Portal:Feminism

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The Feminism Portal

International Women's Day, Bangladesh (2005)

Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that modern societies are patriarchal—they prioritize the male point of view—and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.

Originating in late 18th-century Europe, feminist movements have campaigned and continue to campaign for women's rights, including the right to vote, run for public office, work, earn equal pay, own property, receive education, enter into contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contraception, legal abortions, and social integration; and to protect women and girls from sexual assault, sexual harassment, and domestic violence. Changes in female dress standards and acceptable physical activities for women have also been part of feminist movements.

Many scholars consider feminist campaigns to be a main force behind major historical societal changes for women's rights, particularly in the West, where they are near-universally credited with achieving women's suffrage, gender-neutral language, reproductive rights for women (including access to contraceptives and abortion), and the right to enter into contracts and own property. Although feminist advocacy is, and has been, mainly focused on women's rights, some argue for the inclusion of men's liberation within its aims, because they believe that men are also harmed by traditional gender roles. Feminist theory, which emerged from feminist movements, aims to understand the nature of gender inequality by examining women's social roles and lived experiences. Feminist theorists have developed theories in a variety of disciplines in order to respond to issues concerning gender.

Numerous feminist movements and ideologies have developed over the years, representing different viewpoints and political aims. Traditionally, since the 19th century, first-wave liberal feminism, which sought political and legal equality through reforms within a liberal democratic framework, was contrasted with labour-based proletarian women's movements that over time developed into socialist and Marxist feminism based on class struggle theory. Since the 1960s, both of these traditions are also contrasted with the radical feminism that arose from the radical wing of second-wave feminism and that calls for a radical reordering of society to eliminate patriarchy. Liberal, socialist, and radical feminism are sometimes referred to as the "Big Three" schools of feminist thought.

Since the late 20th century, many newer forms of feminism have emerged. Some forms, such as white feminism and gender-critical feminism, have been criticized as taking into account only white, middle class, college-educated, heterosexual, or cisgender perspectives. These criticisms have led to the creation of ethnically specific or multicultural forms of feminism, such as black feminism and intersectional feminism. Some have argued that feminism often promotes misandry and the elevation of women's interests above men's, and criticize radical feminist positions as harmful to both men and women. (Full article...)

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Title page from the first edition (1796)
Letters Written During a Short Residence in Sweden, Norway, and Denmark (1796) is a deeply personal travel narrative by the eighteenth-century British feminist Mary Wollstonecraft. The twenty-five letters cover a wide range of topics, from sociological reflections on Scandinavia and its peoples to philosophical questions regarding identity. Published by Wollstonecraft's career-long publisher, Joseph Johnson, it was the last work issued during her lifetime. Wollstonecraft undertook her tour of Sweden, Norway, and Denmark in order to retrieve a stolen treasure ship for her lover, Gilbert Imlay. Believing that the journey would restore their strained relationship, she eagerly set off. However, over the course of the three months she spent in Scandinavia, she realized that Imlay had no intention of renewing the relationship. The letters which constitute the text, drawn from her journal and from missives she sent to Imlay, reflect her anger and melancholy over his repeated betrayals. Letters Written in Sweden is therefore both a travel narrative and an autobiographical memoir. Using the rhetoric of the sublime, Wollstonecraft explores the relationship between the self and society in the text. She values subjective experience, particularly in relation to nature; champions the liberation and education of women; and illustrates the detrimental effects of commerce on society.

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Helen Keller
Helen Keller
Credit: Unknown; Restoration: Lise Broer

Helen Keller (1880–1968) was a deafblind American author, political activist, and lecturer. The story of how Keller's teacher, Anne Sullivan, broke through the isolation imposed by a near complete lack of language, allowing the girl to blossom as she learned to communicate, has become widely known through the dramatic depictions of the play and film The Miracle Worker. A prolific author, Keller was well-traveled, and was outspoken in her opposition to war. A member of the Socialist Party of America and the Industrial Workers of the World, she campaigned for women's suffrage, workers' rights, and socialism, as well as many other leftist causes.

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Charlotte Perkins Gilman

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Sarah Grimké
...I know nothing of man's rights, or woman's rights, human rights are all that I recognise.

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Anna May Wong (1935)
Anna May Wong (1905–1961) was an American actress, the first Chinese-American movie star, and the first Asian-American to become an international star. Her long and varied career spanned film, television, stage, and radio. During the silent film era, her more notable roles were in The Toll of the Sea (1922), one of the first movies made in color; Douglas Fairbanks' The Thief of Bagdad (1924), and Piccadilly (1929). Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, she left for Europe in the late 1920s, and starred in several notable films and plays. She paid less attention to her film career during the war years, when she devoted her time and money to helping the Chinese cause against Japan. Wong returned to the public eye in the 1950s in several television appearances as well as her own series in 1951, The Gallery of Madame Liu-Tsong, the first U.S. television show starring an Asian-American. She had been planning to return to film in Flower Drum Song when she died in 1961, at the age of 56. Her life and career were re-evaluated in the years around the centennial of her birth, in three major literary works and film retrospectives.

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