ninjutsu that he then imparted on various Chinese nobles. Takamatsu passed the title of Sōke to Masaaki Hatsumi, the recorded 34th Sōke; it was Hatsumi who largely brought the style to public attention, and subsequently resulted in wide-scale media and public attention given to ninja and ninjutsu in the Western world. Hatsumi recently passed on the school to Takumi Tsutsui. (Full article...)
  • Image 7 Two kendōka, opponents, in the 2015 European Championships Kendo (剣道, Kendō, lit. 'sword way', 'sword path' or 'way of the sword') is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords (shinai) as well as protective armor (bōgu). It began as samurai warriors' customary swordsmanship exercises, and today it is widely practiced within Japan and has spread to many other nations across the world. (Full article...)

    Two kendōka, opponents, in the 2015 European Championships
    Kendo (剣道, Kendō, lit. 'sword way', 'sword path' or 'way of the sword') is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords (shinai) as well as protective armor (bōgu). It began as samurai warriors' customary swordsmanship exercises, and today it is widely practiced within Japan and has spread to many other nations across the world. (Full article...)
  • Image 8 Angampora gripping technique at Korathota Angam Maduwa Angampora is a Sinhalese martial art that combines combat techniques, self-defense, sport, exercise, and meditation. A key component of angampora is the namesake angam, which incorporates hand-to-hand fighting, and illangam, involving the use of indigenous weapons such as the ethunu kaduwa, staves, knives and swords. Another component known as maya angam, which uses spells and incantations for combat, is also said to have existed. Angampora's distinct feature lies in the use of pressure point attacks to inflict pain or permanently paralyze the opponent. Fighters usually make use of both striking and grappling techniques, and fight until the opponent is caught in a submission lock that they cannot escape. Usage of weapons is discretionary. Perimeters of fighting are defined in advance, and in some of the cases is a pit. A number of paintings related to angampora are found at Buddhist temples in Sri Lanka. These include Embekka Devalaya, Gadaladeniya Rajamaha Viharaya, Temple of the Tooth, Saman Devalaya (Ratnapura) and Lankathilaka Rajamaha Viharaya. (Full article...)

    Angampora gripping technique at Korathota Angam Maduwa

    Angampora is a Sinhalese martial art that combines combat techniques, self-defense, sport, exercise, and meditation. A key component of angampora is the namesake angam, which incorporates hand-to-hand fighting, and illangam, involving the use of indigenous weapons such as the ethunu kaduwa, staves, knives and swords. Another component known as maya angam, which uses spells and incantations for combat, is also said to have existed. Angampora's distinct feature lies in the use of pressure point attacks to inflict pain or permanently paralyze the opponent. Fighters usually make use of both striking and grappling techniques, and fight until the opponent is caught in a submission lock that they cannot escape. Usage of weapons is discretionary. Perimeters of fighting are defined in advance, and in some of the cases is a pit.

    A number of paintings related to angampora are found at Buddhist temples in Sri Lanka. These include Embekka Devalaya, Gadaladeniya Rajamaha Viharaya, Temple of the Tooth, Saman Devalaya (Ratnapura) and Lankathilaka Rajamaha Viharaya. (Full article...)
  • Image 9 A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE. A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear. The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
    A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE.


    A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear.

    The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
  • Image 10 Krav Maga course at an Israeli paratroopers school in 1955 Krav Maga (/ˌkrɑːv məˈɡɑː/ KRAHV mə-GAH; Hebrew: קרב מגע, IPA: [ˈkʁav maˈɡa]; lit. 'contact combat') is an Israeli martial art. Developed for the Israel Defense Forces (IDF), it is derived from a combination of techniques used in aikido, judo, karate, boxing, and wrestling. It is known for its focus on real-world situations. Krav Maga was originally developed by Hungarian-born Israeli martial artist Imi Lichtenfeld. Having grown up in Bratislava during a time of anti-Semitic unrest, Lichtenfeld used his training as a boxer and wrestler to defend Jewish neighborhoods against attackers in the mid-to-late 1930s, becoming an experienced street fighter. After his immigration to Mandatory Palestine in the late 1940s, he began to provide lessons on combat training to Jewish paramilitary groups that would later form the IDF during the 1948 Palestine war. As an instructor, he compiled his knowledge and experience into the combat system that would later become known as Krav Maga. This system would continue to be taught long after he left the IDF. (Full article...)

    Krav Maga course at an Israeli paratroopers school in 1955

    Krav Maga (/ˌkrɑːv məˈɡɑː/ KRAHV mə-GAH; Hebrew: קרב מגע, IPA: [ˈkʁav maˈɡa]; lit. 'contact combat') is an Israeli martial art. Developed for the Israel Defense Forces (IDF), it is derived from a combination of techniques used in aikido, judo, karate, boxing, and wrestling. It is known for its focus on real-world situations.

    Krav Maga was originally developed by Hungarian-born Israeli martial artist Imi Lichtenfeld. Having grown up in Bratislava during a time of anti-Semitic unrest, Lichtenfeld used his training as a boxer and wrestler to defend Jewish neighborhoods against attackers in the mid-to-late 1930s, becoming an experienced street fighter. After his immigration to Mandatory Palestine in the late 1940s, he began to provide lessons on combat training to Jewish paramilitary groups that would later form the IDF during the 1948 Palestine war. As an instructor, he compiled his knowledge and experience into the combat system that would later become known as Krav Maga. This system would continue to be taught long after he left the IDF. (Full article...)
edit 

Selected biography

Kentikian in 2018
Susianna Levonovna Kentikian (Armenian: Սյուզի Կենտիկյան; born Syuzanna Kentikyan on 11 September 1987) is an Armenian-German former professional boxer who competed from 2005 to 2016. She was born in Yerevan, Armenian SSR, but left the country with her family at the age of five because of the First Nagorno-Karabakh War. Kentikian has lived in Hamburg since 1996 and began boxing at the age of twelve.

Kentikian is a two-time flyweight world champion, having held the unified World Boxing Association (WBA) and World Boxing Organization (WBO) female titles between 2007 and 2012, and the WBA female title again from 2013 to 2017. Additionally, she held the Women's International Boxing Federation (WIBF) title twice between 2007 and 2017. During the 2009 WBA convention in Colombia she was named the first ever female Super champion. It was announced that this belt would be called "Susi Kentikian belt" for all other future Super champions. (Full article...)


edit 

Selected entertainment

The 2003 SummerSlam was the 16th annual SummerSlam professional wrestling pay-per-view (PPV) event produced by World Wrestling Entertainment (WWE). It was held for wrestlers from the promotion's Raw and SmackDown! brand divisions. The event took place August 24, 2003, at the America West Arena in Phoenix, Arizona.

Seven professional wrestling matches were set on the event's supercard, a scheduling of multiple high-level matches. The first main event was an Elimination Chamber match, in which World Heavyweight Champion Triple H defeated Chris Jericho, Goldberg, Kevin Nash, Randy Orton, and Shawn Michaels to retain his championship. In the other main event, defending WWE Champion Kurt Angle defeated Brock Lesnar in a standard wrestling match. The undercard included Kane defeating Rob Van Dam in a No Holds Barred match, and Eddie Guerrero defending his United States Championship against Chris Benoit, Rhyno, and Tajiri. There was also a match that occurred on the Sunday Night Heat pre-show.

The event marked the second time the Elimination Chamber format was used by WWE; the first was at Survivor Series 2002. SummerSlam (2003) grossed over $715,000 ticket sales from an attendance of 16,113 and received about 415,000 pay-per-view buys, more than the following year's event. This event helped WWE increase its pay-per-view revenue by $6.2 million from the previous year.


edit 

Sports portals

edit 

Selected image


Randai performances with silek (silat) as one of the dance's components.
Randai performances with silek (silat) as one of the dance's components.
Credit: Michael J Lowe

Randai (Jawi: رنداي) is a folk theater tradition of the Minangkabau ethnic group in West Sumatra, Indonesia, which incorporates music, singing, dance, drama and the martial art of silat. Randai is usually performed for traditional ceremonies and festivals, and complex stories may span a number of nights. It is performed as a theatre-in-the-round to achieve an equality and unity between audience members and the performers. Randai performances are a synthesis of alternating martial arts dances, songs, and acted scenes. Stories are delivered by both the acting and the singing and are mostly based upon Minangkabau legends and folktales. Randai originated early in the 20th century out of fusion of local martial arts, story-telling and other performance traditions. Men originally played both the male and female characters in the story, but since the 1960s women have also participated. (Full article...)


General images - load new batch

The following are images from various martial arts-related articles on Wikipedia.
edit 

Selected quote


It's not how much you know that counts, but how much you can recall under stress.
— John Danaher, Mastering Jujitsu


edit 

Topics


edit 

Categories

Category puzzle
Category puzzle
Select [►] to view subcategories
Martial arts
Martial arts by continent
Martial arts by country
Martial arts by regional origin
Martial arts by type
Martial arts by decade
Martial arts by year
Martial arts-related lists
Women's martial arts
African diaspora martial arts
Combat sports controversies
Martial arts culture
Martial arts equipment
Martial arts events
Historical martial arts
Martial arts logos
Martial arts (genre)
Martial arts mass media
Martial arts organizations
Martial arts people
Martial arts ranking
Martial art techniques
Martial arts terminology
Martial arts uniforms
Martial arts stubs
edit 

Things you can do

See the list on the right of Martial art related projects who organise work on these articles. You can also add your self to the list of Wikipedians by martial art

Talk page tagging

If you come across a martial arts related article, adding the project template {{WikiProject Martial arts}} to the talk page will help identify them for improvement and linking to related articles. For Boxing, Fencing, Mixed martial arts and Sumo. Use {{WikiProject Boxing}}, {{WikiProject Fencing}}, {{WikiProject Mixed martial arts}} and {{WikiProject Sumo}} respectively.

Assessment
If possible please assess articles you tag using guidelines (Boxing, Mixed martial arts and Sumo).

Deletions

Monitor and contribute to deletion debates (Boxing).

Find images

Wikipedia requested images of martial artists, mixed martial artists and boxers.

edit 

WikiProjects

edit 

Associated Wikimedia

The following Wikimedia Foundation sister projects provide more on this subject:

Discover Wikipedia using portals
Retrieved from "https://en.wikipedia.org/w/index.php?title=Portal:Martial_arts&oldid=1180222347"