John Conomos

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John Conomos
Born (1947-01-28) 28 January 1947 (age 77)
Grafton, NSW, Australia
NationalityAustralian
Alma materUniversity of New South Wales, University of Technology, Sydney
Occupation(s)Artist, critic, writer, academic
Years active1967–present
EmployerUniversity of Sydney

John Conomos (born 28 January 1947) is an artist, critic and writer, and Associate Professor and Principal Fellow at Victorian College of the Arts, Faculty of Fine Arts and Music, the University of Melbourne.

His books, essays and artworks are framed within four traditions of contemporary art: Anglo–American and Australian cultural studies, critical theory and post-structuralism.

Conomos has been an active participant in Australian film and small magazine culture since the mid-1960s, when he was affiliated with the Sydney Push.

Conomos works across a number of art forms – video, new media, installation art, radiophonic art and photo-performance – and his written oeuvre includes cultural and film aesthetics, art criticism and theory, new media and critical theory.

Conomos received a New Media Arts Board Fellowship in 2000[1] and developed two major projects during this time, Aura[2] and Cyborg Ned.[3][4][5]

Writing and publishing projects[edit]

Since the 1970s, Conomos has been an art, film and media essayist, both in Australia and overseas, as well as a critic and writer responsible for many articles, book chapters, reviews, critiques and commentary for local and international journals, anthologies and magazines. He was a co-founding editor (with Brian Langer and Eddy Jokovich) of the arts journal Scan+. In 1995, Conomos spoke on interactive art at Sydney's Biennale of Ideas Symposium. He was a new media critic for the Sydney Morning Herald in the 1990s, and in 1999 was appointed the Sydney editor for the London-based journal Contemporary.

His main books include: Mutant Media: Essays on Cinema, Video Art and New Media (2008),[6] a collection of essays; Anti-Kythera Conversations (2010) and Kythera Conversations (2010); and two anthologies co-edited with Brad Buckley; Republics of Ideas: Republicanism Culture Visual Arts (2001);,[7] Rethinking the Contemporary Art School: The Artist, the PhD and the Academy (2009),[8] and Ecologies of Invention (2013).[9] He has been a contributor to periodicals, journals and newspapers around the world since the 1970s, including the now defunct Filmnews, Continuum: The Australian Journal of Media & Culture[10] and RealTime.[11][12][13]

Also, with Brad Buckley, Conomos has published a major illustrated monograph, Brad Buckley/John Conomos, published by the Australian Centre for Photography in 2013.[14]

Other contributions include chapter articles in Catherine Simpson, Renata Murawska and Anthony Lambert's Diasporas of Australian Cinema (2009) published by Intellect;[15] James Elkins' What Do Artists Know? (2012) published by Penn State University Press;[16] Sean Cubitt and Paul Thomas' collection Relive: Media Art Histories (2013) published by The MIT Press;[17] and the foreword to Video Void (2014), published by Australian Scholarly Publishing.[18]

Curatorial work[edit]

Conomos in the 1980s was a film curator, programmer and researcher for the Australian Film Institute, Paddington. There, Conomos was responsible for the film programs: Cahiers Du Cinema in the Fifties, Early German Expressionist Cinema, The Evil Eye (Religion in the Cinema), Cinematheque Series: Ken Russell, François Truffaut, Horror Film (a retrospective), Through Other People's Eyes (Multicultural Cinema) and Archetypes (with Mark Jackson and Mark Stiles).

Conomos towards the late 1980s was also a video art and new media curator/consultant and researcher for the Australian International Video Festival[19] and Electronic Media Arts (Australia). He was a director of both organisations and, was also media artist-in-residence for Electronic Media Arts (Australia).[20]

Since the 1970s, Conomos has also been a film program consultant and researcher for the Sydney Film Festival, Melbourne International Film Festival and the Adelaide Film Festival and for local and international academic and cultural institutions and organisations, galleries and museums in Australia, England, Greece, France, Canada, Germany and the United States of America.

Academia[edit]

Conomos has worked as an academic since 1985, including College of Fine Arts, University of New South Wales; the University of Technology, Sydney; and the Sydney College of the Arts, University of Sydney.[citation needed]

Videography[edit]

Conomos' videos and installations have been exhibited throughout Australia, France, England, the United States of America, Canada, China, Greece, Italy, Switzerland, Germany, Belgium, Sweden, Denmark, the Netherlands, Brazil, Argentina, Chile and New Zealand, and reviewed in cited in Artforum International, Art and Australia, Screen, Senses of Cinema, Cantrill Filmnotes, Art Monthly, Photofile, Broadsheet, Eyeline, Metro Magazine, Vertigo (London), Variant (Liverpool, UK), The Times Higher Education Supplement,[21] Heat, Tate Modern Catalogue and Art Survey, RealTime, Continuum and Scanlines.

  • Museum of Fire[22] (with Chris Caines and David Haines), 1991.
  • White Light (with David Haines), 1991.
  • Night Sky,[23] 1995.
  • Slow Burn,[24] 1996.
  • Autumn Song, 1998.
  • Album Leaves, 1999.
  • Aura, 2003.
  • Cyborg Ned, 2003.
  • Autumn Song, Take Two,[25] 1998–2008.
  • Lake George (After Mark Rothko), 2008.[26]
  • Rat-a-tat-tat, 2008.
  • Shipwreck,[27] 2011.
  • Dada Buster, 2013.
  • The Spiral of Time, 2013.
  • Nocturnal Beach, 2013.
  • The Absent Sea, 2013.
  • Paging Mr Hitchcock, 2014.
  • Miro on the Beach, 2014.
  • The Girl from the Sea, 2014.

Radiophonic works[edit]

  • Smoke in the Woods,[28] 1998.
  • Cinema of Solitude[29] (with Robert Lloyd), 2001.
  • The Bells of Toledo,[30] 2008.

Other resources[edit]

  • George Alexander, Australian Perspecta, Exhibition catalogue, Art Gallery of New South Wales, 1989.
  • Cathie Payne, 'Visible Spaces, Electronic Records: John Conomos and Tracey Moffatt,' in Nicholas Zurbrugg (ed.), 'Electronic Arts in Australia', Continuum, Vol. 8, No.1, 1994, pp. 318–327.
  • Michael Maziere, 'Passing through the Image', in Julia Knight (ed), Diverse Practices, University of London and The Arts Council of England, 1996.
  • Nicholas Papastergiadis, Dialogues in Diaspora, Rivers Oram Press, London and New York, 1998.
  • Helen Macallan, 'Autumn Song: John Conomos' Work of Mourning', Heat, 10, 1998.
  • George Kouvaras, 'Nocturnal Kinship: Cinema and memory in John Conomos', Album Leaves, Screening the Past, No.13, 2001, Melbourne.
  • Tom Holert, 'Unsentimental Education', Artforum, Summer Issue, 2010.

References[edit]

  1. ^ Australia Council, In Repertoire: A Guide to New Australian Media Art Archived 18 June 2012 at the Wayback Machine
  2. ^ RealTime 64, 'New landscapes, new thinking', Dan Edwards
  3. ^ National Library of Australia
  4. ^ Roslyn Oxley 9 schedule
  5. ^ World Cat entry, Film Art Doco
  6. ^ Mutant Media: Essays on Cinema, Video Art and New Media, Google Books
  7. ^ Republics of Ideas: Republicanism Culture Visual Arts, Google Books "Artspace Sydney". Archived from the original on 9 April 2013. Retrieved 11 February 2013.
  8. ^ "Nova Scotia College of Art & Design". Archived from the original on 9 April 2014. Retrieved 18 July 2012.
  9. ^ University of Sydney, Faculty of Architecture, Design and Planning
  10. ^ Continuum: The Australian Journal of Media & Culture, 'Electronic Arts in Australia', 1992 [1]
  11. ^ RealTime 47, Obituary: Nicholas Zurbrugg
  12. ^ RealTime 48, 'The Lawson vision: sharing Australia'
  13. ^ RealTime 87, 'Parallel lives: in cinema & beyond'
  14. ^ The Australian Centre for Photography Archived 12 October 2014 at the Wayback Machine.
  15. ^ Intellect
  16. ^ Penn State University Press
  17. ^ The MIT Press
  18. ^ "Australian Scholarly Publishing". Archived from the original on 8 August 2014. Retrieved 5 August 2014.
  19. ^ Australian International Video Festival 1991
  20. ^ Scanlines, Electronic Media Arts (EMA).
  21. ^ The Times Higher Education Supplement, 'The art of the matter', 19 January 2012
  22. ^ Queensland Art Gallery of Modern Art, Liquid Medium List of Works Archived 18 July 2012 at the Wayback Machine
  23. ^ Experimental Art Foundation listing Archived 4 July 2013 at the Wayback Machine
  24. ^ "Griffith University art collection". Archived from the original on 4 March 2016. Retrieved 18 July 2012.
  25. ^ Australian Network for Art & Technology, Video Logic Exhibition[permanent dead link]
  26. ^ Roslyn Oxley 9 Gallery, 'John Conomos – Lake George After Mark Rothko'
  27. ^ The University of Queensland, UQ Art Museum exhibition listing
  28. ^ Australian Broadcasting Corporation, Sunday Night, 8 August 2004, Radio National [2]
  29. ^ Australian Broadcasting Corporation, Radio Eye, 8 April 2001, Radio National [3]
  30. ^ Australian Broadcasting Corporation, Radio Eye, 4 October 2008, Radio National [4]

External links[edit]

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