Józef Ignacy Kraszewski

Józef Ignacy Kraszewski
Józef Ignacy Kraszewski
Born	(1812-07-28)28 July 1812 Warsaw, Duchy of Warsaw, Poland
Died	19 March 1887(1887-03-19) (aged 74) Geneva, Switzerland
Pen name	Bogdan Bolesławita, B.B., Kaniowa, Dr Omega, Kleofas Fakund Pasternak, and JIK
Occupation	Novelist, journalist and historian
Language	Polish
Nationality	Polish
Period	19th century
Genres	Primarily novel, but also drama, poetry and non-fiction
Years active	1830–1887
Notable works	Chata za Wsią (The Cottage Beyond the Village, 1854) Hrabina Cosel (The Countess Cosel, 1874) Stara Baśń (An Ancient Tale, 1876)
Spouse	Zofia Woroniczówna ​ ​ (m. 1838⁠–⁠1887)​
Children	4
Signature

Józef Ignacy Kraszewski (28 July 1812 – 19 March 1887) was a Polish novelist, journalist, historian, publisher, painter, and musician.

Kraszewski wrote over 200 novels and several hundred novellas, short stories, and art reviews, making him the most prolific writer in the history of Polish literature and one of the most prolific in world literature.

He is best known for his historical novels, including an epic series on the history of Poland, comprising twenty-nine historical novels; and for novels about peasant life, critical of feudalism and serfdom.

His works have been described as liberal-democratic but not radical, and as proto-Positivist.

Life

Early life

Romanów manor where Kraszewski grew up, now a Kraszewski Museum

Józef Ignacy Kraszewski was born in Warsaw on 28 July 1812 to a family of Polish nobility (szlachta) of Jastrzębiec coat of arms. He was the oldest son of Jan Kraszewski and Zofia and had four siblings, including artist Lucjan Kraszewski (born 1820) and writer Kajetan Kraszewski (born 1827).

Józef Ignacy Kraszewski spent much of his youth in the house of his maternal grandparents in Romanów.

From 1822 to 1826 he attended school in Biała Podlaska (the Biała Academy); from 1826 to 1827, a gymnsium (secondary school) in Lublin; and in 1829, in Svislach in modern Belarus, he graduated from the Svislach gymnasium) after passing his matura examinations there.

From 1829 he studied medicine, then literature and arts, at Vilna University. 1830 marked his literary debut with several short stories ("Biografia sokalskiego organisty", "Kotlety. Powieść prawdziwa", and "Wieczór, czyli przypadki peruki"), followed a year later with his first novel (Pan Walery).

While at university, he participated in a Polish-independence movement in support of the November 1830 Uprising. On 3 December 1830 he was arrested and was imprisoned until 19 March 1832. Thanks to his family's intervention, he avoided being concripted into the Imperial Russian Army. After release, until July 1833 he lived in Vilna under police supervision. He was then allowed to go to his father's estate in Doŭhaje (Dołhe), near Pruzhany in Volhynia. He also spent time, at Horodziec, in the library of Antoni Urbanowski, whom he would visit often in future.

Landowner

In 1836 Kraszewski was nominated to join the faculty of Kiev University as professor of Polish language, but the nomination was vetoed by the Russian government, which considered him politically suspect. In 1851 he was offered a professorship at the Jagiellonian University in Kraków, but this was again vetoed by the authorities, this time both Russian and Austrian.

In 1837 Kraszewski leased a farm in the village of Omelno. Eventually he also became a landowner in several nearby villages: Gródek, 1840–1848; Hubin, from 1848; and Kisiele, from 1854. As time passed, he steadily lost interest in farming and focused on his literary work. By the 1840s he was becoming well known as a prolific writer, and his works appeared in numerous Polish-language magazines and newspapers.

On 10 June 1838 he married Zofia Woroniczówna, niece of Jan Paweł Woronicz, former Bishop of Warsaw. They had four children: Konstancja, born 1839; Jan, born 1841; Franciszek, born 1843; Augusta, born 1849.

Kraszewski's Zhytomyr house

Kraszewski, 1861

Kraszewski travelled extensively, visiting and staying for extended periods in Warsaw (1846, 1851,1855, 1859; in 1860 he bought a Warsaw townhouse, now known as the Kraszewski House), in Kiev (on numerous occasions), and in Odesa (1843, 1852).

In 1858 he travelled to Western Europe, visiting Austria, Belgium, Italy, Germany, and France. In Italy he was received by Pope Pius IX, who admonished him for his alleged liberal bias. This, however, likely heightened Kraszewski's critical view of the Holy State. His travels in the West also made him impatient with the feudal relations – particularly, serfdom – in eastern Poland.

In 1853, in an effort to better support and educate his four children, Kraszewski moved to his wife Zofia's inherited family estate near Zhytomyr, where he became, from 1856, school superintendent and director of the local theatre (Teatr Szlachty Wołyńskiej, or Zhytomyr Theater). At first popular with the local nobility, he became less so on account of his support for the abolition of serfdom.

Kraszewski's extant house on Mokotowska Street, Warsaw

As a result, in February 1860 he moved to Warsaw to take up the editorship of Gazeta Polska, a position he had accepted the previous year, leaving his family in Zhytomyr. He grew increasingly distant from his wife, whom he would last see in 1863.

In 1858 he became a corresponding member of the Kraków Scientific Society.

In 1861 he became a member of the Delegacja Miejska, a patriotic civic organization. Kraszewski's political stance was fairly moderate; while supporting the cause of Polish independence, he saw armed struggle as premature, and initially supported conciliatory negotiations with Russian authorities represented by Aleksander Wielopolski. He has been described as "too red for the whites, too white for the reds".

As tensions grew, Kraszewski found it increasingly difficult to remain moderate. For his criticism of censorship in December 1862, the Russian authorities forced him to resign his editorship of Gazeta Polska and ordered him to leave Congress Poland. Following the eruption of the January 1863 Uprising, on 3 February 1863 he fled Warsaw.

Saxony

Kraszewsk's Dresden house, now a museum

Józef (right), brothers Lucjan (left) and Kajetan, 1871

Leaving the Russian partition, Kraszewski arrived in Dresden. His wife and children remained in the Russian partition, and he would support them financially for many years. In Dresden he connected with other Polish refugees and supported the January 1863 Uprising and the cause of Polish independence in the European press (often presudonymously, to avoid trouble with the Saxon government).

With his own funds he published a weekly, Tydzień Polityczny, Naukowy, Literacki i Artystyczny, but eventually gave up on the endeavor due to financial difficulties.

He was effectively stateless, having lost his Russian citizenship, and used a false French passport until he received Austrian citizenship in 1866. From 1865 he travelled extensively in the Austrian partition of Poland, visiting Lviv, Kraków, Krynica, and Zakopane, and also visited Poznań in the Prussian Partition. He was again considered but rejected for professorships of Polish literature, at the SGH Warsaw School of Economics in 1865 and the Jagiellonian University in 1867).

In 1868 he travelled to Switzerland, Italy, France, and Belgium. He published a travel account: Kartki z podróży 1858–1864 (Travels, 1858–1864).

Beginning in the 1870s, he increasingly suffered from health problems.

His application for Saxon citizenship was approved in 1869 and for a time he ran a printing press in Dresden. In 1871 he briefly campaigned to be elected a deputy from the Poznań region, but withdrew facing a strong opposition from the Polish conservative-clergy circles that he opposed in his newspaper polemics. In politics he kept representing the weak moderate faction.

Józef Ignacy Kraszewski, ca. 1880

He kept travellng, often invited to give lectures and attending academic conferences. In 1872 he becsame the member of the Academy of Learning. In 1873 he decided to become full-time writer, and this year alone he wrote ten novels and two academic texts. He acquired a villa in Dresden. In 1879 he celebrated the 50th anniversary of his literary career in several cities in Europe, including in Kraków in a large event (on 2 to 7 of October) during which he received the honorary degrees from Jagiellonian University as well as the Lviv University. In 1880 he attempted to travel to Warsaw but was denied permission by the Russian authorities. In 1882 he helped to found the educational institution Macierz Polska in Lwów.

He lived in Saxony until 1883, when he was arrested, while visiting Berlin, and accused of working for the French secret service, for whom he indeed worked since c. 1870. After being tried by the Reichsgericht in Leipzig in May 1884, he was sentenced to three and a half years imprisonment in Magdeburg (in the Madgeburg fortress). The case was seen as political, since Kraszewski was a vocal critic of German chancellor Otto von Bismarck, and Bismarck saw this as an opportunity to deal a blow to the Polish faction in Germany, even personally advocating a death sentence for the writer. Due to poor health, high profile of the case covered in contemporary European press, and requests from clemency from Kraszewski's friends in high places (such as prince Antoni Wilhelm Radziwiłł and king of Italy, Umberto I), he was released on bail after year and a half in 1885.

Rather than remain in Magdeburg, as his bail required, he moved to a new home in Sanremo, Italy; where he hoped to recuperate in peace. This, however, violated the terms of his release and led to the German government issuance of an arrest warrant for him. While in Sanremo, he witnessed the 1887 Liguria earthquake. When the possibility of extradition arose, he decided to move to Lausanne, Switzerland, where he bought a new house; however, he never arrived in it - he died in Hôtel de la Paix in Geneva, from pneumonia, on 19 March 1887, four days after his arrival there. His remains were transferred to Kraków, and after a large funeral on 18 April 1887 he was interred at "Saint Michael the Archangel and Saint Stanislaus the Bishop and Martyr Basilica", commonly known as "Skałka" in the Crypt of Merit.

Reception

He is credited with over 600 or 700 works, including 223 novels, 20 dramas and many short stories. He is considered one of the most prolific Polish writers, and arguably one of the most prolific writers worldwide, and one of the first Polish wriers whose works were widely translated (several dozens of his works were translated to Russian, Czech, German, French, and French; about a dozen, to Serbo-Croatian; several, to English, Italian, Lithuanian and to varios Scandinavian languages). His novels have helped to spread literacy in Poland, and were still considered popular in the mid-20th century and early 21st century.

Czesław Miłosz, 1980 Nobel laureate Polish poet, in his The History of Polish Literature (1969) described him as best exemplifying the genre of historical novel in Polish literature. Miłosz further noted that in Polish literature, Kraszewski founded the "new genre of fiction based upon documenbts and other sources where the faithful presentation of a given epoch is the main goal, and plot and characters are used simply as a bait for the readers". In popularizing Polish history, Miłosz drew a pararell between Kraszewski and Polish foremost painter, Jan Matejko, whose primary focus of works was likewise the history of Poland.

Works

Novels

An 1879 Andriolli illustration for An Ancient Tale

He is best known for his novels. Those could be divided into four major subgenres: historical novels, novels about the life of peasants, novels about the life of nobility and novels about artists. Out of those four, critics most often mention his historical and peasant novels.

His historical novels (94 total) include the epic series on the history of Poland, comprising twenty-nine historical novels in seventy-nine parts, covering the period of Polish prehistory (chronologically beginning with Stara Baśń, An Ancient Tale, 1876) to Kraszewski's present era of partitions of Poland Saskie ostatki (Saxon Remnants, 1890). Also significant are the three "Saxon Novels" (the Saxon trilogy), written between 1873 and 1883 in Dresden. Together, they create a detailed history of the Electorate of Saxony, from 1697 to 1763. Miłosz noted that the best of these are first two, Hrabina Cosel (The Countess Cosel, 1874) and Brühl (1875).

His "peasant" novels, critical of serfdom and feudalism, are also often mentioned among his important contributions. Miłosz called them his most popular works and Wincenty Danek wrote that they are the works that have popularized his name. That series includes nine positions, out of which the most important are Historia Sawki (The Story of Sawka, 1842), Ulana (1843), Ostap Bondarczuk (1847), Chata za Wsią (The Cottage Beyond the Village, 1854), Jermoła: obrazki wiejskie (Jermoła: Pictures from a Village, 1857) and Historja kołka w płocie (The Story of a Peg in a Fence, 1860). Danek also noted, referring to Historia Sawki, that Kraszewski's works were the first time Polish literature discussed the oppression of Ukrainian peasants by the Polish nobility. Ulana in turn has been praised for the "a bold and innovative analysis of the experiences of a peasant woman wronged by her lord".

Danek also praised Kraszewski's novels about the life of nobility, calling them groundbreaking for their criticism of nobility. As most important novels wit that theme he cited Latarnia czarnoksięska (Magical Lighthouse,1843-1844), Interesa familijne (Family Business, 1853), Złote Jabłko (Golden Apple, 1853), and Dwa światy (Two Worlds, 1855).

Examples of his works about the life of artists and the place of art in the wider society include Poeta i świat (The Poet and the World, 1839), Sfinks (Sphinx, 1842), Pamiętniki nieznajomego (Diaries of the Unknown, 1846), and Powieść bez tytułu (Novel without a Title, 1855). Some of those works are partly auto-biographical.

While Danek described the above four subgenres as Kraszewski's major directions, he also noted that Kraszewski, a very prolific writer, has written novels representing all major contemporary genres: romances, adventures, comedies, satires, memoires and their pastiches, gawędas, crime novels, psychological novels, sensation novels, and others.

From the technical perspective, Danek noted that Kraszewski novels introduced elements of common speech to Polish literary language. With regards to Kraszewski's characters, Danek sees them as having relatively little psychological depth, but memorable due to vivid descriptions and mannierisms, and notes that Kraszewski was best at depicting strong female characters.

Other writings

Alongside novels, Kraszewski also wrote poetry, collected in Poezje (Poems, two volumes in 1838 and 1843), and Hymny boleści (Hymns of sorrow, 1857), as well as the lengthy poem-trilogy Anafielas (1843–1846). He also penned dramas. most notably the comedies Miód kasztelański (The Castellan's Honey. 1853) and Panie Kochanku (Mr. Lover, 1857). However, as noted by critics, Kraszewski was not particularly gifted in those dimensions.

In addition to his literary work, he was a contributor to many newspapers, journals and magazines, where he published works of fiction as well as reviews and articles on topics such as art, music and morality, and later, contemporary politics. Between 1841 and 1851 he published sixty volumes of the literary and scientific journal Athenaeum, printed in Vilna. From 1836 to 1849 he was a contributor to the Tygodnik Petersburski (St. Petersburg Weekly). From 1842 to 1843 he contributed to Pielgrzym. Before 1859 he was a contributor to the Gazeta Warszawska. He was the editor of the Gazeta Polska (1859–62, from 1861, renamed to Gazeta Codzienna). In the 1860s and 1870s he wrote for, among others, Tygodnik Illustrowany, Kłosy, Bluszcz, Ruch Literacki, Tygodnik Mód i Powieści, Kraj, Biesiada Literacka, Dziennik Poznański, Wiek, and Kurier Warszawski.

While his works of fiction are the most enduring, his scholarly endeavours, primarily in the fields of history (particularly the history of Lithuania, and art history) and literary criticism, produced not only journal articles but a number of monogaphs (Wilno od początków jego do roku 1750, 1840–42; Litwa, starożytne dzieje, ustway, język, wiara, obyczaje, pieśni, 1848; Litwa starożytna, 1850; Dante, 1869; Polska w czasie trzech rozbiorów, 1873–1875; Krasicki, 1879); collected volumes of his articles (Studia literackie, 1842; Nowe studia literackie, 1843; Gawędy o literaturze i sztuce, 1857); and collections of primary materials (Pamiętniki Stanisława Augusta Poniatowskiego, 1870; Listy Jana Śniadeckiego, 1878; Listy Zygmunta Krasickiego, 1882–83).

He was also an editor, supervising publication of works by Kazimierz Brodziński (Pisma, 1872–74) and translations of Shakespeare (Dzieła dramatyczne, 1875–77).

Other arts

Eastern portrait, an 1846 painting by Kraszewski

While Kraszewski is best remembered as a writer, he was also an illustrator (he illustrated many of his works) and a painter (he displayed some of his paintings at local art exhibitions, and some where exhibited at others after his death). He also played piano and composed music (Pastusze piosenki, 1845).

He was also a collector, amassing a substantial collection of Polish drawings and etchings, which he sold in 1869 due to financial difficulties.

Themes

Kraszewski's early works describe the lives of ordinary people, and are thus a proto-Positivist critique of romantic traditions that focused on heroic individuals. Danek attributes his focus on reality to inspirations with classic novelists such as Charles Dickens, Honoré de Balzac and Nikolai Gogol. While his focus on history is similar to that of Walter Scott, Danek argues that it is sufficiently different to be considered not a copy of Scott's style. His early novels also show likely influence of Laurence Sterne, Fryderyk Skarbek. Jean Paul and E. T. A. Hoffmann.

One of the major themes of his works was Lithuania, and his works, although written in Polish language, are seen as contributing to Lithuanian National Revival. Another theme in his works was the criticism of feudal relationships, and a number of his novels feaured peasant and female heroes. His works have been described as leaning liberal-democratic, but not radical. Danek writes that Kraszewski supported the ideal of egalitarianism. He often criticized nobility, particularly aristocracy, as unproductive and degenerative, and praised peasantry and the middle class.

His attitude to religion changed over time. He became more religious after marriage (his relatives and friends included bishops Jan Paweł Woronicz and Ignacy Hołowiński and priest Stanisław Chołoniewski), but over time he became opposed to more conservative values aligned with clergy and the church hierarchy (something for which he was criticized for by the Pope).

In the realm of politics, he supported the cause of Polish independence, but opposed armed struggle, which in his literary works he thought unlike to succeed. He became more supportive of it in his newspaper polemics after the January Uprising started, effectively accepting it as a fait accompli. Some of his novels have been described as critical of Germany, reflecting a push against the policies of Germanization. Others were critical of Russia.

Remembrance

Kraszewski monument in Biała Podlaska

His works were adapted into numerous dramas; Stanisław Moniuszko composed music for the drama version of Anafielas third part, Witolorauda.

The first of his books to be adapted for film was Chata za wsią, adapted into Cyganka Aza (1926). The second was Hrabina Cosel, resulting in Countess Cosel (1968), directed by Jerzy Antczak, with Jadwiga Barańska in the title role. Twenty years later, in East Germany, the DEFA presented a six-part television series, the Saxon Trilogy, including a new version of Gräfin Cosel, directed by Hans-Joachim Kasprzik. In 2003, Stara Baśń was adapted to the movie An Ancient Tale: When the Sun Was a God, directed by Jerzy Hoffman.

Monuments to Kraszewski exist in Biała Podlaska (Józef Ignacy Kraszewski's bench in Biała Podlaska) and Krynica-Zdrój (Kraszewski's bench in Krynica-Zdrój); many other places feature memorial plaques dedicated to him.

Since 1960, his former home in Dresden has been the Kraszewski-Museum. Another museum dedicated to him was opened in 1962 in Romanów (the Józef Ignacy Kraszewski Museum in Romanów).

See also

• List of Poles

Further reading

• Elżbieta Szymańska/Joanna Magacz: Kraszewski-Museum in Dresden, Warschau 2006. ISBN 83-89378-13-2
• Zofia Wolska-Grodecka/Brigitte Eckart: Kraszewski-Museum in Dresden, Warschau 1996. ISBN 83-904307-3-8
• Elżbieta Szymańska/Ulrike Bäumer: Andenken an das Kraszewski-Museum in Dresden, ACGM Lodart, 2000
• Victor Krellmann: "Liebesbriefe mit ebenholzschwarzer Tinte. Der polnische Dichter Kraszewski im Dresdner Exil", In: Philharmonische Blätter 1/2004, Dresden 2004.
• Friedrich Scholz: Die Literaturen des Baltikums. Ihre Entstehung und Entwicklung. Westdeutscher Verlag, Opladen 1990. ISBN 3-531-05097-4
• Henryk Szczepański: Gwiazdy i legendy dawnych Katowic – Sekrety Załęskiego Przedmieścia. Katowice: Wydawnictwo Naukowe Śląsk, 2015. ISBN 978-83-7164-860-1

External links

• Detailed biography from the Brockhaus and Efron Encyclopedic Dictionary @ Russian Wikisource

• Works by Józef Ignacy Kraszewski at Project Gutenberg
• Works by or about Józef Ignacy Kraszewski at Internet Archive
• Works by Józef Ignacy Kraszewski at LibriVox (public domain audiobooks)
• Polish Literature in English Translation
• Kraszewski's Museum
• Detailed biography @ the Virtual Library of Polish Literature
• Józef Ignacy Kraszewski - biography and poems at poezja.org