File:Louise Belcourt Mound 12 2012.jpg
Louise_Belcourt_Mound_12_2012.jpg (364 × 274 pixels, file size: 64 KB, MIME type: image/jpeg)
Summary[edit]
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Painting by Louise Belcourt, Mound #12 (oil on panel, 22” x 29”, 2012). The image illustrates a later body of work in Louise Belcourt's career, her "HedgeLand" and "Mound" painting series of the late 2000s and 2010s, which shifted in a geometric direction, replacing sweeping vistas with dense, fractured configurations of stacked brick-like, modular forms and explored a greater degree of spatial effects and figure-ground contradictions. This work and related works have been publicly exhibited in prominent venues and discussed widely in national art and daily press publications. |
|---|---|
| Source |
Artist Louise Belcourt. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a later body of work in Louise Belcourt's career, her "HedgeLand" and "Mound" painting series of the late 2000s and 2010s, which shifted in a geometric direction, replacing sweeping vistas with dense, fractured configurations of stacked brick-like, modular forms and explored a greater degree of spatial effects and figure-ground contradictions. Critics described these paintings as "completely imagined places," that defied spatial logic and simultaneously suggested cityscape and landscape and equally employed the visual signs of abstraction and landscape, organic and artificial. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this distinct later phase and geometric shift in her art, which brought further recognition from major art journals, daily press publications, and institutions. Belcourt's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Louise Belcourt, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Louise Belcourt//en.wikipedia.org/wiki/File:Louise_Belcourt_Mound_12_2012.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 14:53, 28 February 2020 | | 364 × 274 (64 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Louise Belcourt | Description = Painting by Louise Belcourt, ''Mound #12'' (oil on panel, 22” x 29”, 2012). The image illustrates a later body of work in Louise Belcourt's career, her "HedgeLand" and "Mound" painting series of the late 2000s and 2010s, which shifted in a geometric direction, replacing sweeping vistas with dense, fractured configurations of stacked brick-like, modular forms and ex... |
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