English: The satyr Marsyas foolishly challenged the Greek god Apollo to a musical competition. If he lost, he would be flayed alive. The jury of gods judged Apollo the winner, and, here, the flaying of Marsyas, bound to a tree stump, has begun. The scene is carved from a single piece of ivory, which has been reduced to paper thinness in places in order to create depth.
Van Opstal worked in marble as well as ivory. His delight in dramatic subjects involving muscular strain and tension owed much to his contemporary, the greatest Flemish painter Peter Paul Rubens. This relief can be compared to Van Opstal's style of around 1640 before he moved to Paris and became an important figure at the French court as a sculptor to King Louis XIV.
Français : Le satyre Marsyas a sottement défié le dieu grec Apollon à un concours musical. S'il perd, il sera écorché vif. Le jury des dieux a désigné Apollon comme vainqueur et, dans cette scène, l'écorchement de Marsyas, attaché à une souche d'arbre, a commencé. La scène est sculptée dans une seule pièce d'ivoire, qui a été réduite à la finesse du papier par endroits afin de créer de la profondeur. Van Opstal travaillait aussi bien le marbre que l'ivoire. Son goût pour les sujets dramatiques impliquant des efforts et des tensions musculaires doit beaucoup à son contemporain, le grand peintre flamand Peter Paul Rubens. Ce relief peut être comparé au style de Van Opstal vers 1640 avant qu'il ne s'installe à Paris et ne devienne une figure importante de la cour de France en tant que sculpteur du roi Louis XIV.
Date
circa 1640
date QS:P571,+1640-00-00T00:00:00Z/9,P1480,Q5727902
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== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Gerard van Opstal (Flemish, 1594 or 1604-1668) |title = ''Apollo and Marsyas'' |description = {{en|The satyr Marsyas foolishly challenged the Greek god Apollo to a ...
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