File:Gerard van Opstal - Apollo and Marsyas - Walters 71476 (2).jpg

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Summary

Gerard van Opstal: English: Apollo and MarsyasFrançais : Apollon et MarsyasEspañol: Apolo y Marsyas   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Gerard van Opstal  (1594–1668)  wikidata:Q673573 s:fr:Auteur:Gérard van Opstal
 
Gerard van Opstal
Alternative names
Gérard Van Opstal; Gerard van Opstael; Gerard van Obstal; Van-Obstal; Van Obstal; Gérard van Opstal
Description Flemish-French sculptor, art dealer, carver and ivory carver
Date of birth/death 1594 or 1597 1668 / 1 August 1668 Edit this at Wikidata
Location of birth/death City of Brussels or Antwerp Paris
Work location
City of Brussels (1630–1630); Antwerp (1635–1642); Paris (1630–1668) Edit this at Wikidata
Authority file
artist QS:P170,Q673573
Title
English: Apollo and Marsyas
Français : Apollon et Marsyas
Español: Apolo y Marsyas
Description
English: The satyr Marsyas foolishly challenged the Greek god Apollo to a musical competition. If he lost, he would be flayed alive. The jury of gods judged Apollo the winner, and, here, the flaying of Marsyas, bound to a tree stump, has begun. The scene is carved from a single piece of ivory, which has been reduced to paper thinness in places in order to create depth. Van Opstal worked in marble as well as ivory. His delight in dramatic subjects involving muscular strain and tension owed much to his contemporary, the greatest Flemish painter Peter Paul Rubens. This relief can be compared to Van Opstal's style of around 1640 before he moved to Paris and became an important figure at the French court as a sculptor to King Louis XIV.
Français : Le satyre Marsyas a sottement défié le dieu grec Apollon à un concours musical. S'il perd, il sera écorché vif. Le jury des dieux a désigné Apollon comme vainqueur et, dans cette scène, l'écorchement de Marsyas, attaché à une souche d'arbre, a commencé. La scène est sculptée dans une seule pièce d'ivoire, qui a été réduite à la finesse du papier par endroits afin de créer de la profondeur. Van Opstal travaillait aussi bien le marbre que l'ivoire. Son goût pour les sujets dramatiques impliquant des efforts et des tensions musculaires doit beaucoup à son contemporain, le grand peintre flamand Peter Paul Rubens. Ce relief peut être comparé au style de Van Opstal vers 1640 avant qu'il ne s'installe à Paris et ne devienne une figure importante de la cour de France en tant que sculpteur du roi Louis XIV.
Date circa 1640
date QS:P571,+1640-00-00T00:00:00Z/9,P1480,Q5727902
(Baroque
era QS:P2348,Q37853
)
Medium ivory
medium QS:P186,Q82001
Dimensions height: 22.2 cm (8.7 in); width: 14.6 cm (5.7 in)
dimensions QS:P2048,22.2U174728
dimensions QS:P2049,14.6U174728
institution QS:P195,Q210081
Accession number
71.476
Place of creation Paris, France (?)
Object history
Exhibition history Rubens and Humanism. Birmingham Museum of Art, Birmingham. 1978.
Credit line Acquired by Henry Walters
Source Walters Art Museum: Home page  Info about artwork
Permission
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Attribution: Walters Art Museum
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Date/TimeThumbnailDimensionsUserComment
current02:49, 8 June 2023Thumbnail for version as of 02:49, 8 June 2023758 × 1,132 (473 KB)PretskiCropped 46 % horizontally, 37 % vertically using CropTool with precise mode.
02:47, 8 June 2023Thumbnail for version as of 02:47, 8 June 20231,415 × 1,800 (1.17 MB)Pretskigeder
08:14, 15 November 2018Thumbnail for version as of 08:14, 15 November 2018366 × 533 (152 KB)Lomojocrop
03:23, 26 March 2012Thumbnail for version as of 03:23, 26 March 20121,415 × 1,800 (1.17 MB)File Upload Bot (Kaldari)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Gerard van Opstal (Flemish, 1594 or 1604-1668) |title = ''Apollo and Marsyas'' |description = {{en|The satyr Marsyas foolishly challenged the Greek god Apollo to a ...
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