Jeanne d'Arc au bûcher

Jeanne d'Arc au bûcher
Oratorio by Arthur Honegger
The composer in 1928
English	Joan of Arc at the Stake
Text	by Paul Claudel
Language	French
Performed	12 May 1938 (1938-05-12): Basel
Scoring	speakers soloists SATB choir children's choir orchestra

Jeanne d'Arc au bûcher (Joan of Arc at the Stake) is an oratorio by Arthur Honegger, originally commissioned by Ida Rubinstein. It was set to a libretto by Paul Claudel. The work lasts approximately 80 minutes.

It premiered on 12 May 1938 in Basel, with Rubinstein as Jeanne, and Jean Périer in the speaking role of Brother Dominique, with the Basel Boys Choir singing the children's chorus part, and Paul Sacher conducting.

The drama takes place during Joan of Arc's last minutes on the stake, with flashbacks to her trial and her younger days. Honegger called his work a "dramatic oratorio", adding speaking roles and actors. The work has an important part for the ondes Martenot, an early electronic instrument, which was played at the premiere by its inventor Maurice Martenot.

Claudel's dramatic frame provided Honegger with a space – between heaven and earth, past and present – where he could mix styles from the popular to the sublime. A hybrid work: partly oratorio and partly opera, Honegger uses all his musical means, monody, harmony and counterpoint to build towards sculpted blocks of sound.

Performance history

At its première in Basel the piece was an immediate success, with critics almost unanimous in praising a perfect cohesion between words and music. On 6 May 1939, after rehearsals at the Salle Pleyel in Paris, the work was semi-staged with designs by Alexandre Benois at the Théâtre Municipal in Orléans conducted by Louis Fourestier.

The work was heard again in Basel on 12 May 1939 and then in Zürich on 14 May. On 13 June that year at the Palais de Chaillot, it was conducted by Charles Munch (who also gave the United States premiere in New York in 1948). After the outbreak of war the work was performed at the Salle Pleyel on 22 February 1940 and in Brussels on 29 February that year. Sacher and Rubinstein made abortive plans for further performances that year, including the Lucerne Festival. On 26 February 1947 Rubinstein organised a concert performance at the Palais des Fêtes in Strasbourg, conducted by Fritz Münch (brother of Charles), which was repeated the following year on 13 June 1948 in the presence of the composer. The work was first performed in Canada at the Montreal Festivals in 1953 under conductor Wilfrid Pelletier, and as a staged performance the following year at the Stoll Theatre in London, conducted by Leighton Lucas.

In December 1953 Roberto Rossellini directed a staged version of the oratorio in Italian translation at the Teatro di San Carlo in Naples with Ingrid Bergman in the title role. It was subsequently performed at La Scala. Both performances received excellent reviews. Rossellini then staged it at the Paris Opera in the original French, again to critical success. He also filmed the San Carlo production in both French and Italian versions. The film was released in Italy in 1954 under the Italian title Giovanna d'Arco al rogo. It proved to be a box-office failure and the French version was never released.

The oratorio was part of the 1957/1958 New York Philharmonic season at Carnegie Hall (April, three performances, broadcast), with Felicia Montealegre Bernstein as Jeanne d'Arc, Adele Addison as the Virgin Mary, Leontyne Price as St Marguerite, Martial Singher as Brother Dominique, Frances Bible as St Catherine and Leonard Bernstein conducting.

Marion Cotillard has starred as Joan of Arc in live performances of the oratorio several times, first in 2005, in Orléans, France, with the Orléans Symphony Orchestra, directed by Jean-Pierre Loisil. In 2012 in Barcelona, Spain, with the Barcelona Symphony Orchestra and National Orchestra of Catalonia, directed by Marc Soustrot. In June 2015, she performed the oratorio with the New York Philharmonic at Avery Fisher Hall.

Recordings

The first recording was made in 1943 by French EMI, with the Belgian National Orchestra under Lodewijk de Vocht, and featuring Marthe Dugard as Jeanne. In 1954 the Philadelphia Orchestra under Eugene Ormandy recorded it for Philips Classics with Vera Zorina as Jeanne. Serge Baudo conducted the Czech Philharmonic Orchestra for Supraphon in 1977, featuring Nelly Borgeaud. The work had long been in the repertoire of Seiji Ozawa, whose live performance with the French National Orchestra and Marthe Keller, at the Basilica of Saint-Denis was released in 1991 (Deutsche Grammophon). More recent recordings include one of the 2012 Soustrot Barcelona performance with Marion Cotillard (2015, Alpha), and Stephane Deneve with the Royal Concertgebouw Orchestra and Judith Chemla (2018, RCO Live).

Roles

• Jeanne d'Arc, spoken (dancer) – Ida Rubinstein
• Virgin Mary, soprano – Berthe de Vigier
• St Marguerite/First voice, soprano – Rosa van Herck
• St Catherine, contralto – Ginevra Vivante
• Brother Dominique, spoken – Jean Périer
• Porcus, tenor – Ernst Bauer
• Heurtebise/Clerk, tenor – Charles Vaucher
• Second voice/First herald – Serge Chandoz
• Second herald/Third voice, bass
• Narrator, spoken
• Master of ceremonies, spoken
• Third herald, spoken
• Duke of Bedford, spoken
• Jean de Luxembourg, spoken
• Regnault de Chartres, spoken
• Guillaume de Flavy, spoken
• Perrot

References

Notes

Sources

• Casaglia, Gherardo (2005). "Performances of Jeanne d'Arc au bûcher". L'Almanacco di Gherardo Casaglia (in Italian).
• Depaulis, Jacques (1994). Paul Claudel et Ida Rubinstein: Une collaboration difficile. Annales littéraires de l'Université de Franche-Comté, vol. 517 (in French). Presses Université Franche-Comté.
• Halbreich, Harry (1999). Arthur Honegger. Translated by Roger Nichols. Portland, Oregon: Amadeus Press. ISBN 978-1574670417.
• Roy, Jean (1994). Le Groupe des Six. Paris: Le Seuil. ISBN 978-2-02-013701-0.